Rudy Panucci On Pop Culture

Month: March 2021 (Page 3 of 4)

Disco Dance On The AIR Friday

Friday afternoon we offer up a new episode of MIRRORBALL and encore a recent Sydney’s Big Electric Cat. The AIR is PopCult’s sister radio shation. You can hear these shows on The AIR website, or just click on the embedded player at the top right column of this blog.

At 2 PM, Mel Larch uncorks a new MIRRORBALL! The AIR’s showcase of classic Disco music presents a line-up of classic tracks from the golden era of excess and intense dance floor fever. Just check the playlist for this bodacious bit of boogeymania…

MIRRORBALL 020

The Commodores “Machine Gun”
Grace Jones “Do Or Die”
The Brothers Johnson “Stomp”
Gloria Gaynor “Never Can Say Goodbye”
Eddie Kendricks “Goin’ Up In Smoke”
Tavares “More Than A Woman”
Linda Lewis “It’s In His Kiss”
Harold Melvin and the Bluenotes “Satisfaction Guaranteed”
Jean Carn “Was That All It Was”
The Trammps “Trusting Heart”
Instant Funk “I Got My Mind Made Up”
Jocelyn Brown/Larry Levan “Ain’t No Mountain High Enough”
Ottawan “D.I.S.C.O.”

You can now hear MIRRORBALL every Friday at 2 PM, with replays Saturday at  8 PM, Sunday at 11 PM, Tuesday at 1 PM and Wednesday at 7 PM, exclusively on The AIR. We will run a special encore of this episode Friday at 10 PM.

At 3 PM, Sydney Fileen graces us with an encore of an episode of Sydney’s Big Electric Cat from last fall, which you can read about HERE (scroll down). This is a pure Joe Jackson New Wave era special, and we haven’t replayed it since December.

Sydney’s Big Electric Cat is produced at Haversham Recording Institute in London, and can be heard every Friday at 3 PM, with replays Saturday afternoon, Monday at 7 AM, Tuesday at 8 PM, Wednesday at Noon and Thursday at 10 AM, exclusively on The AIR.

You can also hear select episodes of Sydney’s Big Electric Cat as part of the overnight Haversham Recording Institute marathon that starts every Monday at 11 PM.

Look for a new PopCulteer Friday afternoon.

Short Love and Smaller Rockets

The PopCult Comix Bookshelf

Amor Y Cohetes: A Love and Rockets Book
by Gilbert Hernandez , Jaime Hernandez , Mario Hernandez
Fantagraphics
ISBN-13 : 978-1560979265
$19.99

This is a new edition of a Love and Rockets book that was originally published in 2008. One never-before-reprinted single-page comic strip has been added for this printing.

Amor y Cohetes is the seventh volume in the “Complete Love & Rockets” series of compact, affordable paperbacks. I recommend all volumes of this incredible work. They are some of the best comics ever made, period. Gilbert and Jaime Hernandez are masters of graphic storytelling, and Mario is no slouch, either. I’ve praised their work in this blog since before the first printing of this book, and they still produce some of the best comics in the world.

However, since this collects some of the lesser-known works from one of the most important and influential comics of the 1980s, we’re going to take advantage of the new printing and revisit these gems. Amor Y Cohetes: A Love and Rocket Book collects together in one convenient package all the non-Maggie and non-Palomar stories by all three Hernandez Brothers from that classic first, 50-issue Love & Rockets series—a dizzying array of styles and approaches that re-confirms these groundbreaking cartoonists’ place in the history of comics.

People sometimes forget that there is a third Hernandez brother, Mario, who though less prolific than his siblings, is still a powerful storyteller. Because he never launched a long-form series within Love and Rockets, like Gilbert’s Palomar tales or Jaime’s Mechanics universe, he sometimes gets the short shrift. This book of short stories by the trio shows how good all three brothers are.

The book leads off with Gilbert’s original 40-page sci-fi epic “BEM” from 1981’s very first issue of Love & Rockets, featuring a very different Luba and a much looser, cheesy sci-fi inspired way of storytelling. This was Gilbert trying to be commercial, before finding his own voice and his calling as a storyteller. It’s a wild artifact of his early talents. Eventually, over the first 50 issues of Love and Rockets, most of the science fiction elements evaporated, leaving us with amazing stories with real human interactions.

