Rudy Panucci On Pop Culture

Author: Rudy Panucci (Page 189 of 581)

Radio Free Charleston International Returns To The AIR

We are taking baby steps to getting The AIR back running at full speed with a new episode of Radio Free Charleston International Thursday at 3 PM. Listen at The AIR Website or tune in to this little embedded player hovering at the top of the right column.

We jump back into the free-format radio party with an episode of RFC International devoted to upbeat, peppy music, the kind all the kids aren’t dancing to.

You can hear RFC International Thursday at 3 PM, Friday at 7 AM and 10 PM, Saturday at Noon and 1 AM and next Tuesday at 11 PM, exclusively on The AIR.

Here’s what’s in store for you this week…

RFCI 052

DEVO “Don’t Shoot (I’m A Man) Polysics Remix”
New Model Army “Did You Make It Safe”
No Doubt “Total Hate 95”
Wings “Spin It On”
ELP “Are You Ready Eddie”
Emmy Lou and The Rhythm boys “Bip Bop Boom”
ELO “Easy Money”
Kent Ford and the Hep Jump Stompers “Rockabilly Queen”
Madness “Drip Fed Fred”
Led Zepplin “Rock and Roll”
Kate Bush “Violin”
Roger Daltry “Free Me”
Split Enz “What’s The Matter With You”
Oingo Boingo “Who Do You Want To Be Today”
The Plasmatics “Living Dead”
Adam Ant “Charge of the Heavy Brigade”
Mike Peters “This Is War”
Me First and the Gimme Gimmes “The Harder They Come”
Pete Townsend “Squeezebox”
Regina Spektor “Oh Marcello”
Agent Orange “Say It Isn’t True”
PM “You’ve Got Me Rockin'”
The Dickies “If Stuart Could Talk (live)”
Franz Ferdinand and Sparks “Piss Off”
Hazel O’Connor “Not For You”
Goldfinger ‘I’m Down”
Marcella Detroit “Cool People”
The Warner Brothers “Hey Mama”
Hasil Adkins “She Said”
Joe Jackson “Someone Up There”
Neil Young “Wonderin'”
Mel C “Yeh, Yeh, Yeh”
Motorhead “Ace of Spades (alternate take)”
Nirvana “Turn Around”

Plus a mystery bonus track!

The Skin That You’re In On Life Speaks to Michele Zirkle

Tune in to The AIR Wednesday as Life Speaks to Michele Zirkle looks at your skin, and how to feel comfortable in it. Life Speaks debuts a new episode every Wednesday at 1:30 PM and 7 PM. Listen to it The AIR (or this embedded player).

You skin is the largest organ in your body. It’s what people see when they see your physical form. This week Michele looks at how you relate to your skin, and how you need to find ways to be comfortable in your own skin if you want to relate well with other people.

Following up on previous week’s shows about movement and time, this week Life Speaks to Michele Zirkle looks into how we have to learn to live inside ourselves.

Michele examines these questions and tries to figure out the answers as she listens to life.

Life Speaks to Michele Zirkle replays on The AIR Friday at 9:30 AM and Monday at 12:30 PM. Check out our other cool programming on The AIR, with music every weekday at 2 PM. A new episode of The Real with Mark Wolfe can be heard Thursday at 10 PM. We’ll tell you more about that tomorrow.

New Music From Sheldon Vance, Farnsworth and John Radcliff on Radio Free Charleston

Tuesday The AIR brings you the first new episode of Radio Free Charleston in a few weeks, as your PopCulteer has been somewhat beset by allergies and colds. You can hear it at The website or on this cool little embedded player…

At 10 AM and and 10 PM you can catch this new hour that mixes classic tracks from the RFC archives with brand-new music from Sheldon Vance, Farnsworth and John Radcliff. It’s the Radio Free Charleston experience you’ve come to know and love.

We’re still getting back on track at The AIR, and hope to have all-new episodes of our most popular shows next week. We will be seeing a change as Herman Linte has simply become to busy to devote any time to presenting Prognosis (which you can hear Monday at 3 PM). Starting next week, yours truly will take over hosting our progressive rock showcase for at least the next two months, although final production will still be handled by the fine folks at Haversham Recording Institute.

