Rudy Panucci On Pop Culture

Author: Rudy Panucci (Page 168 of 581)

The RFC Flashback: Episode 155

From April, 2012 we find Radio Free Charleston 155, “Love Robot Shirt,” featuring music is from The Amorous, Godmode Broadway and Dual Core, plus the return of Stark Charleston. Host segments were shot in the parking lot of the WV Division of Tourism in South Charleston.

Our first musical guest on this week’s show was Clarksburg’s The Amorous. An indie-pop band with spiritual leaning.s We recorded the band live during Charcon in 2011, and assembled this video using audio enhanced with a studio recording.

Godmode Broadway (seen right) was an exciting band that was hard to pigeonhole, musically. They jumped between progressive rock, metal, reggae, surf and any other style they felt like playing–sometimes during a single song. The band was made up of Billy Freedom on vocls, Will Smoot on guitar, Steve Walker on bass, Ben Lamb on drums and our old friend, Synth-master,David Synn. Sadly, this band burned brightly, then went their separate ways, but it was great while it lasted, and making this video with them was a high point of RFC.

Playing us out this week we went to Charcon, or more specifically to Hack3rcon, for nerdcore rapper, DualCore, with “This One’s For You.” This also a fun shoot, and broadened the musical scope of the show a bit. You can read the original production notes for this episode HERE.

Chicago Photos and More

The PopCulteer
October 5, 2018

A week ago your PopCulteer arrived back home after spending most of the week in Chicago. This was part two of mine and Mel Larch’s anniversary trip, and we had a blast, even though I returned to a ton of outside assignments that had to be taken care of immediately.

That’s why it’s taken me a week to post these photos.  Later this weekend I will post my review of the play we saw (at Steppenwolf, one of the most-respected theaters in the world, and coincidentally, where your PopCulteer and his wife got married), and next week you might get a couple of bonus photo essays from our trip. You’ll get teasers for those below.

After the photo essay, we have a couple of brief news items, so follow it all the way down, okay.

Next week, with any luck, The AIR will feature all-new afternoon music programming, including the return of Herman Linte to Prognosis, and more great local music on Radio Free Charleston. You can always listen to our sister internet station at The AIR website, or on the embedded player that you will find at the bottom of this post.

Now, on with the photos…

The anniversary couple (about a month late) just up the street from where we got married.

 

We found the place in The Loop where they buried Roger Ebert (not really).

 

We took in a couple of games at Wrigley so Mel could see her Cubs. This was why we had to go to Yankee Stadium in August. I had to see my team play first. I’ve been a fan longer.

We stayed in a new hotel this trip (Hampton Inn McCormick Place) and out the window we could see a handy L Station, White Castle, and beyond that, the architectural wonders of the Hilliard Apartments, and then… Chinatown.

While waiting to hop the train home, we spent about an hour getting our toes wet in Chinatown.

It was a blast, and we plan to devote a whole day to shopping and sight-seeing there when we return to Chicago in December.

The view from our hotel window shows a vibrant neighborhood, and from here you can see a tree, which is in a garden next to the Legendary Chess Records.

We took the tour of this place where Chuck Berry, Etta James and Bo Diddly recorded their biggest hits, and I’ll bring you photos of that next week.

One last look from our hotel window at the famous Chicago Skyline, partially obscured by clouds. You can see the building formerly known as “The Hancock Tower” disappear in the mist in the middle of the picture.

Will Vinton, R.I.P.

Sad news from the world of animation as yesterday the passing of Claymation pioneer, Will Vinton, was announced by his family. The creator of The California Raisins and many great short films had been quietly dealing with cancer for more than the last decade.

PopCult had no idea of that a few weeks ago when we featured documentaries about him and samples of his work in Sunday Evening Videos. You can see that post HERE.

Sad Mad Glad: The Musical

This show opened last week, while we were out of town, and I didn’t get a chance to plug it. You have a few more chances to see the CYAC production of Sad Mad Glad: The Musical at their new performance space in the Charleston Town Center this weekend.

Especially for ages 7 and under, but fun for everyone. Four Dolphins Press and Contemporary Youth Arts Company have teamed up to create, Sad Mad Glad: The Musical.

