Month: September 2023 (Page 3 of 4)

For the die-hard fan, here’s the raw video we shot for our PopCult Road Trip clip. The audio has been replaced with stock music from the YouTube library for the most part because we don’t want to accidently broadcast anybody’s private conversations that might have been picked up by our microphones. What you have here is random shots of cool toys, featuring but not limited to GI Joe, plus the folks walking around looking at and buying them. It’s just under 35 minutes of toy show immerssion.

We had a blast at the show, but it was part of an exhausting weekend as we attended two major toy collector conventions on the same weekend, some five-hundred miles apart. I’ve been writing about that trip since we got back, four weeks ago.  This week we’re sharing the raw video from JoeLanta, the toy convention in Atlanta devoted to GI Joe. Next week the plan is to share our raw footage from PowerCon in Columbus, recorded that same weekend.

You can find our previous coverage of JoeLanta in the archives by searching for “JoeLanta,” or scroll down the recent posts list elsewhere on this page for our more recent videos and photo essays.

Just yesterday, our pal Ricky from Radio Cult posted a cool “Walk Through” video of JoeLanta, and you can watch it HERE.

This week we reach back to June 2008 for “Holden Caufield Shirt,” the forty-third edition of Radio Free Charleston. With this puppy we featured music from The Clementines, InFormation and Melanie Larch, plus the classic Troma Trailer for Daniel Boyd’s Strangest Dreams: Invasion Of The Space Preachers and the educational cartoon “Drugs Are Bad.”

We shot our host segments on the lawn at The University Of Charleston during Symphony Sunday, where it was hot enough to bake a person’s brain if they were stupid enough to wear a heavy felt hat. Other locations in this episode of RFC include The La Belle Theater in South Charleston, Taylor Books on Capitol Street, and lots of backwoods boondockery from two decades ago. Plus there are the Catfish, gathering in anticipation of FestivAll.

Full production notes can be found HERE.

Brian Diller, circa 1989

The PopCulteer
September 8, 2023

When I first got involved in Charleston’s music scene back in the late 1980s it was vibrant, colorful, surging with creativity and there was one guy who was pretty much the head of the table. Brian Diller and his band, The Ride, were Charleston’s kings of Rock ‘N’ Roll.

Before I started Radio Free Charleston I knew who Brian was. Everybody in town knew the name, whether they were into music or not. I met Brian at the legendary Charleston Playhouse, and I was struck by the fact that, despite all the success and local acclaim, he was a nice, humble, down-to-Earth guy who was genuinely grateful that people liked his music. We’ve been friends ever since.

Rudy and Brian, June 2010

His music was requested often on the old broadcast version of RFC, and around the time of his “farewell” show at the Playhouse, before he disbanded The Ride and made his way to Nashville, he happily agreed to come into the commercial production room at WVNS/WCHS Radio and record his song, “Hey Mister Auctioneer.” We aired it about nine hours after it was recorded back in January, 1990. It was a great way to wish him well on his new adventures.

When the broadcast RFC ended, and with Brian in Nashville, we lost touch until 2009, when we reconnected through the wonders of Facebook. Brian sent me some archival video for the video version of Radio Free Charleston, and in 2010 I was lucky enough to record Brian and a reunited Ride at Haddad Riverfront Park during FestivALL. This footage wound up on our seven-part RFC FestivALL 2010 series.

Just a couple of days ago, Brian released a new collection of songs spanning his 45 years making music.  Dear Boy is available on CD and Vinyl, and I played a couple of tracks from it on this week’s episode of Radio Free Charleston.

I’ve scheduled an extra replay of this week’s RFC Friday at 9 PM,  plus you can hear it at Noon and Midnight Saturday onThe AIR.

Again, thanks to the modern miracle of Facebook, I did a brief interview with Brian about the new CD and LP, and here it is…

PopCult: At the risk of making us both feel old, how long have you been making music?

Brian Diller: I have been playing professionally for 45 years. I got my first gig when I was 18 years old at a club called Cheers, which is now Bar 101. I was scared to death, but the show must’ve gone well because they asked me to play another again the following week. My first real band was the Toasters (with my dear friend Sandy Sowell,) which formed the following year, in 1979. A couple of years later I formed Stubby Dill. After we folded, I then played in a band called The Daily Planet. I then went back to playing solo shows for about a year. In 1984, I became friends with Greg Wegmann. (The Weg!) We began writing and performing together as a duo. Within a few months we gathered our close friends (Dave Pearcy, Jeff Wooley, Steve Burgess and Jim Kranz) and formed Brian Diller and The Ride. We played together for 5 years until Steve and I moved to Nashville in 1990.

