Rudy Panucci On Pop Culture

Author: Rudy Panucci (Page 87 of 581)

Sunday Evening Videos: Betty Boop Turns 90

Above you see the first film appearance of iconic animated sexpot, Betty Boop, in the Max Fleischer cartoon, “Dizzy Dishes, release ninety years ago, on August 9, 1930. You may notice that Betty isn’t quite human in this cartoon.  Betty began life as a French Poodle anthropomorphized into a Flapper, but over the course of a few months her ears became her hoop earrings and she became fully human. Betty was the first female character to have her own cartoon series.

Inspired by actress Clara Bow, singer Helen Kane and others, Betty went on to become a bigger star than all her influences put together. Today she’s still a merchandising powerhouse, and multiple companies are planning revivals of Betty as animated shorts, feature films and a Broadway musical (currently on hold due to the pandemic). She’s still a fashion icon, too, and even has a new book out.

If I’m posting video of Betty Boop, I’m not going to pass up the chance to include one of her cartoons that includes the legendary Cab Calloway…

Betty’s most recent stint in animation was a digital cartoon that was a little bit of a commercial for designer, Zac Posen. “Betty Goes A Posen” was released in February, 2017…

Betty went through a few changes over the years, being de-sexualized quite a bit during the years of the Hays Code in Hollywood, but she’s back to her old self in today’s cartoons and merchandise.

Happy Birthday, Betty!

 

The RFC Flashback: Mini-Show number 29

This week we do a double jump into the past. Back in July, 2014 we first published the twenty-ninth episode of The RFC MINI SHOW, but this show was actually made up of footage shot back in May, 2011, at the Blue Parrot.

Our focus was the band, InFormation, which is no longer a band, but two members, Curtis and Shane, are currently in Beggars Clan, who just released a killer debut album last year.

As their website said at the time, “InFormation brings everything you need for a Rock ‘N’ Roll show; mind melting guitar solos, killer guitar riffs, 9 string basses, 7 string basses, drum solos, catchy lyrics, and most of all a real good time.”

 

The Year Without A Halloween

The PopCulteer
August 7, 2020

I touched on this concept a few weeks ago, but now that the date draws near, it’s becoming very clear that Halloween in 2020 is going to be a mere shadow of its normal self.

The various components that make up Halloween are not all likely to happen as usual this year.

Trick or Treat is a non-starter. Nobody in their right mind could think that sending children door-to-door during a pandemic is a good idea. Not only do you put the kids at risk, who would want strange kids coming to their door asking for candy when they might be spreading the coronavirus?

Likewise, organized school or church parties are not going to be feasible with limits on how big a gathering can be.

Adult parties are also less likely to happen, and even if they do, babysitters are going to be in short supply, and there’s still the matter of people who have more than an ounce of common sense refusing to attend. People are nervous about dining out or sending their kids to school. They’re not going to want to dress up and go to a party.

Bars, which depend on Halloween to generate some of their most profitable and well-attended debauchery are probably not going to be open, and if they are, they are still going to have to operate without the participation of the people who would rather not catch a fatal or life-changing disease just so they can have a drink with their buddies while wearing a goofy costume.

It will be interesting to see how the businesses that depend on Halloween for a big chunk of their annual revenue will deal with this most unusual, yet interesting of times. Halloween, and later Christmas, will be two of the last dominos to fall in our great economic collapse.

The L.A.Times published a great article about the business aspects of Halloween (after I started working on this essay, but the timing is really convenient). If you haven’t already exhausted your free article limit this month, you can read it HERE.

In case you have, here’s a chunk of the beginning of the article:

With less than three months before the annual celebration of all things ghoulish and creepy, many Halloween festivities have either been canceled or will be dramatically altered out of fear of the nation’s biggest terror: COVID-19.

The likely results: A drop in orders for trick-or-treat candies and Halloween costumes and the loss of big crowds and hefty revenues at theme parks that host Halloween-themed events.

In short, another financial blow to an economy already weakened by the business closures and double-digit unemployment rates caused by the pandemic.

