Rudy Panucci On Pop Culture

Author: Rudy Panucci (Page 99 of 125)

Sunday Evening Video: How Records Are Made

Next Saturday is Record Store Day! Locally, that means you need to get to Budget Tapes & Records or Sullivan’s Records in Charleston, Orbits in Barboursville, Cheap Thrills in Princeton or any of the other cool record shops participating in this neat retail stunt.

The playlist of videos above will show you how records are pressed, until you get to the last video, which shows how the records are mastered at Abbey Road Studios.

This is all to get you in the proper mindset to go out and spend tons of money on cool vinyl records. Record stores will have limited numbers of several special exclusive or first-day releases. You can see the list for next Saturday’s event HERE.

 

The RFC Flashback: Episode Twenty

This week we go back to May, 2007, for an episode of Radio Free Charleston that has been rarely seen for the better part of the last decade. “Carmen Shirt” featured music by Whistlepunk 2.0 and Josh Buskirk, as well as animation and other cool stuff.  After it debuted on the Charleston Gazette servers in 2007, it went offline for years until it briefly resurfaced at MySpace, before that now-obsolete social media site went into a serious decline and deleted everything that had been uploaded there. We managed to upload it to YouTube about three years ago.

Sadly, the show that we should run next week, with The Ghosts of Now and Voices of Anatole and other cool stuff, is still “lost,” buried somewhere in my archives. It’s the first of four episodes of RFC that are MIA. On a similar note, this is an edited version of the show because we can’t find the original cut, which included the Pentagram Flowerbox cartoon that caused all the drama.

The main event of this show was a performance of “Satellite” by Whistlepunk 2.0, a band that included Spencer Elliott, Karen Allen from Crazy Jane, as well as current members of Superfetch and Speedsuit. Karen later recorded the song for a solo album.  We also had a great performance by 12-string virtuoso, Josh Buskirk, and some vintage bizarro replacement animation. The secret weapon of this show comes after the end credits, with a sneak preview of Episode 23 starring Feast of Stephen.

Host segments were shot by your host using a tripod in his “White Room.” Original production notes can be found HERE.

MIRRORBALL Goes To The Movies

The PopCulteer
April 14, 2023

After a week filled with car repairs, internet upgrades, assorted aches and pains and a few outside projects, we’re a little PopCulted out. So all we have to share today is the playlist for a new episode of MIRRORBALL, on The AIR, for you Disco fanatics.   The AIR is PopCult‘s sister radio station. You can hear these shows on The AIR website, or just click on the embedded player found elsewhere on this page.

Getting right to that, at 2 PM, Mel Larch uncorks a new MIRRORBALL! The AIR’s showcase of classic Disco music presents a look at Disco in the Movies.

While Disco took over the Hot 100 and the dance clubs in the 1970s, its influence on pop culture didn’t stop there. Disco also went Hollywood! In the next hour we’re going to bring you the Disco Hits that crossed over and found success on The Silver Screen. You’ll hear Disco classics from Car Wash, Roller Boogie, Thank God It’s Friday, Can’t Stop The Music, Saturday Night Fever and more! But it wasn’t just musical movies that co-opted the Disco beat. Mel also mixes in Disco classics that turned up in everything from Eyes of Laura Mars to Shaft to Priscella, Queen of the Desert.

Check out the playlist…

MIRRORBALL 072

Michael Zager Band “Let’s All Chant” (From Eyes of Laura Mars)
The Village People “Can’t Stop The Music” (From Can’t Stop The Music)
Love and Kisses “Thank God It’s Friday” (From Thank God It’s Friday)
The Village People “Milkshake” (From Can’t Stop The Music)
Rose Royce “Car Wash” (From Car Wash)
Bob Etsy “The Roller Boogie” (From Roller Boogie)
Isaac Hayes “Theme From Shaft” (From Shaft)
Heatwave “Boogie Nights” (From The Stud)
Donna Summer “Last Dance” (From Thank God It’s Friday)
Alicia Bridges “I Love The Nightlife” (From Priscella, Queen of the Desert)
Cher “Hell On Wheels” (From Roller Boogie)
The Bee Gees “Stayin’ Alive” (From Saturday Night Fever)

You can hear MIRRORBALL every Friday at 2 PM, with replays throughout the following week, Saturday at 9 PM, Sunday at 11 PM, Monday at 9 AM and Tuesday at 1 PM.