Mark Scarpelli and Dan Kehde’s musical adaptation of Chuck Stump and Jim Strawn’s children’s books, Sad, Mad, Glad, debuted on September 27, 2018. A dozen new songs with titles such as “Your Eyes, Your Nose, Your Skin, Your Toes,” “Why, Why, Why” and “Pozz-itivity” pack this hour-long jaunt written for the 7 and under crowd.

Attitude is everything! And, just like academics, attitude and character are learned. The Sad Mad Glad Book  won the 2008 Moonbeam Children’s Book Awards Gold Medal. Using vivid photos and a fun, rhyming text that incorporates American folk wisdom and popular body idioms, The Sad Mad Glad Book helps teach children life lessons by taking something they already know – their body parts, and linking them to positive thoughts and behaviors. Anyone that enjoys molding young minds will find the unique format of this book helps children share feelings and build self-esteem while they’re having fun!

Another Sad Mad Glad Book-The Anatomy of Your Attitude picks up where The Sad Mad Glad Book left off. Recognized as 2009 Outstanding Book of the Year – Most Inspirational to Youth, by Independent Publisher, it uses even more body idioms and American folk wisdom to help children of all ages learn and reinforce the benefits of possessing a positive attitude and making smart choices in life. With the same look and feel of the original, Another Sad Mad Glad Book will lead to hours of thought-provoking conversation between adults and the special children in their lives.

Sad Mad Glad: The Musical
CYAC Theater in the Town Center Mall, 2nd floor
Charleston, WV
Show performances are:
7:00 PM October 5, 6
2:00 PM October 6, 7
Tickets are $15.00 per adult and $8 for student. $5 for 6 and under.
https://www.showclix.com/event/sad-mad-glad-the-musical

Call 304-541-4756 for more information.

The AIR

Here’s that handy embedded player so you can tune in and listen to reruns of some very, very well-done radio shows this weekend (except for Radio Free Charleston, which was new, and which you can read about HERE).

 

And that is it for this week’s PopCulteer. Check back for our regular features and look for a bonus post this weekend with a theatre review.

 

 

Chaos in Toyland

Nobody seems to know what the hell is really going on with Toys R Us this week. Also, KayBee Toys, which promised to be a major presence in malls this holiday season, hasn’t made a peep since May, which is of concern since seasonal stores really should be open by now.

The big bombshell news this week was that the lenders who hold the intellectual property of Toys R Us, including trademarks, websites, and private-label brands, filed papers with the bankruptcy court on Tuesday to cancel the expected auction of those intellectual property assets with the intention to use them to create a new business entity themselves.

They did this on the eve of the Toy Association of America’s annual Fall Toy Preview in Dallas, and they coincidentally debuted their new business there on Wednesday. The problem is, what they’ve announced is so vague that a person couldn’t be blamed for thinking that they’re just making it all up as they go along.

As seen at right, Geoffrey (reportedly with someone surprising inside the suit) was wandering the aisles at the Fall Toy Preview, offering photo ops to anybody who wanted one, and wearing a cape that said “Back from Vacation.”

One thing is clear: Whatever their plans are, they’ve been in the works for months. The auction of the intellectual property assets was supposed to have happened in July, and it seems likely that bids were submitted, and came in so low that the current caretakers of the IP decided to keep it for themselves.

What isn’t clear is just exactly what they intend to do with it.

The new business is “Geoffrey’s Toy Box,” and while there have been references to new stores, there are also references to retail partners, as well as this description of what they are: “A wholesale toy distributor and intellectual property company whose focus is on popular play patterns across trusted brands that kids and parents love. Geoffrey’s Toy Box is a fully outfitted organization with design, development and global sourcing expertise. Portfolio includes popular brands like Journey Girls, Fastlane, True Heroes, You & Me, Imaginarium, Just like Home and more!”

Speculation has run rampant, and folks on social media are going crazy at the idea of Toys R Us rising from the ashes and reopening old stores. That simply is not going to happen. At least not anytime soon.

