PopCult

Just about every Tuesday I tell you how great it is to tune into The AIR  and today we prove it once again with a new episode of Radio Free Charleston! To listen to The AIR, you simply have to point your cursor over and tune in at the website, or you could just stay here, and  listen to the cool embedded player found elsewhere on this page.

You can hear Radio Free Charleston Tuesdays at 10 AM and 10 PM, with boatloads of replays throughout the week.

This week we open the show with a track from Chicago’s Kerosene Stars.  This is one of our Chicago pipeline bands, and Kerosene Stars, is crowdfunding their next album. The campaign has 9 days left,I first told you about this project two weeks ago, but you can still go check out their music HERE, and if you like what you hear, go support the campaign HERE.

That’s not all the cool stuff we have this week, though. We play a song about Bulletman to plug this weekend’s Kentuckiana GI Joe Toy Expo in Louisville, courtesy of Stitch Jones & His Bionic Marines, and we have new music from The Polkamaniacs, The Rolliing Stones, Cricketman, Duck City Music, Naked Brunch, William Matheny, Stephen Kohler, Jeff Ellis, Sasha Colette & The Magnolias, Tim Bowness, Nothing To Protect, Matt Berry Trio, Magic Sands, Ghoulbox and more, spread out across all three hours of this week’s all-new program.

It’s a wild mix of local, independent and cult artists, proving that free-format radio is still not dead yet.

Check out this playlist, with links to the artist’s page…

RFC V5 277

hour one
Kerosene Stars “Don’t Follow Me”
Stitch Jones & His Bionic Marines “Bullet man”
The Polkamaniacs “The Big Lebowski Polka”
Hardy Mums “Cuttin’ Sage”
The Rolling Stones “Rough And Twisted”
Whippers “Hoosier Daddy (live)”
Payback’s A Bitch “Stop The World, I Wanna Get Off”
Cricketman “Too Many Bosses”
The Aquabats “Anti-Matter”
Red Audio “Girl From Outer Space”
Wendy James “Bad Intentions And A Bit of Cruelty”
Amazing Heeby Jeebies “White Light, White Heat”
Emmalea Deal & The Hot Mess “Unravelling”
Duck Cty Music “Windows Down”
Naked Brunch “Kiddie Pool”

hour two
William Matheny “Everyone Leaves Everyone”
Jeff Ellis “Holding On For Now”
Stephen Kohler “Paintbrush”
Elvis Costello “Pay It Back”
Sasha Colette & The Magnolias “Folklore And Fairytales”
Tim Bowness & Butterfly Mind “Sing To Me”
Option 22 “What Do We Do”
The Settlement “Gotta Have You”
Nothing To Protect “Silver Moon”
Matt Berry Trio “Everything’s Peachy Pt. 7”
Magic Sands “Back door”
Decomposing In Paris “The Way It Is”
Veezy Coffman “Chayil”

hour three
Ghoulbox “Diggin’ You”
Kerosene Stars “Kerosine”
John Radcliff and Bobby Miller “Body”
Julez and the Rollerz “I Don’t Know You”
Samuel S.C. “I Need A Moment”
The Pretty Reckless “For I Am Death”
CHUM “Headhunter”
GRPPLNG “Hellbound”
Mega Ran “Wrestling Is Better Than What You Like”
Tunesmiths “Hands Over Eyes”
Of The Dell “Yes I Will”
June Swoon “Someone Else’s Dream”
The Paranoid Style “Shark Eyes”

You can hear this episode of Radio Free Charleston Tuesday at 10 AM and 10 PM on The AIR, with replays Wednesday at 9 AM,  Thursday at 2 PM, Friday at 9 AM, Saturday at Noon and Midnight, Sunday at 8 PM and  Monday at 11 AM, exclusively on The AIR. Now you can also hear a different classic episode of RFC every weekday at 5 PM, and we bring you a marathon all night long Saturday night/Sunday morning.

I’m also going to  embed a low-fi, mono version of this show right in this post, right here so you can listen on demand.

After RFC, stick around for encores of last week’s episodes of  MIRRORBALL at 1 PM and Curtain Call at 2 PM.

At 3 PM we bring you two classic editions of The Swing Shift, just to get you all Swingy and Stuff.