At 3 PM we bring you an encore of a classic episode of Sydney’s Big Electric Cat from September, 2016.  This was the show where Sydney Fileen delivered a a collection of cover songs performed by New Wave bands.  Rather than send you to a link, we’ll just re-post the playlist here…

The playlist:

Missing Persons  “Hello I Love You”
Joe Jackson  “The Harder They Fall”
The Ramones  “Surfin’ Bird”
The Clash  “Police On My Back”
The B 52s  “Downtown”
Erasure  “River Deep, Mountain High”
The Creatures  “Wild Thing”
DEVO  “I Can’t Get No Satisfaction”
Flying Lizards  “Summertime Blues”
Elvis Costello  “I Can’t Stand Up For Falling Down”
Lene Lovich  “I Think We’re Alone Now”
Klaus Nomi  “You Don’t Own Me”
Rockpile  “When Will I Be Loved”
Thompson Twins  “Revolution”
Robert Palmer  “Not A Second Time”
Souixsie and The Banshees  “Dear Prudence”
New Musik  “All You Need Is Love”
Soft Cell  “Tainted Love/Where Did Our Love Go”
The Stranglers  “Walk On By”
Dave Stewart and Colin Blunstone  “What Becomes of the Broken Hearted”
Eurythmics with Green from Scritti Politti  “Wrap It Up”
The Beat  “Can’t Get Used To Losing You”
Frankie Goes To Hollywood  “Born To Run”
The Bangles  “Hazy Shade of Winter”
Marianne Faithfull  “The Ballad of Lucy Jordan”
Pretenders  “Stop Your Sobbing”
Oingo Boingo  “You Really Got Me”
The Stranglers  “All Day and All of The Night”
Art of Noise  “Peter Gunn”
The Dickies  “Knights In White Satin”
Echo and The Bunnymen  “People Are Strange”

Sydney’s Big Electric Cat is produced at Haversham Recording Institute in London, and can be heard every Friday at 3 PM, with replays Saturday afternoon, Monday at 7 AM, Tuesday at 8 PM, Wednesday at Noon and Thursday at 10 AM, exclusively on The AIR. Two classic episodes can also be heard every Sunday, starting at 10 AM.

And that is this week’s PopCulteer. Check back every day for fresh content because it tastes good AND it’s good for you!

Mid-April STUFF TO DO

I realize that I’m not the boss of you, so please consider this a list of suggestions, not orders.  There’s a ton of STUFF TO DO in Charleston and all over the Mountain State as we find ourselves smack dab in the middle of April.

Live Music is back at Taylor Books. There is no cover charge, and shows start at 7:30 PM. Friday it’s James Townsend. Saturday Ginger Wixx entertains the crowd at Charleston’s beloved Bookstore/Coffee Shop/Art Gallery.

The Empty Glass has some great stuff through the week to tell you about.  Thursday from 5:30 PM to 7:30 PM, Swingstein and Robin play fiddle and piano and sing swing and early jazz standards. Each week they donate their tips to a local nonprofit.  Sunday sees the return of the Post-Mountain Stage Jam.  Next week they’ll have an open mic Monday night, and Songwriter Showcase on Tuesday. And of course, our old friends Frenchy and The Punk will be at the Glass next Wednesday with Unmanned opening the show at 8 PM.  Other shows that have graphics are listed among the images below.

Please remember that the pandemic is not over yet, despite what the authorities are saying. Many people who have very good reasons are still wearing masks, and many of us, understandably, are still nervous about being in crowds, masked or not. Be kind and understanding  while you’re out.

If you’re up for going out, here are a few suggestions for the rest of this week, roughly in order.

FRIDAY

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Beatles Ballads And Pacific Overtures On The AIR Wednesday

Wednesday afternoon The AIR brings you a special new episodes of Curtain Call and Beatles Blast.  You can tune in at the website, or if you’re on a laptop or desktop, you could just stay right here and  listen to the convenient embedded radio player lurking elsewhere on this page.