We’re easing back into things this week with new episodes of RFC and RFC International, and of course we’ll bring you a fresh edition of Life Speaks to Michele Zirkle on Wednesday, and Jay and Jarod will offer up a new edition of The Third Shift on Friday.

Meanwhile, check out this playlist for the latest Radio Free Charleston

RFCv4072

Sheldon Vance “Play On”
Farnsworth “American Dream”
Byzantine “Purity”
Burt Reynolds Death Metal Experiment “Finding Emo”
Science of the Mind “Taste My Fist”
The Renfields “Mars Attacks”
Under The Radar “Mothman Prophecy #1”
Radio Cult “Man Made Monster”
Linnfinity “Martian’s Bloom”
Hawthorne Heights “Hope”
Stone Ka-Tet “Here It Comes Again”
Stark Raven “It Never Goes Away”
Wolfgang Parker “Blood Red Water”
Pepper Fandango “Make-out Bandit”
John Radcliff “Company Song”

Monday Morning Art: Playing Vincent

 

This week’s bit of artsy fun is a sketch of two figures painted digitally in a very Van Goghesque style, using some new digital brushes and such that I picked up when I had to reinstall all my graphics programs on the new computer last month. It’s a very relaxed body language character study that tries not to bog down the viewer with too much in the way of detail. Click to enlarge.

Sunday Evening Video: April Fool’s Day

Tonight we bring you two of my favorite episodes of Radio Free Charleston. Above you see our first April Fool’s Day show, from 2008, where we drove to Huntington and tried to pass off the scenes down there for places in Kanawha County. We also loaded the show with star power, with music from Paul Calicoat and Joe Slack, and guest appearances from Jerry “The King” Lawler and Eamon Hardiman. This is the episode where I sneeze and break the RFC bug, and we have to replace it with a gaudy animated one. It is also the debut of Marvin, the wonder pelt.

Below you see our 2011 April Fool’s show, which recycles basically the same joke, but instead of shooting our host segments in Charleston, we shot them in Washington D.C., on the National Mall. With music from Pepper Fandango, Mother Nang and Adrian DeQuiros, plus a Kitty Killton film, a childhood cartoon by my brother and lots of other April Fool’s goodness, this is an RFC classic.

The RFC Flashback: Episode 132

At the top of the post you will find Radio Free Charleston number 132 from June, 2011. This was our last episode before we launched into our extensive coverage of FestivALL, which you will see unfold in this space over the next two months or so. This special pre-FestivALL episode included music from Wiley Sonic, The Voodoo Katz, and The Poor Taters, plus belly dancing from Jennifer Brooke Swanson, and animation by yours truly.

Host segments were shot on a sunny Sunday morning on Charleston’s historic East End in front of Glen Brogan’s then-new mural on the side of the Bluegrass Kitchen.

Jennifer was recorded on Capitol Street during a previous FestivALL. We caught up with Wiley Sonic at The Empty Glass, and recorded The VooDoo Katz at Haddad Riverfront Park. Finally the Poor Taters showed up courtesy of our old buddy, Jerry Fugaterecorded on a back porch somewhere in Putnam County, if I recall correctly.

You can find the originak production notes HERE.

Go See The Velvets Tonight!

Man, this one snuck up on me. I knew about this weeks ago, but almost forgot, and now I’m not sure I can make it out to see one of my favorite bands at The Empty Glass tonight. That doesn’t mean you shouldn’t go. Head out to see the Velvet Brothers tonight. You may even see me there, after all.

Reflections on Brick and Mortar

The PopCulteer
March 30, 2018

With so much recent attention to the current liquidation of Toys R Us, much has been said about how the world has changed, and how the beloved brick-and-mortar retail stores of the past simply can’t compete with the likes of Amazon.

There is truth to this, although the impending demise of Toys R Us has more to do with the evils of leveraged buyouts than any real market forces (and there is nothing new to report on that front–bids for parts of the retail chain, which could possibly see some US stores reopen under a new owner are due today, but any winners won’t be revealed until mid-April).

All this talk did get me thinking about why the world of retail has changed so dramatically. The simple answer is that mom-and-pop stores couldn’t compete with the buying power of the big-box stores, and now the big-box stores can’t compete with the convenience of online retailers.