Leaks, rumors and press statements tell a tale of a large cardboard display, shaped like a train with Geoffrey the Giraffe as engineer, that would hold an assortment of those private label brands that were previously exclusive to TRU. Hints and allegations indicate that the most likely location for this toy boutique would be Kohl’s, or possibly some other Midwest-based retailer. If this happens, it’s a short-term move designed to keep the trademarks in front of the public. That idea, is massively underwhelming. It could even be a bit of misdirection.

Supposedly, these displays will start appearing in November, which would indicate that this plan has to have been in the works for several months. I’ve been trying to find out what was happening with the IP auction since July, and it seems that they knew early on that it was not going to happen.  If you recall, Toys R Us had a massive liquidation sale and shut down all 800 of its US retail outlets back in June, after lenders refused to extend the company any further credit after a disastrous Chistmas season in 2017.

Reportedly, the lender behind this week’s move is Richard Barry, who is rather controversial in the toy business, with one toymaker going on the record accusing him of engineering the entire Toys R Us bankruptcy as part of a massive fraudulent scheme.

According to some sources, Barry was actually wearing the Geoffrey the Giraffe suit at the Dallas Toy Preview. This could just be part of a plan to get higher bids for the IP, or if you believe the wilder conspiracy theories, the entire bankruptcy was designed to rip off as many people as possible while killing the retail end of the company.

That conspiracy theory may not be so wild after all. The people who currently own the intellectual property are the same people who essentially ran the company out of business in the first place, and at least one major toymaker has vowed to never let those people sell his toys again. That would explain the emphasis on their private-label brands, instead of touting themselves as “where the toys are.”

I didn’t jump on this story sooner because it’s still developing, and all I can do is share the incomplete knowledge that’s already out there.

Speaking of incomplete, nobody seems to be saying anything about KB Toys, which announced plans to open 1,000 pop-up stores in malls across the country, just in time for the holiday season.

That may very well happen, but the company has not made any announcements since last May, and seasonal pop-up stores should at least be confirming locations and hiring by now.

One report has KB Toys opening 1,000 pop-up stores on Black Friday, but even at that late date, the stores will need to be stocked and staffed, and with not even their Facebook page being updated since early May, it seems like this revival may not happen this year. As I write this, no local mall has any deal in place for a KB Toys pop-up. It is possible that this is the most efficient stealth retail launch in history, but it’s looking a bit like there’s a slim chance we’ll see KB Toys return this year.

Meanhwile, Party City opened up around 50 temporary “Toy City” stores around the country beginning in late August. These are combined with Halloween City, and the closest one to Charleston is just North of Columbus. While it’s cool that they were able to pull this off on such short notice, it looks like the selection at those stores is not unlike the typical type you find at pop-up stores, with a heavy emphasis on big-name toys like Barbie, Lego and Hot Wheels, plus a lot of board games and not much in the way of offerings from smaller toy companies.

Elsewhere, almost every retailer that has a toy department is beefing them up for the holiday season. Bookstore chains, Barnes & Noble and Books A Million are devoting half of their floor space to toys now. Walgreens is looking to expand their toy offerings. Kroger is mulling over the idea of creating a larger-than-usual seasonal toy section and Walmart and Target are expanding their toy departments by as much as 50%.

PopCult will revisit this story as further developments occur.

Return of The Son of Nitro’s Festival of Fright This Weekend

This weekend Halloween season kicks off in earnest in Nitro with the annual Festival of Fright. The festivities begin Friday night with a Kick Off concert at Ridenour Lake featuring Ghost Road (7 PM), Robot Jurassic (9 PM) and The Renfields (10:30 PM). That line-up is subject to change, and REL-X may be worked in later in the show.

That should get you in the mood for Saturday, when the mayhem begins at noon, with Pumpkin Carving, a Zombie Shoot and Pumpkin Races.
At 1 PM ACW Wrestling will present a Meet and Greet, and shuttle service (because of limited parking at Ridenour Lake) begins. At 2 PM ACW wrestling will present two hours of the finest professional wrestling in the Mountain State.