At 2 PM (EDT) Beatles Blast tackles a topic we haven’t done yet, ballads by the Beatles (group and solo). We open with a special mash-up song performed live by Mike Batt (of Wombles, Zero Zero, and Katie Melua fame), which combines two classic Beatles tunes with one John Lennon standard and is very clever and amusing.  Batt, in addition to his own legendary career, has some Beatle connections.  Sir Paul McCartnery tapped him to serve on the board of the Liverpool Institute for the Performing Arts, and his “Hunting of the Snark” album included contributions from George Harrison and Julian Lennon.

Inspired by his mash-up, I decided to put together an entire show of Beatles ballads. Check out the playlist…

Beatles Blast 091

Mike Batt “Imagine Something Yesterday”
The Beatles “Let It Be”
George Harrison “Isn’t It A Pity”
Ringo Starr “Imagine Me There”
The Beatles “Cry Baby Cry”
Paul McCartney “My Love”
John Lennon “Woman”
The Beatles “And I Love Her”
John Lennon “Oh My Love”
Paul McCartney “Maybe I’m Amazed”
George Harrison “Learning How To Love You”
Ringo Starr “As Far As We Can”
The Beatles “Real Love”
John Lennon “Imagine”
The Beatles “Something”
The Beatles “Yesterday”

Beatles Blast can be heard every Wednesday at 2 PM, with replays Thursday at 11 PM, Friday at 1 PM,  and Saturday afternoon.

At 3 PM(EDT) on Curtain Call, Mel Larch presents a bit of a tribute to a show we just saw a couple of weeks ago. I wrote about the Signature Theater production of Pacific Overtures HERE, but on this week’s new Curtain Call, you can hear for yourself how wonderful this rarely-performed Sondheim masterpiece is when Mel brings you highlights of the original cast album from 1976 (starring the great Mako). Pacific Overtures features music and lyrics by Stephen Sondheim, and a book by John Weidman, with “additional material by” Hugh Wheeler.

Set in 19th-century Japan, it tells the story of the country’s westernization starting in 1853, when American ships forcibly opened it to the rest of the world. The story is told from the point of view of the Japanese, and focuses in particular on the lives of two friends who are caught in the change.

The 1976 Broadway production of Pacific Overtures was nominated for ten Tony Awards, and the show includes Sondheim’s personal favorite tune that he’d written, “Someone In A Tree.”

Here’s the playlist…

Curtain Call 124

Pacific Overtures

“The Advantages of Floating In The Middle of the Sea”
“There Is No Other Way”
“Four Black Dragons”
“Chrysanthemum Tea”
“Poems”
“Welcome to Kanagawa”
“Someone In a Tree”
“Please Hello”
“A Bowler Hat”
“Pretty Lady”
“Next”

Curtain Call can be heard on The AIR Wednesday at 3 PM, with replays Thursday at 8 AM, Friday at 10 AM, Saturday at 8 PM and Monday at 9 AM. A six-hour marathon of classic episodes can be heard Sunday evening starting at 6 PM, and an all-night marathon of Curtain Call episodes can be heard Wednesday nights, beginning at Midnight.

Also on The AIR, Wednesday at 11 PM,  The Comedy Vault  presents a classic episode featuring the stand-up comedy of Eddie Griffin.

New Music, Live Music, Swing Music–It Must Be The AIR

We have come to Tuesday, which almost always lands somewhere between Monday and Wednesday, and on The AIR that means it’s time for a new  Radio Free Charleston and a new edition of The Swing Shift. You simply have to point your cursor over and tune in at the website, or you could just stay here, and  listen to the cool embedded player found elsewhere on this page.  

We have one new hour and two hours of classic RFC International  from 2017 today on Radio Free Charleston. Our first hour is loaded with new releases from West Virginia and independent artists, plus a couple of cool indie tracks that I just discovered.

Our new hour opens with newly-released music from Abandon The Ship, and then brings you homegrown WV stuff from Jim Lange, Verdeant, Softeeth, Massing and Mountain State expatriot, Deni Bonet.

We also have a couple of tracks from our Chicago pipeline–Lilla Sky comes to us from Denmark by way of Nashville, and Austin Grimm returns with another cool cover tune from an EP that’s coming out this fall.  We also have a track from a benefit release for Mike Stobbie, the former keyboardist for prog-rock’s Pallas, who lost a hand to flesh-eating bacteria.  I’ve been a fan of Pallas since their first release forty or so years ago, and I’ll never pass up a chance to plug a benefit to raise money for someone to get a robot hand.

