Rudy Panucci On Pop Culture

Author: Rudy Panucci (Page 130 of 581)

The RFC Flashback: Episode 192

This week we bring you part two of the 2013 Radio Free Charleston Halloween Special, recorded at ShockaCon that year. In this show you will hear music from The Nanker Phelge, Foz Rotten and his Dirty Scoundrels, The Big Bad, The Wayward Girls School of Burlesque and The Renfields. Plus you will be subjected to my inept interviews with RJ Haddy, Ghostbusters WV, Eliska Hahn, Danny Boyd, Vincent Renfield and a Dalek. There’s plenty of other wild sights and sounds of Shocka-Con presented here, starting with a remix of the internet sensation, the Twerking Stay Puft Marshmallow Man.

You can see the first part of this show in last week’s RFC Flashback.

The Underwhelming Return Of Toys R Us

The PopCulteer
August 2, 2019

This story broke a couple of weeks ago when your PopCulteer was enjoying a brief visit to Chicago, but the real reason I haven’t addressed it here is that it’s sort of sad.

TRU Kids, the company spearheading the revival of the legendary toy retailer, Toys R Us, announced that they will be returning to retail in time for Christmas this year with a grand total of TWO WHOLE STORES…one in Texas and one in New Jersey.

This is not exactly the sort of revival that folks were hoping for.

A little history for those who came in late: Back in 2017, Toys R Us, which was in debt to the tune of over ten billion dollars (with a “B”), needed to borrow even more money in order to survive through the holiday season.

The only way they could get the necessary loan to keep operating through Christmas was to put up their intellectual property as collateral. Some of the financial institutions issuing this loan were the same entities that had loaned them money previously, but this was a seperate transaction, secured by the store’s name, trademarks and website addresses that belonged to the company.

The 2017 Christmas season was a bit of a disaster and the company could not borrow any more money to stay afloat, so in 2018 they had to liquidate (which I covered extensively in PopCult at the time). However, when it came time to sell off all the assets, that liquidation did not include the name of the company and all the related IP. Those were already foreclosed upon by the lenders in the final loan transaction.

It was announced that all the intellectual property would be auctioned off late in the summer of 2018. That never happened. Eventually it was revealed that the folks who had foreclosed on the name and trademarks decided that there was more value in them reviving the company (now that it was out from under that insane debt load) than there would be in selling the name to someone else.

A new company called Tru Kids formed, headed by Richard Berry, one of the former CEOs of TRU (from back when they were making money), and they were hired to manage the intellectual property and get the revival off the ground. Last year for the holiday season, just to keep the brand visible before they formally established Tru Kids, the IP owners sold some of their private-label toys in Kroger, as “Geoffrey’s Toy Box.”

When they started meeting with toy companies about buying inventory for their proposed stores and website, I started hearing from my industry contacts that they were going to try to do this on the cheap. They actually went to toy companies with the proposal that they sell their products on consignment, rather than actually buying it upfront to sell themselves.

This is not a foreign concept to American retailers, but it’s one that rarely works. A year or two ago Target went to the major record labels and told them that they would no longer buy their product outright, but would sell it on consignment. That’s why you don’t find CDs in Target any more.

This type of arrangment shifts all the risk to the manufacturers and allows the retailer to spend their money on other costs of doing business. Since the cost of inventory is the number one business expense for retailers, this would be a pretty sweet deal if you could talk anybody into falling for it.

Now, in the case of Tru Kids, they were going to members of an industry that had just suffered a dismal financial year due to the liquidation of Toys R Us. Toy Manufacturers lost tens of millions of dollars in the bankruptcy, and then had to compete in the marketplace against their own liquidated product that they hadn’t been paid for due to TRU shutting down.

I can only imagine how Tru Kids was received when they pitched the idea of not paying for any product upfront from companies that just lost tons of money thanks to the failure of Toys R Us.