Halloween is “the holiday that comes second after Christmas as far as spending goes,” said Tom Arnold, a professor of finance at the Robins School of Business at the University of Richmond. “I don’t think it would be wrong to predict that spending gets cut in half, at a minimum.”

The article goes on to discuss how COVID-19 will torpedo theme parks, cruise lines and places that host haunted houses, and how Halloween retailers like Spirit Halloween and Party City’s Halloween City plan to open as usual later this month, but are preparing for a disastrous season as demand for costumes and decorations plummet.

Many costume-makers started dumping product as early as May, selling it to outlets like Zuilly and Ollie’s as “cosplay” and “dress-up” items. It was sort of weird to log into Zuilly on the fourth of July and see “Sexy Librarian” outfits.

Hershey, which counts on Halloween candy for 10% of its revenue in a normal year, is going to attempt to sell the public on the idea of a ten-week “Halloween Season.” They’re rushing their specialty candy, which includes green Kit Kat bars and Reese Cups and other horror-themed treats, into stores early so they can try to avoid having it all marked down to a fraction of its suggested retail price on November 1.

With bars closed or operating at limited capacity, the beer companies are cutting production and cutting back on Halloween promotions.

2020 might turn out to be the year that people observe Halloween by watching horror movies at home while eating big bowls of General Mills’ Monster Cereals like Count Chocula. I would guess that the only people who come out ahead will be streaming services, online retailers who sell horror movies and pizza delivery companies.

I know lot of die-hard Halloween fans are going to be disappointed and sad this year.

In the grand scheme of things, though, maybe taking a year away from traditional parties isn’t really that big a sacrifice. Halloween monsters would probably seem a little tame this year anyway.

Freddy Kruger or Jason might not seem so scary when there’s a very real possibility of catching a disease that will make you die alone in a hospital bed, laying face down with tubes rammed up or down your most delicate orifaces, spending your last days hallucinating from the sedatives they have to give you to keep you from ripping out your IVs.

We can’t forget why we’re doing this. COVID-19 is a real, airborne virus. It can be spread by people who show no symptoms and have no idea that they’re inflicting the virus on other people. Elderly people can die from this. Young, healthy people who catch this are more likely to survive, but they also have a good chance of sustaining permanent lung, heart or vascular damage. They may lose limbs. Children who get this disease can indeed die from it, but even if they survive they can develop vascular imflammation that can lead to serious life-long health issues.

The Coronavirus is way more scary than any Halloween story.

If there’s a silver lining (and God knows we could use one) it’s that maybe we can come out of this with a greater appreciation of our societal rituals and traditions. If you think a year without Halloween is bad, wait until we get to a Quarantine Thanksgiving. And forget about going over the river and through the woods to grandmother’s house. If she’s smart she ain’t letting anybody in.

I’ve been pretty vocal about being burned out on Halloween here in PopCult for some time now. I could use a year off from it. I love horror movies and monster movies and scary stuff and always will, but I can do without the focus on beer parties and overly-commercialized Halloween regalia. Honestly, the idea of celebrating Halloween by eating Graziano’s pizza while watching Svengoolie sounds pretty damned swell to me.

Think how much fun it will be when things go back to normal in 2021 (or 2022). Maybe we can appreciate everything a little more and respect just how fragile life on this planet is.

Then we can get back to being terrified of movie monsters, instead of going to the grocery store.

That’s this week’s PopCulteer. Check back for fresh content every day, and all our regular features.

Ren and Stigma

Yesterday Comedy Central announced that they will produce a reboot of the classic Nicktoon, Ren and Stimpy. They will be doing this with no contributions from the show’s creator, John Kricfalusi, whose history of grooming and sexual harrassment came to light a couple of years ago.