Our second and third hours revive a classic all-live-recordings episode of Radio Free Charleston International from January, 2017, and it’s a weird collection of what appears to be randomly-assembled tunes.

Check out the playlist below to see all the goodies we have in store. Where possible, live links for the first hour will take you to the artist’s pages so you can find out more about them, buy their music and find out where to see them perform live…

RFC V5 126

hour one
Abandon The Ship “Secrets”
Deni Bonet “Off The Record”
Lilla Sky “Patience”
Novelty Island “Magnificent Advertisement”
Verdeant “Peter Pan”
Jim Lange “Question and Answer”
The Anchoress “Climbing Up The Walls”
Weedhaven Laughing Academy “Close the Book”
Softeeth ” “6 & 6th”
Massing “Flattery”
Austin Grimm “Rainbow”
John Bunkley“Monday, Tuesday, Wednesday”
Frenchy And The Punk “Church of Sound”
Mike Stobbie/Pallas “All I Need Is You”
Dave Strong “The Nightcrawler”

hour two
Kate Bush “Running Up That Hill”
Pete Townshend “Behind Blue Eyes”
Greg Lake “Nuclear Attack”
The Cars “Let’s Go”
Neil Innes “Shangri La”
The White Stripes “I Wanna Be Your Dog”
Bob Dylan and Tom Petty “Justine”
Gary Numan “Down In The Park”
Dream Theater “Learning To Live”
Guns N Roses “Welcome To The Jungle”

hour three
The Beatles “She’s A Woman”
John Lennon “Come Together”
Paul McCartney “Get Back”
George Harrison “Old Brown Shoe”
Ringo Starr “With A Little Help From My Friends”
The Rolling Stones “Gimme Shelter”
Eric Clapton “Layla”
Kansas “Carry On My Wayward Son”
David Bowie “Changes”
Elvis Costello and the Attractions “Watching The Detectives”
Kate Bush “Rolling The Ball”

You can hear this episode of Radio Free Charleston Tuesday at 10 AM and 10 PM on The AIR, with replays Wednesday at 9 AM,  Thursday at 2 PM, Friday at 9 AM, Saturday at Noon and Midnight,  and  Monday at 11 AM, exclusively on The AIR. Now you can also hear a different classic episode of RFC every weekday at 5 PM, and we bring you a marathon all night long Saturday night/Sunday morning.

I’m also going to  embed a low-fi, mono version of this show right in this post, right here so you can listen on demand.

 

After RFC, stick around for encores of last week’s episodes of  MIRRORBALL at 1 PM and Curtain Call at 2 PM.

At 3 PM we offer up a brand-new episode of The Swing Shift. This time it’s a solid hour of great Swing tunes from any era of Swing Music I felt like grabbing off the shelf. We have classic Big Band Swing, new independent Blues/Swing and even Swing bands from Spain and Russia.

Just check out this seemingly random playlist…

The Swing Shift 141

Mike & Vax Ron Ramm “Cornet Chop Suey”
Little Charlie & The Nightcats “Handle With Care”
Anita O’Day “Let Me Off Uptown”
Fletcher Henderson “Sugarfoot Stomp”
Robbie Williams “I Wanna Be Like You”
Dudes “Blues of The Sea”
Tommy Dorsey & His Orchestra “Well Git It!”
Mijares “Triiste Cancion”
Beverly Kenney “You Make Me Feel So Young”
Eric Andersson, Kingen & Borje Andersson “Boogi Woogie Beat”
Dave Stuckey & The Hothouse Gang “Tain’t No Use”
Ronnie Lane & Pete Townsend “Catmelody”
Mike “Mudfoot” McDonald “Lean On Me Mama”
Benny Goodman “Benny Rides Again”
Pete Rugalo & His Orchestra “California”
Jimmy Heath Orchestra “The Picture of Heath”

You can hear The Swing Shift Tuesday at 3 PM, with replays Wednesday at 8 AM, Friday at 10 AM and 8 PM and Saturday afternoon, only on The AIR . You can also hear all-night marathons, seven hours each, starting at Midnight Thursday and Sunday evenings.

Monday Morning Art: Marker City

As opposed to last week’s bit of imaginary and slightly abstract imagery of a hooman, this week I did a detailed, almost architectural, drawing of some buildings.