Brian Diller & The Ride

Brian and Eliska

PC: Tell me a little bit about “Dear Boy.” How long have you been planning this release?

BD: We started planning the album release a little over 8 months ago, but some of these songs date back to 1988. It’s a mix of Ride Band music and solo material that I wrote while living in Nashville. Over the years, I have had many, many requests to release the music. Thanks to the encouragement and unbelievable organizational skills of my wife, Eliska, the album has finally become a realization.

PC: What can your long-time Charleston fans expect on “Dear Boy?”

BD: I think that longtime listeners will be pleased to hear that almost half of the material is from Brian Diller and The Ride. The rest of the songs were written and recorded in my home studio. After I moved to Nashville, I made a conscious effort to stretch myself as a songwriter, experimenting with different genres. I developed a more melodic style that allowed me more freedom to work with different tempos and lyric content. I feel the album shows my growth and maturity as a writer and performer. Hopefully, listeners will enjoy the variety and mix of the material as well. My wife helped me edit the content almost daily for 8 months. We are both exceptionally pleased with the result. In essence, I consider this a thank you gift to everyone who supported my music over the years.

PC: What do you feel is your most personal song on the album?

BD: “The Secret Chord”. I’ve wrestled with depression much of my life. Often depression results in isolation. In hindsight, I have found the best way I can deal with my depression is to reach out and connect with others. The lyrics are all about the need for connection and harmony and the strength we gain from making these connections.

PC: And which is the most fun for you?

BD: “Understanding Jane,” the only cover on the album. The Ride Band recorded it live in the studio, and it really captures the joy we experienced working together. It brings back countless wonderful memories of nights spent collectively playing our hearts out. This energy in the song really represents the bond between the band and our audience. Because no matter how much joy we gave to the audience on any given night, we received that same joy back tenfold from them. Every show was truly a communal event, where the lines between the performer and audience disappeared.

PC: I know you have a few obstacles in your way, but when can we see you on stage again in Charleston?

BD: We are already in discussions about a series of acoustic and full band shows within the next few months. I am really looking forward to playing again. Over the past 2 years, I have faced considerable health challenges. I underwent two full knee replacements and in February of this year, I had a serious abdominal surgery. Two and a half weeks later, I suffered a heart attack. Thankfully,I am on the mend and I feel happier and healthier than I have been since I was a young man. I can’t wait to come home and play!

Way back in the Stubby Dill days.

PC: Is this really the first LP you’ve put out on vinyl? How is that possible?

BD: Yes, it really is! The only other vinyl cut The Ride band released was “Don’t Stop at Anything” from the First Steps benefit album in 1988. The song became a regional hit and dramatically expanded our audience throughout the mid Atlantic region. Based on the airplay the song received, we were being asked to play in Pittsburgh, Washington, DC, Columbus and other major markets. The only formal commercial release The Ride band ever put out was a cassette in 1986 called “Trouble In Town.” I grew up in the era of vinyl, where there was something both comforting and exciting about the ritual of placing a needle on the grove of a new record and hearing it for the very first time. At the same time you are listening to the music, you’re pouring over the album cover artwork and liner notes for clues about the magic contained inside. To me, releasing this collectible vinyl makes everything come full circle. From the inception of this project, we always planned on offering it on vinyl.

PC: What might we expect in the future? Now that you’ve released this career retrospective, do you plan to treat us to some new songs?

BD: The great thing about releasing a collection is it gives you an opportunity to clean your slate and begin a new project. My goal is to continue to write and start performing again on a regular basis. I’ve got a number of new songs that have never been recorded or performed in public and I would like those to see the light of day. I am really looking forward to reconnecting with my audience again and continuing the dialogue we have had for the past 45 years. I may not be able to jump as high as I used to or play 5 hour marathon sets, but whenever I do perform I will give it every ounce of energy and commitment I have. I can not express the amount of gratitude I feel for the opportunity to have grown up in Charleston. The lifelong friends I made there are one of the cornerstones upon which I built my music career. I am very excited to share the album with everyone and to bring the music to life on stage!

And that’s our quick interview with Brian Diller on the release of his new album, Dear Boy. Dear Boy is available on CD and Vinyl, and you can purchase downloads of the individual songs (and more) at his Bandcamp page.  When Brian and I find ourselves in the same state in the near future, the plan is to hook up and do a long-form radio interview for RFC, hopefully in advance of his Charleston shows.