 You can hear The Swing Shift Tuesday at 3 PM, with replays Wednesday at 8 AM, Thursday at 9 AM,  Friday at 10 AM and 8 PM and Saturday afternoon, only on The AIR . You can also hear all-night marathons, seven hours each, starting at Midnight Thursdays and Sundays.

This week’s art is a very small, very rough first attempt at capturing a view from the CTA Brown Line (AKA “The L”) in Chicago.

It’s watercolor on textured paper. My intent is to re-do this in acrylics on canvas.  Rest assured that, when I do, that flaming bright green I used on the one tree will be considerably tamed.

I was knocking this out quick, and didn’t bother mixing the paints to my satisfaction.

The finished piece will feature considerably more detail, and quite a bit of the Edward Hopper flair that I’ve been playing with for a few years now.

If you want to see this image larger and uncropped, click HERE.

Meanwhile, over in radioland, Monday beginning at 2 PM on The AIR,  we bring you a classic episode of Psychedelic Shack, and then at 3 PM we do the same with an encore of the very first episode of Herman Linte’s weekly showcase of the Progressive Rock of the past half-century, Prognosis.

You can listen to The AIR at the website, or on the embedded radio player elsewhere on this page. Psychedelic Shack can be heard every Monday at 2 PM, with replays Tuesday at 9 AM, Wednesday at 10 PM, Friday at 1 PM,  and Saturday at 9 AM. You can hear Prognosis on The AIR Monday at 3 PM, with replays Tuesday at 7 AM, Wednesday at 8 PM, Thursday at Noon, and Saturday at 10 AM.

Tonight at 8 PM, tune in for a classic edition of The Comedy Vault. That’s followed by two-hour blocks of Curtain Call and Beatles Blast at 9 PM and 11 PM, and then an overnight assortment of our Haversham Recording Institute programs at 1 AM.

It’s once again time to plug a great toy show that’s within easy driving distance of Charleston,  and your PopCulteer and his wife will be there.

The Twelfth Annual Kentuckiana GI Joe Toy Expo happens next weekend in Louisville, Kentucky. It’s Saturday (with a Friday preview night) and it happens at the Paroquet Springs Conference Centre, at 395 Paroquet Springs Drive, in Shepherdsville, KY, just like last year.  It’s not far at all from the South Louisville Antique Toy Mall, so most veteran toy collectors ought to have an easy time finding it.

This is a great show. I’ve been to several in the past, and above and below you’ll see videos I made to document the visits. Up top it’s our Music Video clip from last year. Below you’ll see several videos from the years preceding.

Of special note this year is the fiftieth anniversary of Bulletman, which will be celebrated in style at the show. That celebration will kick off Tuesday with a special song on Radio Free Charleston.

There will be dozens of dealers with great vintage GI Joes, plus GI Joe from the Real American Hero era and brand-new custom uniform sets and figures for 12″ and 3 3/4″ GI Joes. There will also be a trio of great new Adventure Command figures (plus accessory sets) that will pay tribute to the “Adventures of GI Joe” line of figures from 1969. Plus there will be tons of other action figures and toys for sale. You might find MEGO, Big Jim, Super Joe, Johnny West, Major Matt Mason and many other great toys from the past.

Collectors can expect new convention sets from several cutomizers and independent toymakers . This is some terriic stuff that is keeping the 1/6 scale hobby alive.

Visit the Kentuckiana GI Joe Toy Expo Facebook event page for more information. It should be a great time, and your PopCulteer will be there, so come up and say “howdy” or something.

This week we go back to the first week of February, 2014, for a show jam-packed with great music and cool stuff. Radio Free Charleston 195, “Powdered Toast Man Shirt,” was our first full-length show of 2014, and it’s fairly epic.

We had music from Spencer Elliott, Cemeterry Schultz, Sign of The Fig, WATT 4 and Crystal Bright and The Silver Hands. We also featured two animated shorts by Jake Fertig, and a trailer for a screening of the classic movie, “Metropolis” at the Clay Center Electric Sky Theater. We miss the days when The Clay Center would screen classic movies in the Sky Theater. It’s such a great place for that.

Host segments were shot in front of The Clay Center, while our musical performances were recorded all over town, at Unity Church, Kanawha Players Theater, The Blue Parrot, The Empty Glass and also in an undisclosed Downtown Charleston alley.

You can find fully-detailed production notes HERE.