Actually, it wasn’t just this week. I started working on this last December, and did it in fits and starts when my MG-afflicted fingers would allow.  Based on a couple of blurry photos taken in Chicago on an overcast day last December, through a dirty window, no less, this began life as a pencil sketch.  But I wasn’t really happy with my loose rendering, so I put the original sketch on a lightbox and re-inked it in cheap marker pens (back in stock at Five Below), using straight-edges along the way to make up for my original unsteadiness.

After scanning the marker drawing, I cropped out some sloppiness, and erased a smudge near the middle that was driving me nuts. The end result is a drawing of buildings. So there you go.

To see it bigger try clicking HERE

Over in radioland, Monday at 2 PM on The AIR, we bring you a classic episode of Psychedelic Shack, and then at 3 PM a classic edition of Herman Linte’s weekly showcase of the Progressive Rock of the past half-century, Prognosis.  You can listen to The AIR at the website, or on the embedded radio player elsewhere on this page.

Psychedelic Shack can be heard every Monday at 2 PM, with replays Tuesday at 9 AM, Wednesday at 10 PM, Friday at 1 PM,  and Saturday at 9 AM. You can hear Prognosis on The AIR Monday at 3 PM, with replays Tuesday at 7 AM, Wednesday at 8 PM, Thursday at Noon, and Saturday at 10 AM. You can hear two classic episodes of the show Sunday at 2 PM.

At 8 PM you can hear an hour of classic 1970’s conecptual comedy from National Lampoon on an encore episode of Comedy Vault.

Tonight at 9 PM the Monday Marathon presents ten classic episodes of Beatles Blast.

Sunday Evening Video: Hopping Down The Bunny Trail

As I may have mentioned about fifty weeks ago in this space, hardly anybody is going to read the blog today due to it being Easter. So I’m just going to drop a fifty-plus-year-old Rankin-Bass stop-motion animated special here for you. “Here Comes Peter Cottontail” is based on a song that was written by Keyser native, and WVMHOF Class of 2011 indutee, Jack Rollins.  This is the third year in a row that I’m doing this. Traditionally Easter Sunday is the least-viewed day of this blog, and has been for a long time. It’s like people think they have more important things to do or something. So if you did come here today, thanks.

Enjoy, and Happy Easter!

The previously-announced video for this spot will show up next week, in large part because I was too lazy to finish editing it.

The RFC Flashback: Episode Nineteen

This is the nineteenth episode of Radio Free Charleston, “Ian Rotten Shirt,” from May 2007, with music from Go Van Gogh and The Ghosts Of Now, plus a Pentagram Flowerbox cartoon, which has been restored to its original place in the show.

The Mystery camera person who shot the original footage of Go Van Gogh turned out to be none other than Melissa Beezley (now Melissa Beezely Johnson) who has been a friend of RFC since the broadcast radio days.

This show is not 100% as it was when first posted, though. The original version included a commercial parody created by someone who later turned out to be, well, let’s just say “a criminal.” You can read more about my misadvetures with this person HERE. On top of that drama, the clip was very poorly done and not very funny. Newly-created animation takes its place, and is much, much better, despite being slapped together in less than ten minutes.

You can read the original production notes here.

Pacific Overtures at Signature and Comic Books at Lexington

The PopCulteer
April 7, 2023

This week’s PopCulteer is dedicated to trying to catch up after back-to-back excursions over the last couple of weeks, so bear with me.

Pacific Overtures At Signature

To start off, we’ll go in reverse order and talk about where I was eight days ago. Your humble blogger and his lovely wife hopped the Amtrak Cardinal to the Washington DC area (Arlington, to be precise) to see Signature Theater‘s production of the rarely-staged Stephen Sondheim musical, Pacific Overtures.

I’m not going to write a full-blown review here because this production wraps up in a couple of days and all remaining performances are completely sold out, but I do want to acknowledge what an amazing production this was.

I had deliberately kept myself in the dark about what this musical was even about. I knew it was set in Japan, and from what I’d heard from Larry Hama (the legendary comic book creator, GI Joe: A Real American Hero developer and an original cast member of the Broadway production in 1976), I knew it was set in Edo-period Japan and had a large Asian cast.

The book, by frequent Sondheim collaborator, John Weidman, tells of the end of Japan’s isolationist era when Admiral Perry used a show of force to convince the country’s leadership to open up two ports and establish relations with the international community after 250 years of a strictly-enforced ban on interacting with other countries.