When the news of John’s alledged and well-documented pervishness came to light, I wrote about how you probably wouldn’t be reading PopCult if it hadn’t been for Ren and Stimpy. Mel Larch and I were such fans of the show that we talked about it non-stop, and that led to us writing the “Animated Discussions” column for the Charleston Gazette from 1992 to 2005, at which time I transitioned into writing PopCult as a blog. Finding out about John was a gut-punch from which I have yet to recover. What we thought was goofy mysoginistic shtick was actually the way John viewed the world.

Knowing about the scandals and considering that R&S was rebooted as an adult cartoon about 18 years ago with somewhat disastrous results, this is a bit of a surprise. That John K has been so disgraced that Comedy Central not only had to declare not only that he wouldn’t be involved, but that he wouldn’t even profit from it, makes it even more of a surprise that they bothered to try this at all.

This revival/reboot is the brainchild of outgoing ViacomCBS Entertainment & Youth Group president Chris McCarthy, who is moving upstairs to run several Viacom networks. Marvel Studios and Fox Entertainment alum Grant Gish, will be taking over the Youth Group and implementing the revival.

“We are excited to reinvent this iconic franchise with a new creative team and our partners at the Nickelodeon Animation Studio,” McCarthy said. “Ren & Stimpy joins our rapidly expanding roster of adult animation including South Park, Beavis and Butt-Head and Clone High as we continue to reimagine our treasure chest of beloved IP for new generations.”

It’s purely a nostalgia move, probably encouraged by the fact that R&S merchandise still sells so many years after any new cartoons were produced. The characters still have appeal to mainstream audiences, who may not know or care about their creator’s actions.

These new shows, plus a spinoff of the Daria cartoon, are being produced by ViacomCBS’ in-house production studios, with Nickelodeon — home to the original Ren & Stimpy — overseeing the new take, while the others are from MTV Studios. McCarthy launched MTV Studios two years ago with a goal to monetize the company’s vast library and sell to third-party buyers. Older animated properties have been turning up on Viacom’s streaming service, Pluto.TV, since Viacom purchased the platform last year.

If it is possible to set aside the stigma attached to Ren and Stimpy (a crowdfunded documentary about the show and about John K’s behavior will premiere on Video On Demand next week), then there’s a chance that this revival might be good. No creative team for the new series has been announce yet, but as mentioned in the press release it will be produced by Nickelodeon Studios.

That means that they could simply give it to the crew who produce SpongeBob Squarepants, and wind up with several R&S veterans who could give them a better show than the original few John K-produced episodes, which, to be honest, have not aged particularly well.

Master animators Bob Jacques and Kelly Armstrong work on SpongeBob now, and the executive in charge of creative for the show is Vince Waller, who directed many of the most memorable R&S episodes when he was just breaking into the business.

I would hope that Viacom reaches out to former “Spumco Big Shots” Bob Camp and Lynne Naylor to participate, as well as voice artist Billy West, writer Rich Pursel and background artist Bill Wray. There are a few other people who contributed greatly to R&S‘s initial success who have gone on to work on SpongeBob Squarepants. The show can be done without John K.

However, there is the question of whether John K’s dark past will still cast a shadow over any revival. That remains to be seen, as does this entire reboot, which won’t make it to the air for at least a year, and that’s if they really rush things.

Your PopCulteer has mixed feelings.

Beatles Blast, Curtain Call, New On The AIR Wednesday

Wednesday afternoon The AIR brings you brand-new episodes of Beatles Blast and Curtain Call!  You can tune in at the website, or on this embedded radio player…

At 2 PM, your humble blogger returns with the long-delayed first post “Lost Beatles Project” edition of Beatles Blast.  This week we take an in-depth look at the new Archive remastered edition of Sir Paul’s 1997 album, Flaming Pie. The show opens with the title track of the album, then brings you all six parts of the rarely-heard Oobu Joobu, a “radio show” that was presented as B-sides to the various singles and 12″ mixes released from this album. You’ll hear Mr. McCartney play song fragments and talk about the composition and recording of songs from the album. We wrap up the show with a couple more rare tracks from the boxset of the Flaming Pie album.