Originally there was talk of Tru Kids opening as many as 200 Toys R Us stores nationwide in time for Christmas, 2019. I’m guessing that the reality of the costs of doing business must have hit them in the face for them to have scaled that down to two stores. That the stores aren’t exactly in the biggest markets is even more puzzling. New Jersey is close enough to New York to be considered a good move, but why they would pick Texas over Los Angeles, Las Vegas, Chicago or Orlando is beyond me.

The new Toys “R” Us stores will be open before the holiday shopping season later this year at The Galleria in Houston and in Westfield Garden State Plaza in Paramus, New Jersey. My guess is that they will probably have about the same amount of inventory as a Go! Calendars and Toy store (like the one in the Huntington Mall). Below you can see the concept image of what they expect the stores to look like. Pretty disappointing, if you asked me.

It’s pretty evident to me that Tru Kids is under-capitalized. That’s never a good way to start a business. While the financial institutions who own the TRU Intellectual Properties were not willing to part with it for what had been offered, they also seem unwilling to invest much more into building a new retail chain. Now they say they plan to open eight more stores in 2020.

In the press releases, the folks in charge have said that the new Toys R Us stores will not be warehouses full of toys, but will instead focus on providing “experiences” and play value. Tru Kids described them as a “highly engaging retail experience designed for kids, families and to better fit within today’s retail environment.” The plan is to lease out space to the toy companies so they can set up their own displays. Tru Kids has partnered with the bright, shiny retail concept company B8ta to create a store concept that’s more like an Apple Store than a big box retailer.

That tells me that they don’t understand the Toys R Us concept at all. If you really want to pinpoint the moment when Toys R Us started their decline–one that included multiple bankruptcies and a leveraged buyout that eventually doomed the company–you have to look at 1994, the year the chain’s founder retired, and new management decided that they were carrying too much product. They put into place a plan that would remodel the stores, and drastically reduce the amount of different products they offered from over 100,000 to about 40,000.

That is when Toys R Us began to suck. Sales plummetted and the downward spiral began. Up until then TRU sold almost every toy that was offered on the market. If you wanted a toy you knew that you could find it at Toys R Us. After the change, that was no longer true.

I have no idea what kind of beancounter voodoo was used to conclude that slashing your offerings by 60% would make sales go up, but it must be powerful stuff to get management to go along with such a counterintuitive concept. That was 25 years ago, before the rise of Amazon, and the face of retail has changed dramatically in that time. I am of the opinion that, had Toys R Us stayed true to their original concept of carrying almost every toy on the market, they would still be a thriving retail powerhouse today. They weren’t beaten, they surrendered.

In order to recreate the original Toys R Us magic a huge capital outlay would be needed. Hundreds of millions of dollars would have to be spent on real estate and construction, and tens of millions on inventory. It doesn’t seem like the lenders who foreclosed on the Toys R Us name are willing to invest that kind of money. This seems more like a “stop the bleeding” move, designed to keep the name alive in the hopes that another company (Please, God, not another private equity firm) will come along and buy up the name and IP…and pay at least enough for it for them to recoup what they loaned Toys R Us in 2017.

That might happen. Tru Kids and B8ta might survive long enough to open more stores in key markets next year. It will never be the same, though. I don’t think anybody in a position of power has any faith in mass market retail as a viable concept any longer. It still hasn’t occurred to the folks competing with Amazon that the reason Amazon does so well is that they offer so much product…just like the big box stores used to.

You have to excuse me if I’m a bit skeptical of this new retail plan. Maybe it’s because I’m an old, out-of-touch white guy, but the more I read about the store concept created by B8ta, the more I imagine a store manager, with a man-bun, named “Clem Fandango,” who has no idea how to process a return, and only knows the toys offered in the new stores…if that. The days of a person working in retail because they really love what they sell are long gone. The B8ta concept is all about surveillance and metrics and algorithms and providing “experiences.” Somehow that’s supposed to work better than “Oh, you don’t like that toy? Here choose from thousands of other toys.”