The PopCulteer
July 10, 2026

So, I was out of town last weekend, missing most of the Fourth of July festivities, but I had a good reason.

Mel Larch, my beautiful wife, wanted to see a play at Steppenwolf Theatre Company in Chicago, and it closes this coming Sunday.  I didn’t realize that it was already running when I found out last month that it was happening NOW, so I told Mel to see if she could get tickets for the weekend of July 4th, because it was the only weekend we had free before Catch As Catch Can closed.

Amtrak terlet selfie, taken at hour 15 of the trip out.

So we hopped on the heat-hampered and delayed Amtrak Cardinal to spend 76 hours in Chicago, where we saw an amazing play, did a little bit of shopping, rode on the L like it was an amusement park ride, and then got to head home on the Cardinal, which was differently-impaired this time. I don’t know what happened, but when we pulled into Charleston, the entire Amtrak train, engine and all, was being pulled by a CSX engine.  We got in four hours late…and it was no big deal. We still had loads of fun.

Since we’re hitting the road again Friday to go to Krugerfest in Wheeling, I’m just going to write a quick review of the play (which is nearly sold out for it’s last three performances, but you can try to get a ticket if you’re in Chicago), and share some photos from the trip.

Catch As Catch Can Is Stunning!

One of the fun things I do when Mel has a play that she really, really wants to see, is to keep myself in the dark about it. I knew nothing about this play going in. I didn’t know if it was a comedy or drama, or what it was about, or even the author’s name. All I knew is that it starred Gary Cole (Office Space, The Brady Bunch Movie, dozens of incredible voices for animation), Tim Hopper (Chicago Fire, Utopia) and Audrey Francis (Empire, ER). All three are Steppenwolf Ensemble members with extensive stage careers, and all three turn in amazing performances in Catch As Catch Can.

Mia Chung is the playwright, and while I didn’t know her work before seeing this play,  after seeing it I will never forget it. She has crafted one of the most brilliantly-structured, mainstream-seeming, works of experimental theatre that I’ve ever witnessed.  It requires a cast of world-class players, each of whom take on two roles, switching back-and-forth often…at one point every few seconds within a long, hectic scene. There are no major costume changes, only the use of a few props. The rest is done by the actor’s mastery of the body language, gestures of voices of each character.

The play begins as a light family comedy, filled with the funny tensions over the holiday season that has been fertile ground for many a comic masterpiece.  Then it suddenly all breaks down. Everything falls apart. Mental illness rips off its mask as one character makes several attempts at suicide. Another has a soul-searing panic attack on stage. What seemed as light, goofy banter turns out to have serious racist and misogynistic roots. The families are put through the ringer and lives are changed forever.

It has the emotional impact of a Loony Tunes cartoon where, halfway through, the TNT starts exploding realistically.

Catch As Catch Can ultimately deals with family dynamics, elder care, mental health issues and stigmas, trauma, “white lies” and self-preservation.

It might be the most provocative play I’ve seen since Downstate, which was also at Steppenwolf.

Each actor plays a parent and a child of the opposite gender. Cole and Hopper begin as the matriarchs of two middle-class families who are gossipping and preparing for a big family gathering. Francis plays the grumpy husband of Cole’s character. Hopper plays a widow.  In the second scene, Cole and Hopper each play the male offspring of their previous characters, as Francis plays the daughter of her previous character. The kids are all dealing with various types of pre-middle age issues.

Having kept myself completely in the dark about the play, I was disoriented at first, but it only took a few moments for the actors to win me over. Then it made perfect sense.

The next scene where the three actors manage to juggle six characters interacting in quick sucession was an acting tour-de-force. Several times the audience couldn’t help but applaud a seamless transition. It was virtuostic.

Also virtuostic is the work of the director, Amy Morton (one of Mel’s acting heroes and also a fantastic director), who brought together this cast with this script and led them to the mind-blowing performances that the play required.

I feel privileged to have seen it.

Meanwhile, Also In The City of Wind

One of the other fun things about this trip was that Mel and I were interviewed by Emilee Tullar for Steppenwolf’s donor newsletter. Longtime readers of PopCult might remember that, about eleven years and eleven months ago, Mel and I snuck off to Chicago and got married…onstage at Steppenwolf, no less.  It’s a very special place for us, and it’s always great to go back. Thanks to Emilee for asking us to talk about how cool it was to get married at Steppenwolf.