Beatles Blast can be heard every Wednesday at 2 PM, with replays Thursday at 10 PM, Friday at noon, Saturday at 4 PM, Sunday at 5 PM and Tuesdays at 9 AM, exclusively on The AIR. For the next few weeks you can hear mini-marathon replays of “The Lost Beatles Project” every Sunday at 2 PM.

At 3 PM Mel Larch devotes the entire hour of Curtain Call to tracks from non-cast albums recorded by Broadway stars. Since theaters are still dark due to the COVID-19 pandemic, Mel decided to bring you music from the side gigs of Broadway stars when they’re not gracing the stage. Some of them release studio albums, while others perform cabaret shows, either way, they continue to make music outside of the theatre.  You’ll get to hear stars like Ben Platt, Betty Buckley, Michael Ball, Lea Salonga and Huntington’s Michael Cerveris, cutting loose on different songs than they usually get to sing. Check out the playlist…

Curtain Call 091

Ben Platt “New”
Betty Buckley “I Feel Lucky”
Michael Ball “Bright Eyes”
Lea Salonga “Where Is Love/As Long As He Needs Me”
Ramin Karimloo “Moving Too Fast”
Max Von Essen “Can’t Take My Eyes Off Of You”
Kristen Chenoweth “Zing! Went The Strings Of My Heart”
Jessica Vosk “The Entertainer/Goodbye Yellow Brick Road”
Michael Cerveris “Tenth Grade”
Jan Daley “Will You Still Love Me Tomorrow”
Barbara Sreisand, Anne Hathaway and Daisy Ridley “At The Ballet”
Mandy Patinkin “Take Me Out To The Ballgame (Yiddish)”
Cassie Levy “Out of the Blue”
Sarah Brightman “Fly”

Curtain Call can be heard on The AIR Wednesday at 3 PM, with replays Thursday at 8 AM and 9 PM, Friday at 10 AM and Saturday at 6 PM. An all-night marathon of Curtain Call episodes can be heard Wednesday nights, beginning at Midnight, and an additional marathon can be heard Sunday evenings from 6 PM to midnight.

NEW! NEW! NEW On The AIR Tuesday!

Tuesday on The AIR it’s ALL NEW as we deliver brand-new episodes of Radio Free Charleston, NOISE BRIGADE and The Swing Shift.  In order to hear these bright, shiny new gems, you simply have to move your cursor over and tune in at the website, or you could just stay on this page, and  listen to this excitable little embedded radio player…

We have yet a new Radio Free Charleston at 10 AM and 10 PM Tuesday.  And when we say “NEW,” we mean it. Every song in this three-hour epic was released in 202, even the mystery bonus track at the end. We mix in some new local music, but we also have newly-released tracks from The Aquabats, The Rolling Stones, Blancmange, Pretenders, John Foxx, Miles Davis, Psychedelic Furs and many more.

Check out the playlist to see all the brand-new goodies we bring you this week…

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The Aquabats “Aliens and Monsters”
The Rolling Stones w/Jimmy Page “Scarlet”
Jay Parade “Hearts and Minds”
The Light In The Ocean “Hamilton Big Boys”
Battleship Battleship “Ad Hominem”
Pretenders “Hate For Sale”
Psychedelic Furs “Ash Wednesday”
John Foxx and the Maths “Howl”
Release Early, Release Often “A Sarasota Maybe”
David Synn “Poseidon”
Bush “Blood River”
Jerks! “Our Ex”
My Morning Jacket “Wasted”

hour two
Mark Beckner Group “With The Scientific Curiosity of Ghouls”
PJ Harvey “Happy and Bleeding (demo)”
Rel X “Whatever It Is”
The Dead Daisies “Fortunate Son”
The Dollyrots “Make Me Hot”
Magic Bus “Easy Om”
Scarlet Moon “Fifth Dimension”
Miles Davis “Funky Tonk”
Telergy “Georgia”

hour three
The Aquabats “Bed Head”
You Suck Flying Circus “Clean Head”
Rick Wakeman “The North Plain”
Dennis DeYoung “A Kingdom Ablaze”
Residents “She Called Me Doggy”
PRVIS “Dead Weight”
Seth Allen Holmes “Jupiter Girl”
Kansas “Throwing Mountains”
Yello “Wabu Duba”
The Molly Ringwalds “Head Over Heels”
Blancmange “Diagram”
Lady Gaga “Free Woman”
The Fratellis “Lay Your Body Down”