Meanwhile, the attempted revival of KB Toys has run into a major snag: Strategic Marks, the folks who snapped up the trademarks when they expired, can’t find any financial backing or willing partners to open any stores. Hell, it’s not like they’re going to spend their own money on the idea. Last year’s plan to open pop-up stores never materialized. Two of their potential partners, Go Calendars and Party City, opened their own pop up toy stores without KB, and while the folks at Strategic Marks have also talked about opening a couple hundred stores in time for this year’s holiday season, they admit that it won’t happen without additional investors.

My prediction is that Amazon will expand their toy offerings even more, and simply replace the in-person toy store experience. They seem to be the only retailer of any kind that understands the simple notion that, if you offer more products, you sell more products.

That’s this week’s PopCulteer. Check back for our regular features.

New Sydney’s Big Electric Cat Friday!

Check out what’s on The AIR, as Friday sees a brand-new episode of  Sydney’s Big Electric Cat. Sydney Fileen presents two hours of classic New Wave Music. You can listen at the website, or on this embedded radio player…

Friday at 3 PM you will get your two-hour dose of crunchy New Wave goodness. This week we bring you two hours of great New Wave music. You’ll get hits, near-hits, obscure album tracks and other cool examples of the futuristic music of yesteryear.

Just check out this epic playlist that Sydney has curated for you…

BEC 049

The Police “Can’t Stand Losing You”
Tears For Fears “Head Over Heels”
Echo and the Bunnymen “The Cutter (Remix)
Siouxsie and the Banshees “Dazzle”
Plastic Money “Dark Century”
Naked Lunch “La Femme”
a-ha “Train of Thought”
Talking Heads “Road To Nowhere”
B Movie “Nowhere Girl”
Vicious Pink “8:15 To Nowhere/Great Balls of Fire”
Dexys Midnight Runners “Nowhere Is Home”
Bill Nelson “Nowhere Fast”
Stiff Little Fingers “Here We Are Nowhere”
Klark Kent “Don’t Care”
Spandau Ballet “The Freeze”
Dollar “Hand Held In Black And White”
Poly Styrene “Translucent”
Rich Kids “Cheap Emotions”
Tom Robinson Band “Up Against The Wall”
The Teardrop Explodes “Reynard The Fox”
Jane Wiedlin “Forever”
Harlequin “Love On The Rocks”
Eurythmics “Sex Crime”
Depeche Mode “Told You So”
Captain Sensible “Wot”
Ellen Foley “Young Lust”
The Knack “So Selfish”

Sydney’s Big Electric Cat is produced at Haversham Recording Institute in London, and can be heard every Friday at 3 PM, with replays Saturday afternoon, Tuesday at 7 AM, Wednesday at 8 PM and Thursday at Noon, exclusively on The AIR. Every Monday at 3 PM, we bring you four classic episodes of Sydney’s Big Electric Cat, just so you can be all New Wave-y when you get home from work.

Look for a new PopCulteer later this afternoon.

Free Form Radio on RFC International Thursday

Thursday at 3 PM  Radio Free Charleston International brings free-form radio back to the modern world on The AIR. You can listen at the website, or on this embedded radio player…

Tune in early Thursday afternoon for a replay of this week’s Radio Free Charleston at 2 PM, followed by a brand-new episode of Radio Free Charleston International at 3 PM. For you old-timers who remember the original broadcast incarnation of RFC, this combination comes close to recreating the original experience, with your PopCulteer unleashed to play whatever he felt like playing, mixed with a generous helping of great local music.

For this week’s RFC playlist, plus a link for a download, check out this post.

Radio Free Charleston International is the two-hour weekly show where Rudy Panucci (that’s me, by the way) gets to play whatever he wants. It’s our way of revisiting the golden age of free-format radio, which is sort of what inspired us to go into this medium in the first place.

This week we take that free-format deal way too seriously and bring you yet another mixtape-type show that mixes old and new music from several different genre into two hours of pure musical bliss. It’s a bit of a challenge, but one I enjoy, taking New Wave, Classic Rock, Pop, Rockabilly, Prog-rock, Grunge and Swing and making it flow into a cohesive whole, but I think I managed it.  Of special note are the brand-new tracks from Paul McCartney, Violent Femmes, The Alarm, Stray Cats, and Klaatu’s Terry Draper.