When we do go back to Chicago, we love to get into some of the cool things that we can’t do back home, but with just a couple of days to play with, we only indulged in a few Windy City activities….

You know it’s going to be a fun trip when you arrive in Chicago’s Union Terminal, take a wrong turn, and find a row of vending machines filled with Barbies, Hot Wheels and other toys.

Continue reading

This week STUFF TO DO is attempting to tell you about cool things happening all over this mountainous state and maybe a little bit beyond.

One reason for that is that, this weekend, your humble blogger and his lovely wife are heading to Wheeling, West Virginia for the second (official) KrugerFest, action figure and toy show, which will happen at The Kruger Street Toy & Train Museum.

Carrying on from 2024’s impromptu memorial show for Roberto Ligotti, and continuing in his memory, KrugerFest is, according to the private group page on Facebook, “A group of like-minded toy collector folks who buy/sell/trade vintage toys. A majority of us grew up with GI Joe (Hasbro), Worlds Greatest Superheroes (Mego), and Star Wars (Kenner). There’s a niche of these folks who’ve been action figure customizers for decades. This is an intimate event – not a huge convention. Please be prepared to gain friendships, not a college tuition yielded from sales.” You can read about the Friends of ‘Berto show HERE and HERE.

This is going to be a bit of a bittersweet show for us, because last year was the last time we got to spend a decent amount of time with Lee Harrah, who sadly passed away last Thanksgiving. It’s not going to be the same without Lee, but I’m sure there will be lots of memories of Lee brought up. It’ll be like a memorial service for him at times. Last year I attended the show as a civilian, so I didn’t shoot photos or video. We wanted to spend as much time with Lee as possible.

This is going to be a fun, small, toy show, with several short-run exclusive MEGO-scale action figures and lots of folks who were part of the original MEGO MEET shows, which were held at Kruger Street for the first ten years, before becoming a nomadic show that moves around the country.  KrugerFest happens July 11 from 8 AM to 4 PM.  It’s a toy show open to public. Adult admission is $15.  Dealer events actually start today, but we won’t be there until Saturday when it’s open to the public.

And that is our feature event this week…

Here’s info about some of the figures…

Most weeks I try to tell you in detail about a few cool events all around the state and if you have a show that you’d like to plug in the future contact me via Social Media at Facebook, BlueSky, Spoutible, Instagram or Twitter.  I dont charge for this, so you might as well send me something if you have an event to promote. I do ask that you send a graphic that includes the date, time and location, of the event, as well as the cost to attend. Also, I have limited space, and if I have to bump something, graphics using AI will likely be the first to go.

I should also mention that CharCon happens this weekend. While I have been neck-deep in nerd and geek culture my entire life, I have never managed even the slightest bit of interest in the associated gaming, so all I can do is give you THIS LINK and run a graphic…

We are very happy to remind you that Cristen Michael has created an interactive calendar that is way more comprehensive than this list of STUFF TO DO, and you can find it HERE. Just click on the day and the event and you’ll be whisked away to a page with more details about loads of area events.

I also need to point out that Mya Ross at Status Quo does a much better job of compiling a list of local events than I do, and you can find the WTSQ guide to events HERE. Toss ’em a donation while you’re over there.

You can find live music in and around town every night of the week. You just have to know where to look.  Keep in mind that all shows are subject to change or be cancelled at the last minute.

Among the notable music venues in town are The World Famous Empty Glass Cafe, Live at The Shop in Dunbar, Louie’s, at Mardi Gras Casino & Resort, In Huntington, there’s local institution, The Loud (formerly The V Club),  The Wandering Wind Meadery is on Charleston’s West Side, Plus there’s music in Charleston at The Blue Parrot, Sam’s Uptown Cafe and Fife Street Brewing. Plus there are free concerts almost every weekend at Taylor Books.

You might also find cool musical events at Folklore Music Exchange in Charleston.

To hear music in an alcohol-free enviroment, see what’s happening at Pumzi’s, on Charleston’s West Side.

For cutting-edge independent art films, downstairs from Taylor Books you’ll find the Floralee Hark Cohen Cinema by WVIFF. Each week they program several amazing movies in their intimate viewing room that you aren’t likely to see anywhere else.