Radio Free Charleston can be heard Tuesday at 10 AM and 10 PM, with replays Thursday at 2 PM, Friday at 9 AM and 7 PM, Saturday at 11 AM and Midnight, Sunday at 1 PM and the next Monday at 8 PM, exclusively on The AIR.

At 1 PM we bring you an encore of last week’s “Stars Go Clubbing” episode of MIRRORBALL that you can read about HERE.

At 2 PM Steven Allen Adams graces us with a new edition of NOISE BRIGADE that’s opens with a mini-tribute to the golden girls of punk, The Go-Gos. Check out the playlist to see what Steve’s got up his sleeves…

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The Go-Go’s “Fashion Seekers”
The Go-Go’s “Living at the Canterbury/Party Pose
The Specials “Do the Dog”
Bite Me Bambi “Song 2 (Blur Cover)”
The Aquabats “Karate Body!”
Mad Caddies “New Song (Sublime Cover)”
NOFX “Substitute”
The Holophonics “Spinning Wheel (Cover)”
Masked Intruder “Marry Me”
MxPx “My Life Story (LIQ Edition)
Jay Parade “August”
MxPx “Fever Dream”
The Raging Nathans “Where Ya Been?”
Masked Intruder “If You Would Hold My Hand”
The Slackers “Sleep Outside”
The Mazlows “Leaving Town”
Slick Shoes “Whispers”
Jay Parade “Mental Trillness”
Bite Me Bambi “Gangsters (Cover)”

NOISE BRIGADE alternates weeks with Psychedelic Shack Tuesdays at 2 PM, with replays Wednesday at 11 AM and 10 PM, Thursday at 8 AM, Friday at Noon, Saturday at 10 AM, Sunday at 4 PM and Monday at 7 PM.

At 3 PM your PopCulteer returns to host a new hour of The Swing Shift as do double-shots of great Swing artists from all over the last century. I was inspired to do this by Ty Pedersen, who sent me a couple of songs last week. I couldn’t decide which one to use on this show, so I just doubled up on everybody. You won’t be seeing double when you check out the playlist…

The Swing Shift 097–double shots

Ty Pedersen ” Mysterioso” “T-Boneasaurus”
Joe Jackson’s Jumpin’ Jive “Stompin’ At The Savoy (live)” “TP Special (live)”
Mariksa Veres Shocking Jazz Quintet “You Really Got Me” “A Lot Of Livin’ To Do”
Benny Goodman “Goodnight, My Love” “I’ve Found A New Baby”
Big Bad Voodoo Daddy “I Like It” “Mr. Pinstripe Suit”
Lady J and her Bada Bing Band “Sweet Talking Devil” “Let Me Pay You Back”
J Street Jumpers “Beware” “Jump Jive and Wail”
Cherry Poppin’ Daddies “Master and Slave” “Mister White Keys”

You can hear The Swing Shift Tuesday at 3 PM, with replays Wednesday at 7 AM and 6 PM, Thursday at 2 PM and Saturday at 5 PM, only on The AIR. You can also hear all-night marathons, seven hours each, starting at Midnight Thursday and Sunday evenings.

Monday Morning Art: In And Around A Lake On Planet Dean

 

I’m sure it’s happened to you. You just suddenly get the urge to do a digital painting of a metallic sphere floating over a lake on an alien planet. So what else are you gonna do but paint the dang thing?

Yes, I was listening to music by YES when I painted this. Why do you ask?

Above you see a quick digital painting where I pay tribute to Roger Dean, famed for painting many iconic album covers for YES and ASIA and others. That I managed to create a nearly-recognizeable tribute to Mr. Dean without an ounce of his technique is a testament to how lucky I got with this attempt. Usually when I swipe from him nobody can tell.