At 4 PM The Trail of Terror begins. 5 PM sees the start of the Po’ Folks Cabaret, and 6 PM markes the end of the Pumpkin Carving, Zombie Shoot and Pumpkin Races.

Starting at 8 PM Ridenour Lake becomes a Drive-in Theater, with It’s The Great Pumpkin Charlie Brown, followed by Goosebumps. At 10:30 PM the classic Return of the Living Dead fills the screen with R-rated zombie antics, and at midnight everyone will do the Time Warp as the event ends with The Rocky Horror Picture Show.

Admission is free, but bring money for the vendors and food trucks. A ghoulishly great time is guaranteed for all. Check their Facebook page for more details.

New Music By Karen Allen, Todd Burge and William Matheny on Radio Free Charleston

Tuesday at 10 AM and 10 PM Radio Free Charleston and The AIR bring you new music by three of West Virginia’s most acclaimed singer/songwriters.  You can tune in to the website, or on the embedded player below for this week’s new hour of great local music…

This week’s RFC kicks off with the song “Satellite” from Karen Allen’s new CD, “Here We Are Now.” You can order her album from her website, and check PopCult for details on her next local performance. Aside from brand, sparkly new music from Karen, we also have new tunes from William Matheny, off of his “Moon Over Kenova” album (get it HERE) and Todd Burge, from his upcoming album, “Your Reflection Will Kill You.

Check out the playlist for this week’s Radio Free Charleston:

Karen Allen “Satellite”
William Matheny “Blood Moon Singer”
Mark Beckner “Proverbs”
Stonebeard “Time”
Tom Rader “Angels”
Half Batch “Either Way”
Todd Burge “Don’t Water My Whiskey Down”
Mind Garage “Paint It Black”
Holly and The Guy “Love Runs Out”
Axis Everything “Stymie”
Poor Man’s Gravy “Let Me Go”
Speedsuit “Forever, Never Mind”
Jay Parade “Jimmy”
The Stars Revolt “Goodnight, Goodnight”

Radio Free Charleston can be heard Tuesday at 10 AM and 10 PM, with replays Thursday at 2 PM, Friday at 8 PM and Saturday at 11 AM and Midnight, exclusively on The AIR.

During the rest of this week The AIR presents the best examples of our most popular programs. That probably sounds familiar, since we just did this a couple of times recently, but the fact is that deadlines, outside committments travel and various and sundry upcoming PopCult posts have eaten into our radio-making time.

Whilst our hard working crew are preoccupied with life this week The AIR brings you more of the best of our programming.  The plan is for us to have a line-up of all-new shows next week, including the return of Herman Linte to the host duties of Prognosis. For now, though, this week, in the spirit of SCTV showing the “Indira” episode every other week, The AIR brings you the best of our recent shows.

Tuesday, aside from a new hour of Radio Free Charleston, you will be treated to treasures from our archives for Psychedelic Shack and The Swing Shift. Wednesday it’s encores of Curtain Call, Beatles Blast and Life Speaks to Michele Zirkle. Thursday expect a classic edition of Prognosis, and Friday brings you hand-picked examples of the finest episodes of Radio Free Charleston International and Sydney’s Big Electric Cat. You can keep track of the full schedule on the widget-thingy at the bottom of this post.

Monday Morning Art: Monolith At Midnight

 

Since October is Halloween month, this and the next three installments of Monday Morning Art will be moody or spooky or something like that.

I haven’t done much in the way of genre art since I stopped contributing to ArtMares, so this gets me back into the Halloween groove. This week’s art is notable because it’s the first piece of digital art that started out as a doodle on my phone. I switched to using a smartphone less than a year ago because for years, with my fingers paralyzed by undiagnosed Myasthenia Gravis, I couldn’t operate a touch screen. With all that sorted out, and with AT&T making my old phone obsolete, I took the plunge and got a mid-level Samsung Galaxy.

That phone has a feature called Samsung Notes that allows a person to draw. I just figured out how to export those drawings a couple of days ago, and this particular digital painting started life as a doodle drawn, with my fingertip, late at night while riding the Amtrak Cardinal back from Chicago last Thursday. Once I got it into my computer, I built on the original compostion and painted over it, using some of my custom digital brushes, and made it a bit Van Gooey in the process. I call it Monolith At Midnight (you can imagine spooky music playing when you read that).