Please remember that viral illnesses are still a going concern and many people who have very good reasons are still wearing masks, and many of us, understandably, are still nervous about being in crowds, masked or not. Be kind and understanding  while you’re out. And if you’re at an outdoor event, please remember that it’s awfully inconsiderate to smoke or vape around people who become ill when exposed to that stuff. If somebody asks you to refrain, please respect their weishes and don’t be a jerk about it.

Here’s a few select suggestions for STUFF TO DO in and around Charleston this weekend…

Continue reading

Twenty years ago in PopCult, I ran the following post under the headline, “The Writer’s Best Friend”:

Two years ago, when I was hunkered down in my office bunker working on a particularly grueling deadline and being the main caregiver to my bedridden mother, I had a steady stream of folks knocking on my front door in a two-hour period. There were two kids selling fundraising crap, a seedy-looking guy asking if I wanted my lawn mowed, a hippy chick selling candles and incense, a Jehovah’s Witness, two ladies from a Baptist Church from Nitro (poaching potential parishioners from the Baptist Church two blocks away, I guess), and a young lady selling magazine subscriptions for Jesus who seemed frightened by the rabbit in my yard (the young lady, that is, Jesus fears no rabbits, or so I’m told).

“Does the bunny bite?” she asked me, her voice quivering. Unfortunately, I didn’t think the vicious attack bunny would scare off any other unwanted visitors, and the constant interruptions were driving me nuts, so I did something drastic. I composed a little note and posted it on my front door. I haven’t been bothered since.

Who know those people could read? The bit about not changing our beliefs because a stranger comes to our door was lifted from Mark Evanier, who writes a blog that I visit every day right here. Mark cracked me up yesterday with this suduko post. The solution is here.

Two years of peace, all because of one little piece of paper taped inside my screen door. Sometimes curmudgeonliness pays off.

*************

It’s been twenty years, and I have an update.

I still have this sign on my door. It’s not the original sign. I have to reprint it every few years because normal wear and tear obscures the printing, as does exposure to sunlight and the elements.

Plus, at least once somebody stole it.

I’m going to have to print a new copy of it soon, because aside from political candidates and churches who feel the need to leave their litter on my porch, it really works. With one exception.

When I print the new copy, I’m going to have to put a special notice at the bottom:

IF YOU’RE THAT MORON WHO RIDES AROUND ON A SCOOTER, ACTS REALLY HIGH, AND TRIES TO PULL THE SCAM WHERE YOU SAY YOU’RE FROM DIRECTV, PLEASE DO NOT KNOCK ON THIS DOOR…AGAIN.  I REALIZE YOU PROBABLY DO A LOT OF DRUGS AND DONT KEEP TRACK OF THINGS, BUT YOU SHOW UP EVERY FEW MONTHS AND DON’T SEEM TO REMEMBER THAT YOU’VE ALREADY BEEN HERE BEFORE. 

YOU HAVE. WE WON’T FALL FOR IT, AND THE COPS ARE ALREADY ON THE WAY.

Even when your humble blogger is out of town, Tuesday is always a great day to tune into The AIR  and today we prove it again with a new episode of Radio Free Charleston AND a new edition of The Swing Shift, too!

To listen to The AIR, you simply have to point your cursor over and tune in at the website, or you could just stay here, and  listen to the cool embedded player found elsewhere on this page. That’s particularly significant this week because we are wrapping up our week-long celebration of ten years since The AIR officially became the internet radio station of PopCult!

You can hear Radio Free Charleston Tuesdays at 10 AM and 10 PM, with boatloads of replays throughout the week.

I have to admit to feeling a little bit of anniversary overload. Today wraps up our week-long celebration of ten years of The AIR being part of PopCult, but smack dab in the middle of all that, the video version of Radio Free Charleston officially hit its twentieth anniversary.

Radio Free Charleston Volume Two officially debuted at TheGazz.com on July 4, 2006.  I did not do anything specific to celebrate it on the Fourth for several reasons. First, it fell on a Saturday, when readership of this blog drops a bit. Second, as I mentioned, we’re also celebrating ten years of The AIR. Third…it seems there was some kind of other significant anniversary being celebrated on the Fourth this year.

But the main reason is that, while the offical date of the debut of our video show was July 4, 2006…it had actually been online for several days at that point. Fuzzy memories suggest that it went live somewhere between June 27 and June 30.