Fantagraphic’s PR blurb describes the rest of the contents of this volume:

Other stories include Jaime’s charming “Rocky and Fumble” series starring a planet-hopping girl and her robot; stunning one-shots such as Gilbert’s Frida Kahlo biography and his shocking autobiographical fantasia “My Love Book”; Mario’s genre thrillers which take place “Somewhere in California”; Gilbert’s brutally dystopian “Errata Stigmata”; the playful “Hernandez Satyricon,” with Gilbert drawing Jaime’s characters, and “War Paint,” with Jaime trying out Palomar; Gilbert’s light-hearted “Music for Monsters” starring Bang and Inez; and even a fantastical “non-continuity” Maggie and Hopey story “Easter Hunt” by Jaime that didn’t fit into the other books.

I don’t think I really need to sell experienced readers on Love and Rockets. If you’ve read their other works, you know how great they are. This is a good introductory volume for new fans because the shorter stories will allow them to become acclimated to the Hernandez’s classic storytelling style without being intimidated by tons of backstory.

You should be aware that, if you get hooked, you’ll have to buy the entire Complete Love and Rockets series and you will be a fan for life.

Forty years after I bought the first issue of Love and Rockets at a comic convention in Huntington, I’m still delighted by their new work.

You should be able to order Amor Y Cohetes: A Love and Rockets Book from any bookseller, using the ISBN code, or you can find it at extremely hip comic book shops.

BTW, the band stole their name from the comic book, not the other way around. It sucked because Los Bros wanted to call their own band “Love and Rockets.”

Cuddle Up To This Cement Mixer

The PopCult Toybox

Yesterday the folks at HESS Trucks unveiled their second plush truck, aimed and collectors and very young kids. Like last year’s Firetruck, this cute, cuddly cement mixer lights up and plays songs.

My Plush Hess Truck: 2021 Cement Mixer is now on sale exclusively at HessToyTruck.com for $29.99 with free standard shipping and Energizer® batteries included.

With its friendly eyes and smiling front grille, the 2021 Plush Hess truck is sure to “cement” a child’s first love for Hess Toy Trucks. The soft green Cement Mixer is safe for all ages with features that include squeeze-activated flashing LED lights, two new sing-along songs, an auto shutoff night-light, silent mode, and an easy-grab mixing drum.

The 2021 commemorative license plate and accompanying personalizable keepsake driver’s license tag follow the Hess Toy Truck collectability tradition.

The Hess Toy Truck, offered exclusively online at HessToyTruck.com, remains among the bestselling toys annually and a highly sought-after collectible and treasured holiday tradition that has been shared among families for nearly 60 years.

Last year’s debut Plush Hess Toy Truck sold out and this year’s model, with its distinctive HESS color scheme, will probably sell out even quicker, so you’ll want to get one of these soon, if you want one.

Here’s what the website tells us:

The My Plush Hess Truck series, the perfect start to the youngest fan’s Hess Toy Truck collection, is back and better than ever! A new soft and cuddly plush toy truck is released each year, created with the youngest children in mind. It’s more than a truck – it’s a playtime pal and a comforting face at night. It’s a collectable connection to the past and a gift they’ll handle with love and never want to be without!

My Plush Hess Truck – 2021 Cement Mixer is designed with soft, durable, multi-textured Hess green fabric with white accents and is stuffed with soothing softness. A pair of warm, friendly eyes and a smiling grille reveal the playful personality of this new and lovable construction character. This huggable buddy will ‘cement’ your child’s love for the Plush line of Hess Trucks.

The Cement Mixer offers playtime features such as squeeze activated flashing LED lights and two delightful song favorites – “Head, Shoulders, Knees and Toes” and “The Alphabet Song” – that will have your little one happily singing along, and learning too! The mixing drum, side exhaust pipes, and wheels are easy to grasp by little hands, making toting around their new best friend a cinch. And when it’s time to rest those sleepy eyes, a squeeze of the roof lights activates the nightlight mode with an auto shut-off 15-minute timer.

