Rudy Panucci On Pop Culture

Month: June 2022 (Page 4 of 4)

The RFC Flashback: Episode 101

This week we go back to June, 2010, for the one-hundred first episode of the Radio Free Charleston video program. “Viewmaster Shirt” includes music from Josh Buskirk, The Gypsy Nomads and The ButtonFlies, plus a sequel from MURFMEEF and a trailer for the film, “Toxic Soup.”

Our host segments were shot on a warm, windy Saturday afternoon in front of the Robert C. Byrd Federal Courthouse on Virginia Street, for absolutely no reason other than the fact that we hadn’t shot there yet.

Our musical guests were Josh Buskirk, playing guitar and singing at Taylor Books; Frenchy & The Punk (new album coming soon), back when they were known as The Gypsy Nomads, recorded at The Empty Glass; and The Button Flies, also recorded at The Empty Glass. We also have a music video from Murfmeef, the title of which we will not type here.

A Depeche Mode Tribute On The AIR

The PopCulteer
June 3, 2022

This week we have a somber episode of Sydney’s Big Electric Cat, devoted to Depeche Mode, who lost a key member last week when Andy Fletcher passed away.

It’s a bit sad, but you’ll get two full hours two findly remember Depeche Mode Friday afternoon on The AIR.  The AIR is PopCult’s sister radio station. You can hear these shows on The AIR website, or just click on the embedded player found elsewhere on this page.

At 2 PM, we have an encore episode of Mel Larch’s DISCO showcase, MIRRORBALL! Mel will return with a new episode next week. You can hear MIRRORBALL every Friday at 2 PM, with replays Saturday at  9 PM (kicking off a mini-marathon), Sunday at 11 PM, Monday at 9 AM, and Tuesday at 1 PM  exclusively on The AIR.

At 3 PM, on Sydney’s Big Electric Cat, Sydney Fileen delivers a special mixtape edition of her show that presents two full hours of the music of Depeche Mode, following the death last week of the band’s founding member, Andy Fletcher.

Fletcher was only 60 when he died unexpectedly.  He’d contributed keyboards to every Depeche Mode album, and had actually been in the band before they had that name. While he was self-deprecating about his own musical abilities, he was the de-facto manager of the band who over the years also managed other bands and ran his own record label, as an imprint of Mute Records.

Sydney was close with the band and wanted to devote her show to the memory of “Fletch.” She actually pulled a show that was in progress last week so that she could produce this installment of her New Wave showcase instead.

Everything counts, so take a look at this brilliantly-sequenced playlist…

BEC 091

Andy Fletcher/Depeche Mode
“New Life”
“Puppets”
“Dreaming of Me”
“Just Can’t Get Enough”
“Leave In Silence”
“My Secret Garden”
“A Photograph of You”
“Shouldn’t Have Done This”
“Everything Counts”
“More Than a Party”
“Pipeline”
“Two Minute Warning”
“Everything Counts (Reprise)”
“Something To Do”
“Stories of Old”
“People Are People”
“Master and Servant”
“Blasphemous Rumors”
“Black Celebration”
“Sometimes”
“Stripped”
“Here Is The House”
“But Not Tonight”
“Never Let Me Down Again”
“Behind The Wheel”
“Nothing”
“Agent Orange”
“To Have and To Hold”
“Strangelove”

Sydney’s Big Electric Cat is produced at Haversham Recording Institute in London, and can be heard every Friday at 3 PM, with replays Saturday afternoon, Monday at 7 AM, Tuesday at 8 PM, Wednesday at Noon and Thursday at 10 AM, exclusively on The AIR.

That’s what’s on The AIR Friday, and that is this week’s PopCulteer. Check back every day for fresh content and loads of or regular features.

“The Minutes” On Broadway

A PopCult Theatre Review

A month ago your PopCulteer and his lovely wife went to New York to see The Minutes. This is a new play for Broadway written by Tony and Pulitzer-winning playwright, Tracy Letts. Letts is also a Tony-winning actor, and Mel is a huge fan of his work, and has turned me into one as well.

Such big fans are we that we actually saw the world premiere of The Minutes at Steppenwolf Theater in Chicago in 2017. So I have a bit of a different perspective, having seen the earlier production, but there have been changes, and I was curious to see what they were.

As for the play itself, The Minutes, on the surface, is a very insightful comedy about the eccentric quirks and dysfunctionality of a small-town city council meeting. During the course of the 90-minute running time of this brisk play, that surface gets worn away, and we are treated to a sharply satirical and scathing look at the whitewashing of history and the denial of the racist and genocidal past of our country.

That may seem like quite a turn, but it isn’t, and that point underscores how ingrained American mythology and historical revisionism is in this country.

Without giving away too much of the plot, The Minutes opens as members of the Big Cherry City Council are arriving at their weekly meeting during a pouring thunderstorm. We meet the characters in this very powerful ensemble, as they bring the newest member of the council, Mr. Peel (Noah Reid) up to date. He’d missed the prior meeting due to the death of his mother.

It seems that the prior meeting, the one which Mr. Peel had missed, was quite eventful. One council member has mysteriously left and the minutes for that meeting are not yet prepared, so Mr. Peel can’t find out why.

Each council member has their own agenda and Mr. Peel has the type of personality that makes him want to do anything to fit in, which turns out to be a key part of the story. We are treated to various harebrained schemes of the council members like “Lincoln Smackdown” a proposed fund-raiser that would feature a professional wrestler dressed as our 16th president.