Our previous episode explored this format because I wanted to conserve my voice. That went over so well with our listeners that I decided to do it again. So the only way to find out everything I play on RFC International this week is to follow along with this handy playlist:

RFCI 070

Children of the Sun “Her Game”
Joe Jackson “Steppin’ Out (live)”
Elvis Costello “This Town”
Rosalie Cunningham “House of the Glass Red”
Tim Heidecker “Insomnia”
Agwabom “POTUS The Alien”
Harry Nilsson “I’d Rather Be Dead”
Squirrel Nut Zippers “Beast of Burgandy”
Plasmawine “Sell Yo Mum”
Manfred Mann “Chicago Institute”
Perspective Vortex “Out of Time”
The Ivory Elephant “Maybe I’m Evil”
Mini Mansions “I Should Be Dancing”
The Shadows “Atlantis”
Quiet Life “Get Up”
Terry Draper “Once Upon A Memory”
Soundgarden “Black Hole Sun (Live)”
Paul McCartney “Frank Sinatra’s Party”
The Alarm “Armegedden In The Morning”
Space Raptor “Psychedelic Warfare”
Violent Femmes “Hotel Last Resort”
Stray Cats “Devil Train”
Shriekback “The King In The Tree”
Matt Berry “Lord Above”
Kitty Rose and the Rattlers “Missing The Train”

You can tune in to RFC International every Thursday at 3 PM on The AIR. If you miss it, you have plenty of chances to catch a replay: Fridays at 1 PM and 10 PM, Saturdays at 1 PM, Sundays at 1 AM and 2 PM, Mondays at 9 PM, and Tuesdays at 11 PM, exclusively on The AIR.

Life Speaks Returns, Along with New Beatles Blast and Curtain Call

Wednesday afternoon on The AIR, you can tune in to new episodes of Life Speaks To Michele Zirkle, Beatles Blast and Curtain Call.  You can listen at the website, or on this embedded radio player…

Wednesday at 1:30 PM, Michele Zirkle returns to The AIR with a new episode of Life Speaks for the first time in several months. Michele has been off promoting her second book, exploring options for a movie based on her first book and has also been expanding her scope as a teacher, but she found the time to give us a new edition of her show. In Why Wounded Healers Dive into the Dark Michele shares insights from a week training in Colorado with Best-Selling author of “Women Who Run with the Wolves,” Dr. Pinkola Estes

You can hear this special edition of Life Speaks To Michele Zirkle Wednesday at 1:30 PM, with replays Thursday at 11 PM, Friday at 8 PM, Saturday at 7 PM and Sunday at 9 AM.

At 2 PM on Beatles Blast, yours truly hosts the eighth of a ten-part look at rare and unreleased music by The Beatles. For most of the summer, Beatles Blast will follow this format and bring you The Lost Beatles Project. This will be a treat for the die-hard fans as we mine the best of the recently-released archive projects by the band, and mix in rare releases and wild remixes from their band and solo years. We won’t be posting playlists for these shows because the whole point is that each of these programs will be a revelatory surprise.

Beatles Blast can be heard every Wednesday at 2 PM, with replays Thursday at 9 PM, Friday at 11 AM, Sunday at 5 PM and Tuesdays at 9 AM, exclusively on The AIR.

At 3 PM Mel Larch presents a new hour of great musical theater on Curtain Call.  This week Mel brings you highlights of this year’s winner of the Olivier Award for best musical in London. Come From Away tells the true story of what happened when 38 planes carrying almost 7,000 travelers were ordered to make an unexpected landing in Gander,Newfoundland, following the September 11, 2001 terrorist attacks on the US. Come From Away opened on Broadway in March, 2017 and was nominated for 7 Tony Awards, including Best Musical. A London production of the show opened in February, 2019 and was nominated for a total of 9 Olivier Awards and won 4, including Best New Musical, which is why we’re bringing it to you this week.