Weidman worked with Signature to edit and update the original show, bringing it in at a still-meaty two hours and twenty minutes, and bringing the closing song up to date with new information. As it is now, Pacific Overtures is a briskly-paced, yet still substantial, tale of the internal struggles of Japan as they ended their isolation and the early signs of their eventual Westernization and industrialization.

The story is told with some of Sondheim’s lovliest songs, and also with a wicked sense of humor and political satire. This production also incorporates elements of Noh and Kabuki, which works splendidly with the deceptively minimalist set.

The cast is simply amazing. Led by Jason Ma as “the Reciter,” the eight men and two women of the cast take on over thirty roles, and show an astonishing versatility as they tackle the challenging points in the score with ease, then find themselves indulging in moments of slapstick comedy, Kabuki, puppetry, Noh and enough cross-dressing to emotionally scar a Republican legislator.

The necessity of a large Asian cast is what keeps Pacific Overtures from being staged more often, and that is a real shame because now that I’ve seen it, this has become one of my favorite Sondheim shows. It’s also one that simply wouldn’t work with a diverse cast. Signature has assembled an incredibly talented ensemble for Pacific Overtures, and that is just part of what made this such an impressive production.

Even though we’ve been visiting the DC area and staying at a hotel virtually across the street from Signature Theater for over twelve years, prior to Pacific Overtures we had only been there once to see a cabaret show by a friend of Mel’s.  We are definitely going to be seeing more shows there in the future. It’s a great space and they stage a very classy repertoire

Comic Books at Lexington’s Comic & Toy Con

We jumped on that train last week just a couple of days after we returned from a drive to Lexington, Kentucky for the Lexington Comic and Toy Show. Our main reason for going there was so that Mrs. PopCulteer could meet Tom Kenny, the voice of SpongeBob Squarepants. However, they had a rather impressive line-up of comic book creators, and today we’re going to show you some of the comic-book-centric photos from the convention. These were all taken at the Thursday evening comics preview night, which is why the crowds aren’t so insane.  We still have more photos and videos from the Lexington trip to share next week.

But now…the comics stuff from Lexington…

While the convention was loaded with tons of Anime, Star Wars and movie vendors, there were also a healthy number of comic book dealers on hand.

Coincidentally, we got to catch up with Larry Hama, who we met at JoeLanta many years ago, and he seemed delighted when we told him that we were going to see Pacific Overtures the following week. In addition to creating GI Joe: RAH and many other great comics, Larry was in the original Broadway cast of the show back in 1976. You can hear Larry talk about that experience HERE.

In the middle of this photo you see Jim Starlin posing with a fan. Starlin notably created Thanos for Marvel Comics, and had memorable runs on Adam Warlock, Captain Marvel, Dreadstar and tons of other great cosmic comics, in addition to a memorable stint writing Batman.

Mike Grell, creator of Warlord, Starslayer and Jon Sable: Freelance, hard at work on a sketch.

I got to catch up with Ceredo’s Beau Smith, an old buddy from my own days in the comics biz and the creator of Wynonna Earp, but forgot to get a decent photo of him. If you squint, you can see him in the above photo glancing at his phone while he talks to the mad scientist who was in front of the silver and red R2 droid. Also, the guy in the red shirt talking to Bill Morrison…five minutes later he was crushed to death by an avalanche of plush Pokemon characters. Poor wardrobe choice on his part.

Legendary Marvel Comics artist and cover designer, Bob Hall, who like yours truly, was in Lexington, while the poster of his cover for Super Joe Unlimited #1. from Power Comics, was making its debut at ToyLanta.

It was really cool to meet Bill Morrison, who did amazing work on The Simpson’s Comics for years, and more recently did a killer graphic novel version of The Beatles’ Yellow Submarine. I bought that Yellow Submarine print you see behind him in the upper left.

Another comics dealer, proud of the multiple copies of key Marvel Comics he had.

And finally, we lucked into meeting Dave Aikins, a Columbus-based illustrator who’s done tons of childrens books based on licensed properties like SpongeBob and Dora. We bought a bit of stuff from him, including a SpongeBob/Captain Marvel mash-up.

That is this week’s PopCulteer. Check back for all our regular features, fresh content every day, and just maybe, video of Mel meeting Tom Kenny on Sunday.

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