If you want to see it bigger, just click on the image.

Meanwhile, Monday on The AIR, we bring you four episodes of Sydney’s Big Electric Cat from 7 AM to 3 PM. With luck, this eight hour bonus of crunchy New Wave goodness will mean that this Friday we’ll get a new episode of Sydney Fileen’s ongoing love letter to the exciting music of the New Wave era.

At 3 PM on Prognosis, Herman Linte brings us a show devoted to newly-released progressive rock. That’s followed by a classic Prognosis and an evening of Psychedelic Shack and Radio Free Charleston.

You can listen to The AIR at the website, or on this embedded radio player…

Sunday Evening Video: Linus The Lionhearted

August puts us right smack in the middle of Leo the Lion time, and so this week we are going to look back at Leo’s cousin, Linus.

Back in the 1960s, in the glory days before Action for Children’s Television convinced Congress to water-down Saturday morning cartoons, it was possible for a character designed as a mascot for a cereal to become so popular that a network would give him a full-blown series.

This sort of happened with The GEICO Caveman a few years ago, in prime time.

But in 1964 for the Post Cereal mascots all appeared on a cartoon program starring Linus the Lion, who was, at the time, the mascot for Crispy Critters, an attempt at making cereal in the shape of animal crackers. Linus the Lionhearted was sort of an all-star jam of Post Cereal mascots, presented as entertainment. It ran for two seasons on CBS, and was then re-run on ABC until the FCC made them take it off the air in 1969.

The cereal didn’t last long beyond that, but some of the cereal mascots that appeared as supporting characters are still around today and a few more of the cereals they represented still exist, with new mascots. Linus had actually been recycled from a previous failed cereal that was just a knock-off of Cheerios. During its heyday, this show was popular enough to spawn a lot of merchandising and even a full-length LP.

Linus the Lionhearted stood out because it was the most brazen example of taking mascots for kid’s cereals and basing a full-length show on them. Since Post Foods sponsored the show, it had the effect of being a half-hour commercial. This summary from IMDB gives you an idea of what the show was like, “Linus the Lion is the kind-hearted King of a jungle populated by such bizarre characters as the crabby Sascha Grouse and the vivacious Dinny Kangaroo. Each episode of this series features four animated shorts, the first with Linus and his friends, followed by an adventure with the cool and hip Sugar Bear (from the Post Sugar Crisp commercials) and his two foes, a fiesty granny and a scheming wolf. The third cartoon in each episode involves a kindly postman named Lovable Truly and his canine friend, who is constantly chased by a weasely dog catcher. And the fourth and final short cartoon features So Hi, a Chinese boy.”

The animation was typical low-budget fare of the day, a cut above Rocky and Bullwinkle, a few cuts below The Flintstones, but the voice cast was phenomenal. Sheldon Leonard voiced Linus. Carl Reiner voiced several supporting characters. Other regulars were voiced by Paul Frees, Ruth Buzzi, Jesse White and Bob McFadden. Guest voices included Jonathan Winters, the comedy team of Stiller and Meara and Tom Poston. Also of note is that the gag at the end of the show, an old vaudeville bit where someone “sweeps up” the spotlight, was later swiped by Carol Burnett.

This was one of the show that Chuck Jones dismissed as “animated radio,” but it has a certain charm among it’s blatant commercialism. This copy of the show is complete, but in black and white. You can find color clips of it on YouTube, but this one is a full episode, with commercials, which is more appropriate.

The RFC Flashback: Episode 112

RFC 112 "Toxic Soup Shirt" from Rudy Panucci on Vimeo.

Let’s go back to October, 2010 for Radio Free Charelston 112, “Toxic Soup Shirt.” We had three bands making their RFC debut–Crossroads, Doctor Curmudgeon and Happy Minor.  We also have a movie trailer for the documentary, “Toxic Soup,” and one for “Jazz From Hell,” which remains unfinished, ten years later.