After the new hour of Curtain Call, stick around for two additional episodes from the Curtain Call archives. Curtain Call can be heard Wednesday at 3 PM, with replays Thursday at 8 AM, Friday at 10 AM and Saturday at 6 PM. An all-night marathon of Curtain Call episodes can be heard Wednesday nights, beginning at Midnight, and an additional marathon can be heard Sunday evenings from 6 PM to midnight..

RFC, Psychedelic Shack and The Swing Shift All New Tuesday on The AIR

For the first time in a couple or three weeks on The AIR, PopCult’s adjunct radio station, we have an afternoon of all-new-programming.

Tuesday on The AIR we deliver new episodes of Radio Free Charleston, Psychedelic Shack and The Swing Shift to our loyal listeners. You may cursor your way over and tune in at the website, or you could just stay on this page, and  listen to this happy little embedded radio player…

It all kicks off at 10 AM (with a replay at 10 PM– all times EDT) with a brand-new edition of Radio Free Charleston.

This week’s show opens with a brand-new song from John Radcliff, and then, as part of our year-long celebration of Radio Free Charleston‘s 30th anniversary it morphs into a mixtape of live, local music that was recorded around Charleston by yours truly for the RFC video show between 2007 and 2010.

You’ll hear exclusive live tracks from Jeff Ellis, Lady D, Punk Jazz, The Clementines and Raymond Wallace. You’ll also be treated to twenty minutes of the Spurgy Hankins Band, recorded at The Blue Parrot. We even toss in a recording of The Paris Project, performing classic jazz at the UUC, which has never been heard since it was performed all those years ago.

You should be able to click on the episode number above the playlist that follows, and go to a page where you can download a low-res version of this week’s show.

Check out the playlist:

RFCv4116

John Radcliff “Body”
Punk Jazz “Little Star”
Raymond Wallace “Variations”
Lady D “Go Higher”
Spurgy Hankins Band “Blue Parrot Set”
The Paris Project at UUC
The Clementines “Soundscapes”
Jeff Ellis “Fade”

Radio Free Charleston can be heard Tuesday at 10 AM and 10 PM, with replays Thursday at 2 PM, Friday at 9 AM and 7 PM, Saturday at 11 AM and Midnight, Sunday at 1 PM and the next Monday at 8PM, exclusively on The AIR.

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Monday Morning Art: Flatlands

 

We have finally left the city that never sleeps and this week our art is a moving landscape…literally. It’s a digital painting based on a sketch I did on my phone weekend before last on my way back home from the quick trip to Chicago that I’ve been telling you about for the last week. Mrs. PopCulteer had gone off to the dining car for dinner, and I stayed in our room, gazing out the window at the flat Indiana horizon that was speeding by.  I had a stylus handy and did a quick sketch on the phone, and then when I got home I dropped it into the computer, blew it up to a larger size, and painted over it. I tried to capture the twilight colors of the sky and the brisk motion of the grass going by in the foreground.

If you wish, you can click this image to see it bigger.

Over in radio-land, Monday on The AIR, this week we bring you a Monday Marathon featuring four episodes of Prognosis from the few months last year that yours truly was the host. That will lead to the rest of the day’s programming.

You can listen to The AIR at the website, or on this embedded radio player…

At 3 PM Herman Linte’s show, Prognosis, now holds court on Mondays. This week we bring you a new episode, loaded with great progressive rock. At least we hope we will. As we write this, we are still awaiting transmission of the show from the UK. However, Herman has kindly provided us with a playlist, so we can tell you what to expect.

Prognosis 049

Billy Sherwood “Hold Quiet”
Alan Parsons Project “The Naked Robot”
John Johanna “Parker Tallis Version”
Edison’s Children “The Confluence”
Flaming Lips “The Sparrow”
Hawkwind “Brainstorm”
David Bowie “Space Oddity (Clearvale Demo)”
Heather Findley “Winner”
Emerson Lake and Palmer “Pictures at an Exhibition (live)”
Paul Gilbert “Havin’ It”
King Crimson “ElectriK”
The Move “Feel Too Good”
Kansas “Song For America”

Prognosis will be followed by a classic episode at 5 PM, and then by replays of last week’s Psychedelic Shack at 7 PM, Radio Free Charleston at 8 PM and RFC International at 9 PM. Then at 11 PM we kick it back over to Prognosis, with an eight hour marathon of great progressive rock.