When the discussion turns to the heritage festival, the entire council re-enacts the story of the founding of Big Cherry for the benefit of Mr. Peel. This is downright hilarious and shows a comedic ensemble firing on all cylindars with slapstick precision.

Then we discover the true story behind Big Cherry, and this is where the play turns serious.

My memory is not crystal clear, but I think there has been some re-writing or at least some re-arranging since I saw the play in 2017 in Chicago. The narrative seems tighter and the pacing improved. Another big change is in the cast.

Some of the cast of the 2017 production has returned, one of them in a different role, but there is a chemistry in this new production that was not present in Chicago. I’m sure some of this has to do with the fact that this production was slated to open in the Spring of 2020 before the pandemic hit, and this crew had been rehearsing via Zoom for a few months early in the COVID shutdown before resuming in March.

Also, this is the first time I know of that Letts has acted in one of his own plays. He is perfect in the role of Mayor Superba, overseeing the city council and trying to maintain order…in more ways that one.

There are so many amazing performances woven into this work. Noah Reid perfectly captures the essence of. Mr. Peel, the naive council newbie who inadvertantly stirs up trouble while trying to fit in. Cliff Chamberlain, who played Mr. Peel in the Chicago production, is Mr. Breeding here, and assays the role with a note-perfect Pete Dooceyian level of clueless douchebaggery that garners a great deal of laughs from the audience.

Each ensemble member brings to life their own archetype of small-town politics. Blair Brown is the cranky, older, Karen-esque senior lady on the council. Austin Pendleton is hilarious as the doddering and defensive longest-serving council member, whose major concern is his parking spot. Jeff Still is the shady businessman with a shady brother who’s the police chief. Being from a pretty small town, these are all familiar to me.

I could go on and name the entire ensemble. The Minutes should be exhibit “A” in the argument that The American Theatre Wing should establish a new Tony award for Best Ensemble, because it is so hard to single out one performance out of this well-oiled machine.

When I saw The Minutes Joshua David Robinson played the role of Mr. Blake, the lone Black council member, and you could not tell he was an understudy. He fit perfectly and made me forget any disappointment I had at not seeing the excellent K. Todd Freeman that day.

One slightly controversial element of The Minutes is the use of that most vile of racial slurs. It is used once, for shock value, but is absolutely vital to the play. It’s the point where The Minutes makes the full transition from being a happy ensemble comedy about a small-town city council meeting to being a biting satirical comment on a very topical matter.

When that word is used, it’s like watching a zany pie fight, where suddenly one of the pies has a brick in it.

At that point, everything becomes crystal clear. This is when you realize that The Minutes may be the most honestly American play written in the last century. It is scathingly relevant while remaining fall-down funny.

I hope that this production, which runs until July 24th at Studio 54 in New York, has been recorded for Great Performances or a streaming service. It should be required viewing in every high school history class.

Credit has to go to Letts, the playwright, as well as the director, Anna D. Shapiro and David Zinn for his remarkable set design. Everything about The Minutes is perfectly-executed.

It was well worth spending 25 hours on the Amtrak Cardinal (up and back) to see The Minutes on Broadway.

Steppenwolf’s production of The Minutes is playing now at Studio 54 in New York, You can visit the website HERE and order tickets HERE.

STUFF TO DO In June

Now that we’ve made it to June it’s time once again for your guide to things you can do in and around Charleston. Be advised that there are a lot of Pride Events happening all over this weekend. There’s also a biker rally in Charleston, and a big-deal pop culture convention in Huntington with Chuck Norris, David Koechner and the voice of Batman, Kevin Conroy.

Live Music is back at Taylor Books. There is no cover charge, and shows start at 7:30 PM. Friday it’s BRRO. Saturday sees Lady D herself, Doris Fields at Charleston’s Bookstore/coffeehouse/art gallery institution.

Our lead item this week is Fairview, the Pulitzer Award-winning play that opens Friday at The Alban Arts Center and runs through next weekend.

Fairview was written by Jackie Sibblies Drury, and is described as  “a biting, comedic look at a middle-class Black family whose birthday celebration takes a dark twist and challenges the gaze of race and the very structures we hold so close.”

Be warned that the performance includes adult language and themes. Directed by Stuart Frazier, “Fairview” will be presented at 8 PM Friday and Saturday; 2 PM
Sunday; 8 PM June 10 and 11; and 2 PM June 12, like it says on the poster below.

Tickets are $17 for adults, and $12 for seniors and students. To order tickets, call 304-721-8896 or got to the Alban Arts Center website.

Mel and I are planning to attend at some point during the run, but I would like to take some time once more to strongly suggest that all of our local community theater groups give some consideration to designating one performance during the runs of their shows where proof of vaccination and masks are required.  I’m only asking for one show, out of the four, six or eight that they do, have this stipulation. I realize that it’s a huge turn-off for a lot of folks, but for those of us with immunity issues, it’d be a nice gesture to have one performance where we could feel a bit safer.

As far as I know, The Alban is not doing this with Fairview, but Mel and I are willing to take the chance to support the local scene, the director, Stuart Frazier and see an acclaimed play. I do hope the folks in charge of the various local theatre troupes consider implementing one special performance during their runs with extra precautions.

Because…we all need to remember that the pandemic is not over yet, and now only the stupidest of people are going without vaccinations. Many people who have very good reasons are still wearing masks, and many of us, understandably, are still nervous about being in crowds, masked or not. Be kind and understanding  while you’re out.

In the meantime, if you’re up for going out, here are some suggestions from folks who were kind enough to provide graphics and make my job easier…

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