“Toxic Soup” also provided the shirt I wore in this episode.  Host segments were shot in the Davis Fine Arts building at West Virginia State University, and it was a cool setting, and my old stomping grounds. Big thanks to Stefani Andrews for making her debut as an RFC crew member.

Original production notes can be found HERE.

The Stars Do Disco And Random Rumblings

The PopCulteer
July 31, 2020

2020 has proven to be the year of interesting times, and it’s hard to believe that we’re already at the end of July. We  have a handful of short items this week, so let’s dive in…

The Stars Go Clubbing On MIRRORBALL

It’s hard to believe, but we’re already up to our seventh edition of MIRRORBALL  Friday afternoon on The AIR. and that’s followed by two great encore epsodes of Sydney’s Big Electric Cat.  You can hear all this good stuff on The AIR website, or just click on this embedded radio player…

MIRRORBALL returns as Mel Larch takes you back to the days when everybody wanted to get in on the Disco act. In this episode The Stars Go Clubbing as we hear Disco tunes from such non-Disco artists as The Rolling Stones, Barbara Streisand, KISS, Paul McCartney, Blondie and more.

Check out the VIP playlist for this exclusive Disco party…

MIRRORBALL 007

Rod Stewart “Do Ya Think I’m Sexy”
Blondie “Heart of Glass”
Paul McCartney & Wings “Goodnight Tonight”
Ringo Starr “Drowning In A Sea of Love”
Diana Ross “Upside Down”
ELO “Shine A Little Love”
Rolling Stones “Miss You”
Barbara Streisand/Donna Summer “No More Tears (Enough Is Enough)”
Johnny Mathis “Gone, Gone, Gone”
Leo Sayer “Thunder In My Heart”
The Jacksons “Shake Your Body”
KISS “I Was Made For Lovin’ You”
Cher “Take Me Home”

You can tune in at 2 PM and hear the latest edition of MIRRORBALL. The plan is to drop a new episode roughly every other Friday afternoon, until Mel gets tired of doing it, or people stop listening. Later today, it will go up in the Podcast section of The AIR website, so you can listen on demand.  MIRRORBALL will also be replayed Friday night at Midnight, Saturday at 6 PM (part of a marathon), Sunday at 11 PM and Tuesday at 1 PM. We’ll probably sneak in a few more airings during the week.

Still No Stuff To Do

The pandemic, ensuing shutdown and continuing seriousness of the situation have combined to pretty much wipe out local events. There are a few things happening, but your PopCulteer does not feel comfortable recommending them to anyone. I can’t really suggest that anybody attend any in-person event, and there are so many virtual online events that I can’t possibly keep track of them all. So my advice for Stuff To Do remains…stay safe, use common sense, and don’t fall for any crazy conspiracy theories that say this whole thing is a hoax. Herman Cain didn’t take COVID-19 seriously, and look what happened to him.

Wrestling With Ratings

WWE, the dominant wrestling company in the world had a secret that’s been hidden in plain sight for over 19 years. Their television ratings have been in a slow, steady decline, even as their television rights fees have exploded to new heights The current viewership, in the midst of the pandemic, is about one-eighth the size it was at WWE’s peak, twenty years ago. The average age of a WWE viewer now is in the upper 50s, as the wrestling company has failed to attract younger viewers to begin watching their programming. It’s been like this since WWE bought their rival WCW, and went into a non-stop victory lap. While the company has soared to its greatest financial heights, it’s happened with a steadily eroding fanbase.

Variety has finally noticed this and called attention to it yesterday.

They Still Got The Beat

Showtime is debuting a new documentary devoted to The GoGos this weekend. “The GoGos” gives the band the chance to tell their own story for the first time. It’s getting rave reviews, and Rolling Stone has a great interview with the director and members of the band. NPR offers up a review of the documentary HERE.

To get you in the mood, you can hear “Club Zero,” the band’s first new song in 19 years right here…

With that we shall beat it for the week. Check PopCult for fresh content every day and all our regular features.

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