Crafted with love by the expert team that brought you nearly 60 years of the best-selling and highest quality toy trucks and the sold out My First Hess Truck Plush, this newest addition to the Hess Toy Truck family is made in highly limited quantities! My Plush Hess Truck – 2021 Cement Mixer is sold exclusively here for $29.99 plus tax. Energizer® batteries and free standard shipping are included.

Features:
Safety approved for ALL AGES including
baby-safe packaging
child-safe padded internal battery enclosure
Soft and durable outer fabric
Squeeze activated lights and sounds:
2 Sing-along songs: Head, Shoulders, Knees and Toes & The Alphabet Song
Ten (10) LED Lights that work in flashing or steady modes
Night light steady light mode with 15-minute auto-shutoff timer
Mute feature keeps things silent for rest time
Easy grab mixing drum
2021 commemorative year license plate
Personalizeable keepsake detachable gift tag
3 Energizer® ‘AAA’ batteries included, pre-installed and activated- REMOVE for storage
Overall size: 9.25” long x 7” wide x 7” high

Check out this short video…

Radio Free Charleston Rocks, The Swing Shift Swings with New Shows Tuesday

Tuesday on The AIR we have a hybrid episode of Radio Free Charleston and an all-new episode of The Swing Shift.  If you want to hear the audio joyfullness yourself, you simply have to move your cursor over and tune in at the website, or you could just stay on this page, and  listen to the cool embedded player over at the top of the right column.

This week we have one our of brand-new stuff on Radio Free Charleston at 10 AM and 10 PM Tuesday.  The Second and third hours of the show feature an encore of a special mixtape episode of Radio Free Charleston International from September, 2019, which was only heard two or three times before we bumped it from our servers to make way for the three-hour version of RFC.

Our new hour features fresh-out-of-the-oven music from old old pal, John Radcliff, plus new tracks from The Settlement, Unmanned, Boldly Go, The Melvins and Lady D (with special guest, Marcus Oglebay, from the band Creek Don’t Rise, on harmonica). By the way, The Settlement is from Huntington, not Beckley, like I say in the show. This is what happens when I don’t prepare my notes well enough before recording.

It was easy to fill out a new hour of great music, but I’m still juggling lots of projects, and using an old, little-heard, RFC International as “Hamburger Helper” made life easier for yours truly, and I still managed to slip a few mistakes into the show.

Check out the playlist to see all the goodies we bring you this week…

RFCV5 045

hour one
John Radcliff “The Enemy”
The Settlement “Stars”
Lady D “Somebody’s Gotta Move”
Trevor Horn and Rev. Jimmie Wo “Blue Monday”
Rockwell’s Ghost “Suicide Hotline”
Soft Boys “Kingdom of Love”
Speedsuit “The Dawn”
The Cryers “Live To Be Free”
Unmanned “Baloney”
All Torches Lit “Anathema”
Boldly Go “Never Give Up (Never Surrender)”
The Melvins “Caddy Daddy”

hours two and three
Elvis Costello “Stalin Malone” (vocal version)
David Synn “The Mirror”
Nina Hagen “Killer”
Wire “Dot-Dash”
Manu Chao “Bongo Bong”
Iggy Pop “Dirty Sanchez”
Troya “Battle Rock”
Moron Police “Isn’t It Easy”
10CC “24 Hours”
David Cross & Robert Fripp “Starless Starlight Loops”
Open Mindframe “Urbanspace”
Crowded House “Now We’re Getting Somewhere”
Shakespeare’s Sister “Stay” (acoustic”
Buddy Holly “Rave On”
The Weird Sisters “John Coffey Style”
Old Dog New Tricks “Fall Down Seven, Stand Up Eight”
PP Arnold “I’m A Dreamer”
Adrian Belew “c”
Бен Левин “Hot For Sick”
Yoko Ono and the Plastic Ono Band “Moonbeams”
Harry Nilsson “Old Dirt Road”
The Move “Cherry Blossom Clinic Revisited”
Curved Air “Bright Summer’s Day ’68”

You can hear this episode of Radio Free Charleston Tuesday at 10 AM and 10 PM on The AIR, with replays Thursday at 3 PM, Friday at 9 AM and 7 PM, Saturday at 11 AM and Midnight, Sunday at 11 AM and the next Monday at 8 PM, exclusively on The AIR.