It’s always great to catch up with an old buddy from the Charleston Playhouse days, and it’s very cool that Brian’s music is finally making it into the hands of his fans, who have been eagerly awaiting this day for a long time.

And that is this week’s PopCulteer. Remember to check this blog every day for fresh content, and to listen to The AIR , our internet radio station, which you ought to be able to find elsewhere on this page.

Another delayed Radio Free Charleston happens again this week, and on The AIR that means it’s time for a new  RFC on Thursday! You simply have to point your cursor over and tune in at the website, or you could just stay here, and  listen to the cool embedded player found elsewhere on this page.  

You can hear Radio Free Charleston Tuesdays at 2 PM and 8 PM, with tons of replays throughout the week.  This week we have one all-new hour loaded with greatness, and two hours of a 2017 episode of RFC International that hasn’t been heard for more than five years.

Kicking off this cool edition of our show is a newly remastered song from Mark Beckner’s Nashville band, Hitchcock Circus. Back in 1992 Mark recorded this tune with his then-new band, which included Lee Hendricks on Bass, Mark Mingrone on Keyboards, and Jeff Noland on Drums in addition to Mark on vocals, guitar and songwriting.  Mark’s been revitalizing his back catalog and archives (and the Go Van Gogh archives as well) and while we’re waiting on a new album from his current band, Nixon Black, I’m wondering if we’ll get a retrospective compilation.

I am in the mind to consider retropsective compilations because Brian Diller has just released a new collection of songs spanning his 45 years making music.  Dear Boy is available on CD and Vinyl, and I will tell you more about that tomorrow, when I interview Brian for The PopCulteer. I play a couple of tracks from Brian’s album in our first hour.

I could have just coasted with that, but because I’m recording this show later than usual, I have the honor of playing a new song by Hello June. “Honey I Promise” is out just today at Bandcamp and other streaming services, and it’s another preview track from the long -awaited new album, Artifacts. Artifacts is due out October 6 from 31 Tigers records.

We also have an advance single from Chicago’s Ron Lazzeretti.  “Count Down By Threes” will be on his album Fat Head, Sunday Paper, which is due out September 29.  He’ll be playing a record release show in Berwyn at Fitzgerald’s on September 30. That’s in Chicagoland, but if you’re a Svengoolie fan you already knew that.

Hour one is also loaded with great stuff from Buni Muni, William Matheny, Logical Fleadh, Test Subject 17, Guitarmy of One and more.

Our second and third hours bring back a legendary episode of Radio Free Charleston International from 2017 that treats listeners to a free-format playlist where every song has at least one thing in common with the song before it. It was pretty tricky making this idea work, especially with the last song leading back into the first, but it makes for some incredible listening, and you can even try to guess the connections along the way. I do spill the beans and connect the dots at the end of the show.

As I said at the time…

In a special show that took way too much time to program, your humble host and PopCulteer brings you two hours of music where every song has something to do with the song that comes after it. Your challenge is to figure out just exactly what that is. It might be that the two songs are written by the same person, or share a producer, or a member of one band produced the song by another. It might be a tenuous connection, like both musical artists appearing on the same television show, or it might be a rock-solid tie, like two groups that share members.

Some of the songs you’ll hear in Radio Free Charleston International this week are by cutting-edge underground artists, some of them are from ultra-hip cult artists, while other tunes are by high-profile artists and may have been major hit records. But every song has something in common with the next.

Check out the playlist below to see all the goodies we have in store. Where possible in the first hour, live links will take you to the artist’s pages so you can find out more about them, buy their music and find out where to see them perform live…

RFC V5 145

Hitchcock Circus “Shakespeare’s Inspiration”
Brian Diller & The Ride “Don’t Stop At Anything”
Buni Muni “Don’t Look Back”
Sgt. Splendor “Heavy Be Thy Borrowed Crown”
Dave Gahan & The Soulsavers “I Held My Baby Last Night”
William Matheny “Heartless People”
Ron Lazzeretti “Count Down By Threes”
Logical Fleadh “The Pile”
Tony Kaye “Sweetest Dreams”
Test Subject 17  “Go Mortals”
Guitarmy of One “Jack Lord of the Sea”
Qiet “Pet Driftwood”
Miniature Giant “Dawn”
Hello June “Honey I Promise”
Brian Diller “Dear Boy”