That’s true to a point, but it glosses over the underlying factors.

Why couldn’t mom-and-pop stores compete with big-box retailers? It all comes down to the priorities of the consumer. Consumers want several things from a retailer: convenience, selection, service and the best possible price. Note that I did not list those in order of importance.

Consumers demonstrated that they are willing to forego convenience and service in order to have a larger selection and lower prices.

People bemoan the loss of personalized service that used to be available from the old-time mom-and-pop grocery stores. Much of that has been romanticized with the passage of time. Folks have a nostalgic desire for a thing that never really existed.

Many mom-and-pop grocers had ridiculously high prices, poor selection, and while they might be located within easy walking distance from your house, you’d be hard-pressed to find exactly what you want there. On top of that, much of the time mom and/or pop was downright surly and could be thoroughly unpleasant to be around.

When major retailers like Walmart began to expand nationwide it was no contest. Sure, you had to drive a little farther, but you had a much better selection and much lower prices, so eventually you didn’t even bother slowing down as you sped past the old mom-and-pop retailer.

I live in Dunbar. I have my entire life. When I was a kid there were small grocery stores all over town. These were the small precursors to what eventually became convenience stores. Eventually, as chains like Go Mart expanded into town and offered gas in addition to bread, milk and butter, these little stores dried up and faded away. It’s nice to think about how wonderful and colorful these little stores were, but the harsh truth is that they were pretty awful nasty places, where the store owner would mark out expiration dates and you were playing botulism roulette if you ever bought any meat there. On top of that, the prices were sky-high.

I’m not saying that all mom-and-pop retailers were like that, but enough were that the opportunity to go to a nice, big, clean mega-mart that had a vast selection and everyday low prices was tremendously appealing to vast amounts of people.

This has happened with toy stores, book stores and other specialty retailers. Not every independent book store was as wonderful as Taylor Books still is. Many had miniscule selections and high prices and couldn’t be bothered to special order anything for a customer. Those stores fell by the wayside as soon as Waldenbooks and B. Dalton came to town, and when those chains mutated into Borders and Barnes & Noble, they eventually fell to the combined might of Amazon and mismanagement following their own leveraged buyouts. (Barnes & Noble is still with us, but they’re not doing so hot these days)

Likewise, Toys R Us began making near-fatal mistakes almost a quarter-century ago. When Charles Lazurus, their founder, retired in 1994, the new management team decided to slash the amount of product that they carried by 60%. That led to a sales slump that made them ripe for a leveraged buyout (by some of the same folks who bled KayBee Toys dry, no less) and that brought them to their current state of liquidation.

Before that, Toys R Us, KayBee Toys and Children’s Palace combined to wipe out a goodly number of independently-owned toy stores nationwide.

The smaller, local stores may have had much better service, but they could never hope to compete on selection or price.

That brings us to today, when Walmart is hurting, Sears and K Mart are on life support, and other major retail chains are dropping like flies. The simple answer is that they can’t compete with online retailers. The question brought about by that answer is “why?”

For an answer to that question, I refer back to a famous quote, somewhat mangled in translation, but appropriate here in its mangled form. From Jean-Paul Sartre’s play, “No Exit,” the thought that popped into my head as I ventured forth last Sunday into not one, but two liquidating Toys R Us stores while suffering from severe seasonal allergies: “Hell is other people.”

It’s not the same exact meaning as Sartre intended, taken out of the context of his play about the afterlife, but it made for the perfect slogan for a day when I really didn’t feel like going out, but made myself leave the house, and then came to regret that decision.

When I shop at Amazon, I don’t have some lumbering oaf stand directly in front of what I’m trying to see, oblivious to my polite interjections of “excuse me” and apparently so intent on never moving that I swear I think they had their mail rerouted. I don’t have people jumping in front of me and ripping things out of my hand, only to toss them aside when they see that it wasn’t something they want.

When I shop online, I don’t have to fight my way to find what I’m looking for, only to have some slack-jawed bespeckled person unleash some Lovecraftian behemoth of a flatulant outburst so strong that I have to make the choice between retreat or barfing.