Still, the video version of our show is the only reason that the radio version exists today. Without Brian Young prodding me to bring back RFC the way we did, I probably would’ve given up on ever seeing my baby revived.

We are going to do some proper observations of the 20th anniversary of RFC in video form in the coming weeks and months. I’m working on a tribute to Brian, whom we lost last December, and I’m putting together a video retrospective plus an all-new episode…but these will come out when I have the time to do them right. This will be the first year since 2015 that I’ve produced more than one video episode of the show in a year. My health issues severly cut into my ability to shoot video late at night, so I turned my focus to the radio version of the show, where we are actually thriving.

But to pay tribute to our video program, this week’s show is entirely made up of music recorded for Radio Free Charleston Volume Two.  We will likely do this two or three more times over the course of the next year, because I didn’t realize how much incredible music I’d featured. In just under ten years, I produced over 200 video episodes of Radio Free Charleston, plus over 75 episodes of The RFC MINI SHOW, which featured two songs by a single artist in each episode.

That means I have nearly a thousand songs by hundreds of musical acts to consider.

This week’s show focuses heavily on our early days, but in our third hour we jump around a bit, and bring you performances as recent as 2023.

This is all my attempt to support the local scene. Several years ago, I traded a series of messages with Brian Young, trying to figure out how much money, counting the value of my labor as well as the equipment purchased, that I’d spent producing the video version of RFC.  We stopped counting when it got to be over a quarter-million dollars. I have to say…it was worth every penny. I enjoyed the hell out of it, and I wish I had the time and energy to do the video show more often these days.

I hope you enjoy this collection of music by the guests on our video show.

Check out this playlist, with no links to the artist’s page this week…

RFC V5 267

hour one
Whistlepunk “Spy Song”
Stephen Beckner “Falling Star”
Eduardo Canelon “Eduardo’s Song”
Raymond Wallace “Champange Charlie”
Under the Radar “Me, The Boys and Jack”
The Concept “Guitar Pick In My Kool Aid”
Mel Larch in IWA East Coast
John Radcliff “Something’s Gotta Give”
The Ghosts of Now “Deathburn”
Whistlepunk 2.0 “Satellite”
Feast of Stephen “Tired of Sinking”
InFormation “Memories”
Seven Minutes To Midnight “The One In Two”
Stpehanie Deskins “When You Come Around”
Comparsa “La Buena Comparsa”

hour two
Doctor Senator “Jesus Fish”
Lady D “Go Higher”
Spurgy Hankins Band “Bullets and Fire”
Quick N Dirty “Jack Daniels and Razor Blades”
T.J. King “Bad Things, Good People”
dog soldier “The Christmas Song”
Casi Null “Blue Haze”
The Diablo Blues Band “The Price Of A Broken Heart”
The Hellblinki Sextet “Bella Ciao”
Joseph Henry (Hale) “Work/Transportation Blues”
The Bible Beaters “Praise Jesus”
The Button Flies “Butch Bottom”
The Limbs “Razor Game”

hour three
Jeff Ellis “Fade”
Dr. Curmudgeon “Lucabration”
Whitechapel District “Revolution”
Mother Nang “Bully”
The Nanker Phelge “Walk Away”
Trielement “Solar Flare”
Karma To Burn “19” and “33”
Mel Larch and the WVSU All Star Band “Summertime”
Tyler Childers “Harlan Road”
The Velvet Brothers “Secret Agent Man”
Brian Diller “Home” “Heartbeat”

You can hear this episode of Radio Free Charleston Tuesday at 10 AM and 10 PM on The AIR, with replays Wednesday at 9 AM,  Thursday at 2 PM, Friday at 9 AM, Saturday at Noon and Midnight, Sunday at 8 PM and  Monday at 11 AM, exclusively on The AIR. Now you can also hear a different classic episode of RFC every weekday at 5 PM, and we bring you a marathon all night long Saturday night/Sunday morning.

I’m also going to  embed a low-fi, mono version of this show right in this post, right here so you can listen on demand.

After RFC, stick around for encores of last week’s episodes of  MIRRORBALL at 1 PM and Curtain Call at 2 PM.

At 3 PM the second of two patriotic episodes of The Swing Shift brings you rare V Disc recordings by Captain Glenn Miller and The Army Air Forces Training Command Orchestra, along with a few other military big band ensembles.