hour two
Nu Tra “Superhuman”
The Aquabats “The Controller”
Oingo Boingo “Change”
Strawberry Alarm Clock “Dear Joy”
Surf Punks “Welcome To California”
Size 14 “Superbabe 2000”
Pink Floyd “In The Flesh”
Paul McCartney “On The Way”
The The “This Is The Day”
Rip Rig and Panic “Sunken Love”
Madness “The Liberty of Norton Folgate”

hour three
Suggs “I’m Only Sleeping”
Alice Cooper “Eleanor Rigby”
Hollywood Vampires “Come and Get It”
Badfinger “Baby Blue”
Todd Rundgren “Terra Firma”
XTC “Dear God”
Shriekback “Nemesis”
The Veils “Lavina”
Julie Cruse “Falling”
Sparks “I Predict”
FFS “Johnny Delusional”
Franz Ferdniand “Take Me Out”
The Cardigans and Tom Jones “Burning Down The House”
The Firm “Satisfaction Guaranteed”
DEVO “Communication Break Up”

You can hear this episode of Radio Free Charleston Thursday at 2 PM and 8 PM on The AIR, with replays Friday at 9 AM, Saturday at Noon and Midnight,  and  Monday at 11 AM, exclusively on The AIR. We are also going to run this episode in our normal timeslot next week so that your humble blogger/radio host can step away and write a magazine article. Now you can also hear a different classic episode of RFC every weekday at 5 PM, and we bring you a marathon all night long Saturday night/Sunday morning.

I’m also going to  embed a low-fi, mono version of this show right in this post, right here so you can listen on demand.

Labor Day weekend is in the rear-view mirror and here at PopCult we still have a whole bunch of suggestions for things you can get into in and around West Virginia.

There are loads and loads of cool things happening all over the damn place this weekend, so this is probably a good time to remind you that THIS IS NOT A COMPLETE LIST OF EVENTS.  I do the best I can by jumping over to Facebook and grabbing existing graphics for cool events, but past experience has taught me that putting too much time and effort than this into compiling a huge list of things that folks can do can be a bit of an exercise in futility. These posts are the least-read things in this blog. It’s the same reason that “entertainment calendars” at news sites tend to wither and die. People would rather read about one single event, or they’d rather read about new radio shows or comic book and toy reviews.

But, I like to support the local scene, so here’s what you can get into if you’re local, starting with my boilerplate paragraphs.

Live Music is back at Taylor Books. There is no cover charge, and shows start at 7:30 PM.  Friday singer-songwriter Megan Bee takes the stage. Saturday iwe have a graphic, so you can read about it below.

The World Famous Empty Glass Cafe has some great stuff this week  to tell you about.  Wednesday night Gabby’s Lo-Fi Lounge happens at 9 PM. Thursday at 5:30 PM, Swingstein and Robin return with Swing for a good cause. Later Thursday evening Kenny Booth hosts yet another Shred Night, filled with metallic jamming at 10 PM.  Friday Tim Courts plays during happy hour.  Later on Friday The Charleston Rouges mark the half-way mark to St. Patrick’s Day at 10 PM. Saturday at 10 PM, there is a poetry jam that you can read about below. Sunday, The Redbloods bring their jam-band sound to The Glass at 9 PM. Next Monday it’s Open Mic Night at 9 PM. Tuesday Pepper Fandango lights up the stage at The Glass.

Saturday Afternoon you can celebrate fifty years of THE MYSTERY HOLE at said hole, located in Fayette County. There will be light refreshments and weird shit going on, but the celebration is from 11 A to 1 PM. After that, celebrating is VERBOTEN!

September 9th from 7-9 PM at City Center Slack Plaza there’s a special showcase by Black Empire Productions featuring poetry, spoken word, a reading of the play, “Things Are Good” by DeJuan James, and music by DJ Big L. It’s free and should be great.

Friday and Saturday we have some favorite RFC performers heading to Rendesvous River Lodge at Adventures on the Gorge in Lansing. Shows start at 8:30 PM each night. Friday it’s Red Audio with Matt Deal, and Saturday it’s Threes Company Blues.

Please remember that the pandemic is not over yet. It’s still a going concern with the ‘rona surging again. And now there are seasonal allergies, the flu, radioactive wild boars, lunar tardigrades, icky political candidates roaming the streets and other damned good reasons to be careful. Many people who have very good reasons are still wearing masks, and many of us, understandably, are still nervous about being in crowds, masked or not. Be kind and understanding  while you’re out.

Keep in mind that all shows are subject to change or be cancelled at the last minute.