Sunday Evening Video: The Beach Boys Reunion Tour

It’s summer, and this video is available. Sort of a no-brainer here. It’s the original boys of summer, The Beach Boys, reunited for their 50th anniversary a few years back with as close to the original line-up as possible. In concert in Japan, in 2012. This is probably not going to happen again, so enjoy this terrific broadcast from Japanese television.

The RFC Flashback: Episode 191

This week The RFC Flashback acts like a retailer…and brings you Halloween in July!

Radio Free Charleston 191, from October, 2013, was the first of a two-part Halloween special that we recorded at ShockaCon the previous month. What makes this show unusual is that I included interviews, mixed in among the musical performances. We also brought you the sights and sounds of Charleston’s original horror convention.

The music we featured was by ShockaCon guests HarraH, The Renfields, The Big Bad and The McGees. You will also see interviews with Jeremy Ambler, Eamon Hardiman, Danny Hicks and The Fiend,

The show also includes the promo clip I assembled for Kanawha Players’ live stage production of “Night of the Living Dead.” Most of this clip uses the audio from the original movie trailer, cut to scenes we shot at a dress rehearsal.

Next week we’ll bring you the second part of this Halloween special.

A Sponge, A Squid and a Starfish Walk Into A Bar…

The PopCulteer
July 26, 2019

Longtime readers of PopCult may know that Mrs. PopCulteer, Mel Larch, is a big fan of SpongeBob Squarepants. I like the little yellow bastard, too. Back in the long ago days when the two of us were writing “Animated Discussions” for the Charleston Gazette, we had transitioned to mainly writing movie reviews by the time SpongeBob made his TV debut, so we didn’t devote too much time to watching the show or writing about it.

We did review the first movie, but it wasn’t until I got Mel the cast recording of The SpongeBob Squarepants Musical that Mel became almost evangelical about the denizens of Bikini Bottom. We even made a trek to New York last year to see the musical on Broadway (you can read about that HERE). We even have a SpongeBob unboxing video coming your way soon.

My point is, we loves us some SpongeBob Squarepants.

Last week while we were in Chicago (exactly a week ago as I post this) Mel found out that a bar in The Windy City had converted a backroom into “The Salty Spitoon,” the rough and tumble bar for tough guys in the SpongeBob cartoon. It was a block away from a stop on the Brown Line in Lincoln Park, and we were headed that way anyway, so as soon as they opened last Friday at 3 PM, we stopped by for a Krabby Patty and took tons of photos.

Replay, The bar playing host to this art installation with food and drink, is a pretty amazing place. It’s a bar stocked with zillions of pinball machines, video games and other arcade attractions. All the games are FREE, and since they serve alcohol, nobody under 21 is admitted. I mention those two things together because they can both serve as selling points.

Being non-drinkers, this still seems like a great place to spend a lot of time. We might get shooed away after a while, but it’d be fun while it lasted.

Anyway, the amount of detail that went into the pop-up SpongeBob bar/restaurant is amazing. They painted the walls, installed life-sized statues, augmented those with cardboard standees, and they even duplicated the tables and decor of The Krusty Crab. This installation has been extended to August 4th, so if you’re in Chicago you have about another week or so to experience this cool cartoon wonderland in person. This is Nirvana for any die-hard fan of SpongeBob Squarepants.

We took tons of photos (both of us) and we whittled them down to a couple dozen cool images for you to see the wonders of this super neat tribute to SpongeBob. Note that we got there a few minutes early, and that’s why there aren’t many people in the photos. By the time we left, the place was packed, and it was only 4 PM.

The original announcement. It proved so popular that they extended the event.

You still have time to go see this cool enviropub experience.

Photobombed by Patrick and SpongeBob!

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