The PopCulteer
July 7 , 2017
We are just past the mid-point of 2017, and it’s time to take a look at the state of pop culture.
In times of political crisis, the need for escape grows, and escapism fuels a large part of the engine that drives pop culture in the mainstream. Our country is currently in the midst of the worst political crisis since Watergate, and as a result, there is a lot of impressive pop culture stirring up to take our minds off of it.
Nostalgia has been a strong component of pop culture for decades, and we are now entering a cycle where more iconic pop culture properties are moving into the realm of nostalgic button-pushing. Along with evergreens from the past, like Star Trek, The Beatles, Batman, Star Wars and Back To The Future, we are now seeing second-generation fans of Harry Potter, Pokemon and the revival of Doctor Who.
PopCult can certainly plead guilty to wallowing in nostalgia on a pretty regular basis. What would this blog be without posts about Jack Kirby, The (real) Batmobile, The Beatles, Star Trek and other icons of my youth?
Nostalgia is such a strong component because properties like these have a timeless quality that propels them to much longer lifespans than mere fads. In the 1960s it was inconceivable that people would still be talking about Star Trek, Sgt. Pepper or Adam West fifty years later. Now, for those of us old enough to have the benefit of such hindsight, it’s easy to imagine the year 2067 being dominated by memories of Pokemon, Harry Potter, The Marvel Cinematic Universe, The Walking Dead and Wonder Woman.
There’s also no reason to suspect that streaming television series like House of Cards, The Tick or GLOW won’t become beloved and iconic parts of TV history.
I do fear that Hollywood has become so conservative when it comes to trying new ideas that the malaise of their current offerings may see the current era consigned to history as a time when major motion pictures were mainly a vehicle to trot out already-proven ideas. A look at the top twenty movies of 2017 so far shows only four that aren’t sequels, remakes or reboots of existing properties. Get Out, at number seven, is the highest-grossing original concept.
My observations of the music scene are probably colored by my generational bias. I probably purchase more music than the average person half my age, but except for local music, I hardly listen to any music made by anyone younger than I am. I try listening to current hit songs and they sound like formulaic, over-produced, vapid noise to me. I understand that, when I was young and into all the then-new bands, people who were my age then said the same thing about what I listened to.
Of the current “superstar” recording artists, the only one I can see producing music on the level of the “superstars” of my youth is Lady Gaga. I can see her going on to have a long Bowie-esque career in terms of sales and influence. I can’t see anyone else among today’s hitmakers having any kind of lasting power. I also fully realize that I could be completely wrong about that, but chances are I won’t live long enough to have to admit it.
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