If you’re up for going out, here are a few suggestions for the weekend, roughly in order…

A quick reminder that Radio Free Charleston will debut on Thursday this week. Your humble blogger/radio host took advantage of the holiday weekend to not do any work, and now I’ve got to play catch up.

Speaking of catch up, here are the photos I took of the entries in the custom figure contest at JoeLanta back in August. Sadly, we had to cut out very early Saturday morning because we had to make our way to Columbus for PowerCon, so I was only able to get photos of three figure entries and one diorama.

Also, apologies for the grainy nature of the photos. My trusty digital camera, at fifteen years old, is not as trusty as it used to be, and your PopCulteer was also dealing with an MG flare-up that affected my ability to get clear pictures.

More contest entries showed up after we left, and the contest was in the capable hands of my old buddy, Dave Matteson, seen above.

The plan is to get more video ready for this weekend (the raw footage vids of JoeLanta and PowerCon) and squeeze out another photo essay for Friday.

But for now, here’s a tiny sample of the creativity on display in this cool 1/6 scale hobby…

This diorama depicted a scene from The Battle of Hue City…

…a key battle in the Tet Offensive in early 1968. Though vastly outnumbered…

…US Marines fought house-to-house to retake the city from the North Vietnamese.

There is a tremendous amount of detail in this diorama.

One of the three figures we got to see was this cool “Spec Ops Santa.” You’d better be good…or else!

There was also this nifty 1885 US Army Infantry Dress Uniform figure, again with amazing detail.

A closer look…

“The Fly Lebowski” is a hilarious mash-up of “The Fly” and “The Big Lebowski,” and was my personal favorite, although I think the artist should have called it “The Bug Lebowski.”

The detail was incredible, with the white Russian, shorts, and bathrobe…but it was the rug that tied the whole thing together.

It’s Labor Day in the US, so forgive me if I decided to slack off a bit and share piece that I don’t really think is quite up to snuff. Weekday holidays are among the least-read days here at PopCult, so I didn’t want to run a primo piece here while everybody was off Labor Daying it up or something.

This is a crude pastel crayon drawing on textured paper of a scene I photographed from the L as it was crossing the Chicago River. I loved the way the vibrant blue sky was reflected in the glass buildings that dominated the skyline from this vantage point.

It just didn’t translate well into pastels. I didn’t get the amount of definition between all the reflective surfaces of the buildings and the actual sky, so it just looks like a pretty blue mess. I may revisit this with a high-detailed painting, or I might take the easy route and just run the photo. Either way, that’s what I got for you today. And yes, I know this is the fourth time I’ve used that title for a piece in this space. I like the song, a lot.

To see it bigger try clicking HERE.

Over in radioland, all-day Monday on The AIR, we are going to Swing Into Labor Day with a 31-hour marathon of The Swing Shift that will last until 7 AM Tuesday. It’s our special way of taking the day off. Another special way we’re doing that is by delaying this week’s new RFC until Thursday, since we usually record the show on Monday, and I gots other stuff to do.

Happy Labor Day, everybody!

I don’t like to repeat the videos I post here in Sunday Evening Video very often, but this this has become an annual tradition and hardly anybody reads the blog on Labor Day weekend anyway, so here goes.

If you are of a certain age, Labor Day seems synonymous with The Jerry Lewis Labor Day MDA Telethon, which the famed comedian hosted for almost sixty years.

The telethon is gone, as is Jerry, but MDA (the Muscular Dystrophy Association) maintains a YouTube page where they still post highlights from the vaults.

Above you see a playlist with over a hundred videos of musical legends like Frank Sinatra, Aretha Franklin, Smokey Robinson, B.B. King, Diana Ross, Ray Charles, Elton John, Paul McCartney, Tony Bennett, Little Richard, Johnny Cash, Toni Basil and many others. Best of all, you can watch these clips without sitting through four hours of corporate spokespeople droning on in a monotone about how much they care about the kids. I mean, no offense to the guy from 7 11, but I’m pretty sure they play those parts on an endless loop in hell. Above you see the good stuff, the cream of the crop.

Seriously, there are some gems in there like Duran Duran, MC Hammer and Charo. There’s lots of Charo. Lots of MC Hammer, too, now that I think about it.

Enjoy!

It’s back to May 2008 in this week’s Flashback of Ten Years of Radio Free Charleston. This one’s called “Aqua Teen Hunger Force Shirt” and featured music from Barrelhouse Bonni, Doctor Senator, and The Synergy Collective.