I’m also going to  embed a low-fi, mono version of this show right in this post, right here so you can listen on demand.

 

1 PM sees an encore of last week’s new episode of Mel Larch’s Curtain Call.

At 2 PM we offer up a classic episode of Nigel Pye’s Psychedelic Shack, loaded with the trippiest music you can imagine.  Psychedelic Shack alternates weeks with NOISE BRIGADE Tuesdays at 2 PM, with replays Wednesday at 10 PM, Thursday at 9 AM, Friday at 1 PM, Saturday at 8 AM, Sunday at 9 AM and Monday at 7 PM.

At 3 PM we bring to you a new hour of The Swing Shift, kicking off with brand-new tunes from Tyler Pedersen and Willie Nelson.  It’s really cool having new guitar-based Swing from Tyler (you can buy your own copy of “Swingin’ In The Spirit” HERE) and it’s a kick that Willie Nelson’s new album is a Swinging tribute to one Francis Albert Sinatra. Check out the playlist…

The Swing Shift 110

Tyler Pedersen “Swingin’ In The Spirit”
Willie Nelson “Luck Be A Lady”
Peggy Lee “Why Don’t You Do Right”
Louis Armstrong “The Music Goes Round and Round”
Sam Cooke “Ain’t Misbehavin'”
Steve Miller “Filthy McNasty”
Renee Geyer “I Got Rhythm”
Glenn Miller “Beat Me Daddy, Eight To The Bar”
Sonny Rollins “Tenor Madness”
Swingaria “Tap, Dance, Swing and Rock”
Frank Sinatra “Nice ‘N’ Easy”
Paul Carrack “Learnin’ The Blues”
Pink Turtle “Walk On The Wild Side”
Diana Krall “Just You, Just Me”
Royal Crown Revue “Whatcha Doin’ Tonight”

You can hear The Swing Shift Tuesdays at 3 PM, with replays Wednesday at 7 AM and 6 PM, Thursday at 2 PM,  Saturday at 5 PM and Sunday at 10 AM, only on The AIR. You can also hear all-night marathons, seven hours each, starting at Midnight Thursday and Sunday evenings.

Those are Tuesday’s music shows on The AIR. Leave a comment and let us know what you think.

Monday Morning Art: Pop Art Pin Up

Our art this week is a quick pinup doodle, drawn on tiny 2″ by 3″ paper using an actual Flair pen (yes, they still make those), scanned, blown up an then colored in the computer. I kept it small and quick because my fingers are still somewhat impaired by Myasthenia Gravis (it’s been a rough month or so). I based this on a classic stock pose that they used for “glamour” photos back in the 1930s. Just to mess with the timeline of my influences, I used a 1960s-inspired color technique (which also took way less time).

If you want to see it bigger, just click on the image.

Meanwhile, Monday at 9 AM on The AIR, we bring you six episodes of Psychedelic Shack, Nigel Pye’s bi-weekly showcase of the best trippy music from the hippie era and beyond. There is a chance that, when our Haversham Recording Institute programs return with new episodes in April, Psychedelic Shack may be moving to Mondays. We’ll keep you posted.  You can tune into a recent episode of  Prognosis at 3 PM.

Due to the lockdown in the UK, the Haversham Recording Institute programs will be in rerun mode for the next few weeks.  Luckily we have a pretty extensive library of high-quality repeats to share with you.

You can hear Prognosis on The AIR Monday at 3 PM, with replays Tuesday at 7 AM, Wednesday at 8 PM, Thursday at Noon, Saturday at 10 AM and Sunday at 2 PM.

You can listen to The AIR at the website, or on the embedded radio player at the top of the right-hand column of this blog.

Sunday Evening Videos: Random Vintage Toy Commercials.

This week we’re bringing you some random vintage toy commercials, for no other reason than they’re pretty darn cool.  Above you see spots for The Tommy Burst Detective Set, Lionel Mercury Capsule Launching Car, Lionel Science Sets, Lionel Trains, Joe DiMaggio, Gilbert Toys, Union Station by Remco, March of Dimes, and Space Patrol Space Binoculars.