There are no screaming children being screamed at by their screaming parents when I’m shopping online. I don’t get bruises on my shins from excitable idiots shoving their carts in directions at which their eyes are not pointed.

I try to be a hopeful person. I try to be optimistic and love my fellow man and be a nice person and all that upbeat, happy stuff. But lately, when I have to go shopping in a crowded store, I come away imagining how wonderful it would be if a sudden plague laid waste to humanity.

I don’t like feeling like that. Expecially when the liquidation discount was just ten percent, and most of the stuff in the store cost more than it did before the sale began.

I came away with an understanding about why brick-and-mortar retail is in such peril. I can see why we may soon be living in a world where you won’t be able to run to a mall or a crowded store, and instead will just have to order everything online.

It’s called progress. In this case, progress will bring us even lower prices and better selection, added to the convenience of home delivery. As a bonus, you’ll be able to shop without wanting to kill everyone in the world.

That’s this week’s PopCulteer. Keep checking back for all our regular features.

Kickstarter Alert: Graphic Novel

Local writer/artist extraordinaire, Jason Pell, has a new project in the pipeline, and you can get in on the early action via Kickstarter now.

Pinpricks. A book of tiny and terrible oddities is not really a novel, per se. It’s one-hundred and one illustrated short stories of misfits, monsters, and the terminally awkward.

There are a variety of reward levels, but the coolest part is that, at the low price of $15, you get a hardcover copy of Pinpricks, plus a few extra goodies. Lots of Kickstarter graphic novel projects make you pay more than twice that, just to get a paperback collection.

You can read more about Pinpricks at the Kickstarter page, or watch this video…

The book is scheduled to be delivered in September, and at the higher levels you can collect other perks, like hardcover editions of Jason’s previous works, or even your name, used in one of the stories.

Jason is a top-level creator and this looks to be a terrific project. Follow the links in the widget to kick in. Just one day in, and the project is almost halfway home.

The Freak Brothers Turn 50 (or 51)

PopCult Comix

Fifty Freakin’ Years Of The Fabulous Furry Freak Brothers
by Gilbert Shelton
Knockabout Comics/Fanfare
ISBN-13: 978-0861662616
$12.99

This slim volume of the best-selling Underground Comics characters of all time, The Fabulous Furry Freak Brothers, is just a little late to the celebration of the comic trio’s drug-addled fiftieth anniversary year, but that doesn’t stop it from being a fun souvenir for a pretty wild party. An earlier Knockabout edition was published in comic shops a few weeks ago, but the official bookstore edition is due to be published in April.

The Freak Brothers are a trio of hippies with little in common except for a love of pot and sex and a serious dislike of work. Freewheelin’ Franklin is the loner stoner from Texas, Phineas is the excitable genius and Fat Freddy is the one with the permanent munchies. They’re a bit of a blend of The Marx Brothers and The Three Stooges, filtered through a pot-clouded lens.

The Golden Anniversary of the Freak Brothers was actually last year, but production of this book took a bit longer than anticipated. The series’ creator, Gilbert Shelton, is pushing eighty years old and living in London, but he supplies a quick, sharp-witted history of his characters, from their origins on a poster promoting a short film he’d made to their role in the best selling underground comics of all time (with millions in print) to their many failed movie options.

The big attraction for the die-hard fans here is 28 pages of new Freak Brothers comics that were published since the 2008 collection of every Freak Brothers comic in a huge omnibus collection. The completist will want to have these new strips, which include a guest appearance by Robert Crumb’s Mr. Natural, and a parody strip by Hunt Emerson.

This anniversary update contains several brand new strips: Phineas becomes a Suicide Bomber, Franklin got his Gun, Fat Freddy gets Religion, and more Freak Brothers short strips. There is also a gallery of merchandise and production stills from an animated feature that never quite finished getting produced. The best part is Shelton’s introduction and explanations of various parts of the book.

Fifty Freakin’ Years Of The Fabulous Furry Freak Brothers is a fun look one of the classics of underground comics. It’s perfect for the completist, and it’s good for anyone already familiar with the characters who wouldn’t be offended by the sex, nudity and drug use that play key parts in many of the stories. It’s probably not the best introduction to the Freak Brothers mythos, but it’s filled with lots of Freaky treats.

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