We also have a brief visit from WCW’s Daffney, who sadly, took her life two years ago this week after years of physical ailments and concussion-related depression.

We met Daffney Unger (real name Shannon Spruill) back in 2008, at one of Gary Damron’s ASW Wrestling shows, and she agreed to appear on this episode of Radio Free Charleston. She did our animation intro. It only took a minute to record, and was only on the show for a few seconds, but she took the time to email me later and thank me for having her on the show.  She later sent nice emails about subsequent episodes of RFC, and was very positive and supportive of what we were doing.

It was a simple, kind gesture, but it’s more than most of the bands we’ve had on the show have done, and it meant a lot to me, and showed me what a sweet, caring person Daffney was. She is still missed.

This was another of our genre-hopping shows, with honky-tonk piano from Bonni, straight ahead rock from Doctor Senator, and music with a message (and dance) from The Synergy Collective. An added treat on RFC this time around was “Iron Man 1930,” vintage animation with a new soundtrack.

You can read the original production notes HERE.

Thirty-four years ago this weekend, the first edition of Radio Free Charleston aired on WVNS FM, 96.1. Let’s recap the story, okay?

The show was a result of my reward for working 100 days straight, often two or three shifts, with no day off while the station was beset with serious staffing problems. I was allowed to go on the air at 2 AM on Sunday morning, and play anything I wanted (within reason) for four hours each week.

This was not just my reward for working myself to death. My real reward was a promotion (in lieu of a raise) to assistant program director. With the title came the responsibility for scheduling the part-time talent to work on the weekends. I couldn’t get anybody reliable to handle the midnight to 6 AM shift Saturday night/Sunday morning, so I went to my boss with the idea of plugging a part-timer into my Friday night, 7 PM to Midnight shift, which was all syndicated programming anyway, and I would take the desolate shift that nobody wanted…IF I could have the freedom to play what I wanted.

My boss agreed to it and thus, Radio Free Charleston was born.

That first show didn’t include any local music. To be honest, it was mainly me digging out the best stuff from our existing playlist and augmenting it with a few choice progressive rock and New Wave tracks from my collection. I also remember being really happy that I could play the extended mix of “Heading To The Light” by The Traveling Wilburys on the first show.  I think it was the third week of the show when I slipped in “Big Red Satellite” by Hasil Adkins, and some single recorded by the teenaged daughter of a local car dealer who was considering advertising on the station.

Two weeks after that, the floodgates had opened, I fell in with the local music scene, and for the remainder of the original broadcast radio run, Radio Free Charleston became a bit of a phenomenon, peaking at over ten-thousand listeners and being featured in The Charleston Gazette. This was with a mix of local music, alternative rock, prog-rock, New Wave, underground tracks and even comedy records.

After the show was strangled in its crib over station politics in the spring of 1990, I couldn’t get hired in local radio. I was told repeatedly that program directors were afraid that if they’d hire me, I’d have their job in six months. I picked up work consulting with stations in other towns. I couldn’t relocate because I was taking care of my ailing parents, but there was a market for my expertise. I also sort of backed into writing and market research after working on local political ads. The whole time I was trying to find a way to revive Radio Free Charleston. I must have recorded a dozen pilot episodes for different stations, but it wasn’t until after I began writing PopCult that Brian Young came to me with the idea of reviving RFC as a video show, and Douglas Imbrogno let me incorporate it into The Gazz and PopCult.

Now, with The AIR operating as the internet radio arm of this blog, and with my video work diminished a bit due to Myasthenia Gravis, I’ve kept Radio Free Charleston going as a radio program once again. Each week on The AIR I bring you three hours of local, independent and mainstream music on Radio Free Charleston mixed into one three-hour free-format radio package. After several iterations of the radio show over the past decade, we’ve finally gotten to the point where it’s almost like I’m doing the same show I was back in 1989/90, only not in the middle of the night, and now with a worldwide audience.

That first RFC happened during Labor Day Weekend in 1989. Nobody knew then that the show would take on a life of its own as a beacon of obscurity. All the big shots in Charleston pretend not to know what RFC is, even if they’ve been on the show. I’m proud of the underground legacy I’ve built over the last thirty-plus years.

Starting Friday afternoon at 3 PM, I will be programming a marathon of episodes of Radio Free Charleston Volume Five, the current three-hour version, all taken from this year. This will run until Midnight, Sunday, when we launch into a marathon of The Swing Shift for Labor Day itself.

You simply have to point your cursor over and tune in at the website, or you could just stay here and  listen to the cool embedded player elsewhere on this page.