Below you see About ten minutes’ worth of “space age” toy commercials, likely from the early ’60s. This includes TV spots for the Ideal “Astro Base” and “Countdown” toys; the Deluxe “Man in Space” set, Ideal’s “Mr. Machine”, and Remco’s “Project Yankee Doodle”  and more.

These are embedded from Archive.org, so be prepared for clunky playback at times, but the toys are so cool that it’s worth the video stuggles.

The RFC Flashback: MINI SHOW number 48

We still find ourselves in January, 2015, this week for an RFC MINI SHOW starring Todd Burge.

For this show we presented two songs by Todd Burge, one of the most respected singer/songwriters in West Virgina. We recorded Todd the previous June in a performance on Capitol Street in Charleston during FestivALL.  We held these songs back for this special episode of the MINI SHOW.

Todd performs his original tunes, “Our New Day” and “Change (For Clean Water).” It’s always a treat to feature Todd on any of the Radio Free Charleston programs, video or audio. Check out his website for information on how you can buy Todd’s music.

Dr Seuss Makes Me Think About Food Bullies

The PopCulteer
March 5, 2021

We are, as a society, becoming more mindful of discriminatory behavior. It may not seem that way, as a vocal minority has embraced racism, sexism and hate speech as their chosen means of political expression, but in general, we are, as human beings, trying to be kinder to one another.

Earlier this week Dr. Seuss Enterprises chose to remove six of the venerated cartoonist’s books from circulation because they contain hateful and hurtful images. While it may seem trivial and inconsequential to some angry folks who like to bitch about “cancel culture” (like shunning such works is not a justifiable reaction by civilized people to abhorrent symbols) most people, upon seeing the images in question, can understand that we shouldn’t be including such things in books that are designed to nurture and shape young minds.

It is not a good thing to ridicule or harrass someone because of their race, religion, orientation, size, hair (or lack thereof) or any other superficial reason. I hope we can all agree on that.

But this week the PopCulteer looks at one area where society turns a blind eye to mob mentality and bullying. I am not trying to say that this is anywhere near the same level as discrimination against people due to race, creed, class or the other recognized put-upon segments of society, but it would be nice if people could consider the feelings of others when criticizing that person’s personal food choices.

This is a particularly tame steak meme, and I still had to tone it down a bit.

In the last week on social media, I have seen a person called “sub-human scum” because they put ketchup on a hot dog. I have also seen a person declared to be “more evil than Hitler himself,” because they enjoy their steak well-done.

I realize that these comments were made jokingly (and before you ask, they were not directed at me…I’ll get to my personal story later), but jokes are not harmless. Ridicule is recognized as one of the most effective forms of political attack, and the risk you run with any joke is that somebody will think, “It’s funny because it’s true.”

Do we really need a world full of food bullies? Can’t you be funny without food-shaming someone else?

For some reason, it’s still considered okay to make merciless fun of somebody because of the way they eat. Nevermind that a person may have a physical limitation or medical reasons for eating (or not eating) a certain way. The fact is that we supposedly live in a free country, and how a person chooses to eat is really not any of your god-damned business.

I hardly ever eat steak. When I do, I like for it to be cooked enough so that it tastes good to me. You see, having your own sense of taste is perfectly okay. I don’t like to eat red or pink beef. It does not taste good to me. On those occasions when I do eat a steak, my preference is for it to be medium-well, or well done. You may eat your own steak any way you wish. I will eat mine the way I like it.

If this offends you, it does not make me a “monster.” It makes you someone who can’t tolerate somebody having different tastes than you have. And that makes you the asshole.

A lovely, plain hot dog, unbespoiled with condiments. A thing of beauty!

I happen to find cole slaw to be one of the most disgusting things on the planet. I would never, under any circumstance, consider putting something that dreadful in my mouth. Yet, I have been told that I can’t possibly be a “real West Virginian” because I won’t eat a hot dog with chili and slaw on it.