You can see a bigger version by clicking on the image.

Meanwhile, today on The AIR, you can catch a 23-hour Monday Marathon featuring Radio Free Charleston International, the show where yours truly plays whatever he wants. Next week we’ll have a special marathon devoted to a certain musician, and following that, expect a couple of Halloween-themed marathons. Tune in at The AIR Website, or on this neat little embedded player…

Sunday Evening Video: Ben Cooper Halloween Costumes

Tomorrow is the first day of October, and as such, it’s about time to start getting in the mood for Halloween. Of course, I realize that most retailers have had their Halloween stuff out since June, but for those of us who like to keep the holiday seasons relatively intact, it makes more sense to at least wait until a holiday is less than a month away to start celebrating.

Our video tonight is one created a few years ago by yours truly and his wife. Recorded May 30, 2015 at WonderFest USA in Louisville, Kentucky. The above video was shot by Melanie Larch and edited by your PopCulteer.

The PopCult and Radio Free Charleston crew stumbled onto this incredible collection of delightfully cheesy, vintage Ben Cooper Halloween Costumes, tucked away in a little room just off from the main hallway at WonderFest USA, the annual fantasy and SF modelers convention.

Presented by a die-hard collector named Jeff, this was a fun and surprising little diversion to find just as we were on the way out the door to come home. We didn’t get much information about Jeff’s collection, but it sure looks cool and has lots of very rare items. This incredible collection of delightfully cheesy, vintage Ben Cooper Halloween Costumes, was tucked away in a little room just off from the main hallway at WonderFest USA, the fantasy and SF modelers convention.  We were actually alerted to this treasure by our friends from JoeLanta, who were also at WonderFest, taking in all the coolness.

As for Ben Cooper Inc., the costume-maker struggled through a few bankruptcies and other setbacks before shutting down over twenty-five years ago. Last year the descendants of the original owners seemed to be staging a comeback, licensing their designs to folks like Retro-A-Go Go (who have just relased a new series of their oversized Ben Cooper mask wall hangings), but they haven’t posted anything to their Facebook page since last December, and their website is currently down. Let’s hope this is just a blip in their comeback.

But we do have this video valentine to Halloween to get you in the holiday spirit.

 

The RFC Flashback: Episode 154

This week we go back to April Fool’s Day, 2012, for a show that has taken on a bit of a bittersweet aura. This episode presents Coalfinger, a film by Johnny Rock, whom we lost a little over a year ago.

“Adventure Comics Shirt” was a special episode of Radio Free Charleston, dedicated to presenting once-thought-lost scenes from The Lower West Virginia Contemporary Light Opera Stage Players film production of the James Bond film, “Coalfinger.” All prints of this film were destroyed after MGM, EON Productions and the Ian Fleming estate won a permanent injunction against the tiny, Southern West Virginia theater company Luckily, a few scenes were preserved in filmmaker Johnny Rock’s long-supressed documentary on the making of “Coalfinger.”

It was April Fool’s Day, and it was time to show the world this short film that Johnny and Tim Rock came up with, with a little help from Stephen Beckner, Jason Ashworth, yours truly and other members of the Go Van Gogh inner circle. The premise was that a Southern West Virginia theatre troupe somehow wound up with the rights to make a James Bond movie, and potshots were taken at lots of local creative types. Making this film remains one of the most fun times in my life.

As with most of our April Fool’s Day specials, the original production notes were written in jest. You can read them HERE.

The AIR Bonus Round: RFC International and The Crazy Show

Welcome to PopCult’s guide to Bonus Round Week on The AIR. This week, Tuesday through Saturday, each programming day on The AIR will be split between two mini-marathons of some of our most popular specialty music programs.

You can listen at The AIR Website, or on this embedded radio player…

Saturday sees Radio Free Charleston International, our tribute to free-format radio, take the daytime spot, from 7 AM to 7 PM.