 You can hear The Swing Shift Tuesday at 3 PM, with replays Wednesday at 8 AM, Thursday at 9 AM,  Friday at 10 AM and 8 PM and Saturday afternoon, only on The AIR . You can also hear all-night marathons, seven hours each, starting at Midnight Thursdays and Sundays.

Since you nice people read all the way to the bottom, we have a little bonus.

Since last weekend marked the 20th anniversary of the debut of the video version of Radio Free Charleston, there is that pilot episode right above this. Man, was that screen bug gigantic or what?  I remember the days when a fella could stand in the sun in the middle of June where a suit jacket and a fedora and not die of heatstroke.  Fun times.

This video pilot episode from 2006 featured the alterna-bombastic rock of Whistlepunk and the comedy stylings of the No Pants Players.  It’s hard to believe that this was the beginning of more than 200 (and counting) episodes of Radio Free Charleston as a video show, and we even had a spin-off, The RFC MINI SHOW. All that led to the current, three-hour, weekly radio version of our show, which is what this post is all about.

For the third week in a row, this week’s art is a geometric abstract. This time it’s acrylic on canvas board, but as with the last two weeks, I conceived it digitally, then gridded it and transferred it to canvas.

So…I’m calling it a mixed media piece.

This time I took two old digital pieces, distorted them, set them against a primary-color background, and then painted them.  I needed a break from attempting realism for a while.

And I slapped a title on it that seemed like a good idea at the time, but the reasons for that escape me. I might’ve been dreaming about supherheroes in Kandor or something.

I think it came out better than it had any right to.

If you want to see this image larger, click HERE.

Meanwhile, over in radioland, Monday beginning at 2 PM on The AIR,  we contiinue celebrating ten years of our internet radio station by bringing you new episodes of Psychedelic Shack, and then at 3 PM, Prognosis, Herman Linte’s weekly showcase of the Progressive Rock of the past half-century.  You can listen to The AIR at the website, or on the embedded radio player elsewhere on this page.

At 2 PM, Nigel Pye plays with the concept of ten years of The AIR by presenting an hour of music by the band, Ten Years After, recorded at Woodstock. 

Psychedelic Shack can be heard every Monday at 2 PM, with replays Tuesday at 9 AM, Wednesday at 10 PM, Friday at 1 PM,  and Saturday at 9 AM.

At 3 PM, Herman Linte brings you a two-hour mixtape of BRAND NEW Progressive Rock, all released in the last few months, on Prognosis.  It’s a wild mix of veteran acts and new and barely-known artists.

Check out this cool playlist…

Prognosis 139

YES “Countermovement”
Devin Townsend “Covered By Causes”
Harmony Bytes “Shadows of Proxy”
Elder “Strata”
Daniel Lanois “Advent”
Crushed Peanuts “Orion’s Belt”
Khadavra “Vita Algen”
Claypool Lennon Delirium “Meat Machines”
Magma ” Mëkanïk Zaïn (Live)”
The Dear Hunter “The Glass Desert II – Cliffs and Stormlands”
Adrian Sherwood “Wicked Kingdom Of This Earth”
The Protomen “Light’s Last Stand”
Planetoid “Parasite”
Soft Machine “Open Road”

You can hear Prognosis on The AIR Monday at 3 PM, with replays Tuesday at 7 AM, Wednesday at 8 PM, Thursday at Noon, and Saturday at 10 AM.

Tonight at 8 PM, tune in for Mel Black on a NEW edition of The Comedy Vault. That’s followed by two-hour blocks of Curtain Call and Beatles Blast at 9 PM and 11 PM, and then an overnight assortment of our Haversham Recording Institute programs at 1 AM.

As promised, here is raw footage shot for PopCult at the 2026 Marx Toy Show at Kruger Street Toy & Train Museum in Wheeling, West Virginia. This is so that the folks who only want to look at the toys can see every frame that I shot.

If you want to see the edited highlights, with narration and video of the group photo, go HERE.

The Marx Toy & Train Show, a great collector’s convention held every year at the The Kruger Street Toy & Train Museum in Wheeling, West Virginia, has become a tradition for PopCult for more than fifteen years.

Videography is by your humble blogger, along with Mrs. PopCulteer, Mel Larch, really did the bulk of the work.

In addition to the highlights video, you can see nearly fifty pictures from the show in our posts from Thursday and Friday week before last.