I’ve lived here my whole life. How I eat a hot dog has not one thing to do with that. I don’t tell other people that they don’t belong here because they don’t eat things the way I do. I have not tried to outlaw cole slaw as a food substance (not seriously, anyway). Why is it any concern of yours how I eat something?

There are foods that I can’t eat. Mushrooms could kill me, period. I am not going to tempt fate to see if a particular variety would only make me deathly ill instead. Strawberries, and many other berries, make me break out and itch, and if you’ve ever had a rash inside your mouth, you understand why I avoid such things.

Avocados and Guacamole, for some bizarre reason that apparently isn’t common, make my Myasthenia Gravis meds stop working. That is not fun, especially if I’m driving.

These are my personal quirks. If you accept me, you have to accept them. It’s one reason that I don’t often write about food in this blog. I know that I’m outside the mainstream.

And that should be okay.

In fact, whether I have medical reasons for avoiding certain foods or not, it should still be okay.

I don’t eat pork. I find the odor it emits when cooked to be nauseating. I don’t even like bacon. It’s not a religion or health thing. I just don’t like it. That stuff smells like burning human flesh to me. I can eat sausage, if it’s heavily spiced to cover up the taste, but even with that I prefer vegetarian sausage these days.

I hate mayonnaise. It disgusts me. It is incredibly repulsive to me. I don’t even like to hear the word. I won’t eat anything that’s touched it.

I don’t like cucumbers, croutons or dressing in my salad. If they can’t be left out, I’ll pass on the entire salad.

I don’t drink beer or any alcoholic beverages. I can’t stand the taste, and alcohol burns my mouth. I realize that this puts me in a minority, and my whole life I’ve felt like an outsider because of this. Social drinking is like a big, exclusive club that I’m not willing to hurt myself enough to join.

These are all matters of taste, and they shouldn’t make life hard for me. I don’t try to impose my tastes on you. It’s not okay for you to try to shame me, or anybody, for having different tastes than you.

In terms of persecution, I don’t check off many boxes. I’m white. I’m male. I’m straight and married. Please don’t think I’m trying to play the victim here. This column was really inspired by attacks I’ve seen on other people. I’m only sharing my own experience because that’s what I have handy to write about.

I have not eaten in a restaurant for a year now. I’m better off for it. I’ve lost weight. I’m cooking way more now, and cooking healthier things (and smaller portions) than what we’d get if we were eating out. Mel and I still get takeout once in a while, but maybe one-tenth as much as we used to.

“I’m pretty sure you asked for mushrooms in mayonnaise sauce, sir!”

When we did eat out way too much, I continually ran into trouble when it came time to make substitutions. Some waiters seem to have a “You’ll eat what we tell you and like it” attitude. I don’t miss that. I don’t miss clearly and concisely giving a waiter my order, and having them bring back something that could potentially kill me.

Some waiters or waitresses think that, when I order “water with light ice,” the funniest thing in the world is to say, “Water with lots of ice, coming up!” You know what? It’s not funny. It’s as unfunny as me cutting my usual 35%-plus tip down to exactly 15%. I don’t know where people got the idea that telling somebody you were going to bring them the opposite of what they asked for is funny, but it isn’t. It stopped being funny the first time it happened…when I was five.

If, back in those restaurant-going days of yore, I would dare to post about a restaurantorial misadventure, I could always count on at least one person (usually a waiter or chef) to come down on me with a lecture about how I was “messing up the line” and “being difficult” and “acting entitled” because I want the food I’m paying my hard-earned cash for to be edible to me.

And I see those same people posting memes about what monsters people are for wanting their steak well done, or being told they don’t belong here because they won’t eat a hot dog with stuff on it that I don’t even consider to be food.

When that happens, I realize that some people just want to hate other people, and any stupid reason will do.

But I realize that some of you who share those memes and say things like that don’t really mean any harm. Dr. Seuss didn’t mean any harm when he published horribly racist drawings. It simply didn’t occur to him that such caricatures of Asian or Black people might be seriously hurtful to Asian and Black children. He didn’t even consider their feelings when he did those drawings.

Likewise, I figure that most folks who post jokes and images ridiculing people for their food choices aren’t trying to be malicious. They’re just being thoughtless, careless and insensitive. You know, like a bully.