On RFC International, yours truly basically gets to play anything he wants. This was why I got into radio in the first place, to play cool music that you may or may not have heard before. I may mix New Wave Music with Swing, with Progressive Rock with The Beatles or Stones or really anything I feel like playing. My musical tastes are all over the map, and so is this show. You really sort of have to listen to find out what it’ll be each week.

Radio Free Charleston International can be heard Friday at 1 PM, Saturday at 1 PM and 1 AM, Sunday at 3 PM and Tuesday at 10 PM. It gets around a lot.

From 7 PM to Midnight, you can hear ten episodes of The Bats**t Crazy Show. Imagine Dr. Demento on LSD with Tourette’s Syndrome, and you have an idea of the chaos that awaits you.

The Bats**t Crazy Show can be heard Tuesday through Friday at 6:30 PM, and for ninety minutes every Saturday at 7 PM.

Finding Big Pink

The PopCulteer
September 28, 2018

2018 marks the fiftieth anniversary of Music From Big Pink, the debut album by The Band, and quite possibly the album that kicked off a musical genre that eventually became known as “Americana.”

“Big Pink” was the house where The Band recorded the album after coming off of a tour as The Hawks, backing Bob Dylan. The house was shared by band members Rick Danko, Richard Manuel and Garth Hudson in West Saugerties, New York. Bob Dylan’s legendary Basement Tapes were recorded at Big Pink before The Band decided to strike out on their own, but remained unreleased (officially) until 1976.

The house itself has become a sort of venerated location, and Charleston filmmaker Lisa Tignor decided to create a film about people making a pilgrimage to this legendary domicile. Her journey in making the film is quite the story in its own right. Lisa sent me a detailed press release about her film, and the details for this piece were sourced from that. This is something that more people need to know about.

Finding Big Pink was three years in the making, and had many obstacles to overcome, but now the film is finally complete and making the rounds on the festival circuit. Check out the trailer…

The film is simultaneously a road trip, a tribute to a great band, one fan’s interpretation of a song, an example of subversive filmmaking, and a couple’s vacation video. The film targets a niche audience: fans of The Band and people who love road trips.

The film is currently making its festival run with five official selections and one award so far. “This is just the beginning,” says Director, Lisa Tignor (left). This is a film that almost didn’t make it to the public.

“It was shot in 2015, and I thought the editing was complete in 2016, but it was clear that something was missing.” Tignor decided to shoot the equivalent of a music video and splice it between sections of the documentary. This created a new obstacle. After hiring lawyers, she found she could not get the rights to the song “The Weight.” Tignor stewed over this, thinking she would have to dump the entire project.

Then she had an idea. “While the travel portions are a bit shakey, the cinematography on the music video sections couldn’t be more beautiful! I couldn’t let this film not be seen!” She added time cues to the film, and explained in the narrative about the struggle to get the music rights.

The Band fans watching Finding Big Pink at home could cue up “The Weight” to its appropriate point and see the film as it was intended. No laws are broken, no rights infringed and no copyright lawyers were harmed during the making of this movie.

Anyone watching it at a festival will be treated to royalty free music.

Tignor believes this decision may have contributed to the popularity of the film. “I’m getting emails from reviewers, even from festivals where my film was not accepted, telling me what a brilliant idea this was. I guess it’s a familiar struggle for a lot of filmmakers, and they are relating to that.”

Indeed, ten years ago, animator Nina Paley, faced with ridiculous rights fees for music in her feature film, Sita Sings The Blues, chose to release her film under a Creative Commons Attribution-Share Alike License, which meant that she could show it and distribute it, as long as she didn’t make any money directly from selling the music. You can see that film right here in PopCult at this link.

Finding Big Pink stars relative unknowns from West Virginia, but David Tackett might be recognized from his live theatre work. Zach Labin, of Appalachian Video Productions, wieded the camera for the beautiful cinematography.

As soon as Finding Big Pink wraps up its festival commitments we’ll tell you where you might be able to see or buy a copy. In the meantime, it sure would be cool if this project could get a local showing.

That’s this week’s PopCulteer. By the time you read this I should be back in Charleston after hitting Chicago for part two of my anniversary trip with Mel Larch. I’ll tell you all about that next week.

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