I know that nobody ever went broke by making it easy to look down on other people, but do we really need to keep doing that?  Maybe it’s time we put a little more thought into what we post. Is your life really so perfect that you see your biggest enemy in somebody who likes their steak well-done?

Maybe it’s time we stop and ask if we’re really making the world a better place by calling someone else a monster because they eat their food a certain way…after all, some people even like green eggs and ham.

And that is this week’s preachy and self-righteous PopCulteer. Check back for all our regular features and fresh content every day.

Funny Animals Return To Comics

The PopCult Comix Bookshelf

Today I’m telling you about a pre-order deal on what is sure to be a fun comic book, Cavalcade #1 will be the debut issue of a new Funny Animal anthology.

Three things you should know about this recommendation:

1. In addition to being a life-long fan of superhero comics, your PopCulteer is also a fan of the “Funny Animal” genre, which was far more prevelant in the Golden Age of comic books.
2. I am a sucker for revivals of public domain comic book characters from the Golden Age of comic books.
3. I’m a big fan of ACP Comics and their Forbidden Gallery horror anthology. I know these folks do high-quality work, and they do it outside of the traditional comics distribution system.

So when I heard that ACP was working on a Funny Animal anthology featuring public domain characters like Tubby the Scout, Bruno Bear, Pudgy Pig, Timmy the Timid Ghost, Hucky Duck, alongside new anthropomorfic creations, I was in.

As you can see from the credits, much of ACP’s crew from Forbidden Gallery worked on this book.It’s a great mix of veteran creators and newcomers. This is going to be fun throwback to the days when every comic book didn’t have to be a test balloon for a movie or TV series.

This book has been in production for a while, but now it’s almost ready to go to the publisher, and you can pre-order it HERE. The 36-page comic book is a mere six bucks (or ten, if you buy two) and you can also find back issues of Forbidden Gallery at the link. If you don’t have them already order everything they have. You won’t regret it.

That price is a pre-order deal. If you order now, during ACP’s PRE-SALE CAMPAIGN before the official release, you can get this FIRST ISSUE COLLECTOR’S ITEM for just $6.00 with FREE shipping! After March, there will be an additional $3.20 charge for shipping & handling.

Delivery is expected in four to six weeks. I’m telling you about this ahead of time so you can save a few bucks on shipping. My readers know I love to plug fun, independent comics, and I think Cavalcade #1 lives up to both of those things.

Keeping Showtunes Alive On Curtain Call Wednesday

Wednesday afternoon The AIR brings you a brand-new episode of  Curtain Call!  You can tune in at the website, or or you could just stay on this page, and  listen to the convenient embedded radio player lurking over in the right-hand column of this blog.

At 3 PM on Curtain Call, Mel Larch Takes us into March with the show that begins like a lamb, but goes out like a lion. Mel begins with a great tune from the Van Gogh-inspired musical, Starry, and the first half of the show features ballads, lovely, gentle melodies and bluesy meditations.

The second half of Curtain Call this week shakes everything up with songs that swing, go Disco and echo prog-rock. The subject matter this week ranges from artisitc endeavors to presidential assassinations to King Tut, archangels, lunch and more. Check out this playlist:

Curtain Call 098

“A Starry Night” from Starry
“The Ballad of Booth” Composer Demo from Assassins
“Edward and I” from Sense and Sensibility
“Let’s Me Help You Now” from Flowers For Mrs.Harris
“Ain’t Got No Tears Left” From Leonard Bernstein’s New York
“Cost of Living” from Cases
“Her Name Is Aurora” from Kiss of the Spider Woman
“Disco Symphony” from The Boy In The Dress
“Demon’s Proof” from Tut Ankh Amon
“The Hardest Hill” from Coming From Inside The House
“Blow Gabriel, Blow” From Anything Goes
“Let’s Have Lunch” from Sunset Boulevard

Curtain Call can be heard on The AIR Wednesday at 3 PM, with replays Thursday at 8 AM and 9 PM, and Saturday at 8 PM. A six-hour marathon of classic episodes can be heard Sunday evening starting at 6 PM, and an all-night marathon of Curtain Call episodes can be heard Wednesday nights, beginning at Midnight.

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